August 30, 2010

The Loom 8/28/2010 @ PA's Lounge, Somerville

The Loom are a local favorite here at TSRE and I was not going to miss my first chance to catch them live this past weekend at the intimate PA's Lounge in Somerville, MA. Featuring a banjo, synth, trumpet, french horn, ukulele, alongside the ordinary arrangement of instruments, The Loom's live sound defies characterization. Ranging from folky and woodsy tracks to louder, more guitar-centric cuts, The Loom shared songs from their excellent EP At Last Light, as well as some new ones from their upcoming debut LP Teeth (which features many songs concentrating on the weather, usually winter weather). What really struck me about their set was how seamlessly the varied instruments fit together in each song and how none really ever overpowered any of the others. Banjo played beside French Horn, beside guitar, and even beside ukulele. Much of their newer material showcased a louder sound, as well as some guitar solos that gave the tracks a real charge live. The whole set was awesome, but a definite highlight for me was Song for the Winter Sun, which is without a doubt my favorite song by The Loom and one of my favorite songs ever. Starting with three people on percussion, you could feel the song's raw rhythm and on top of that danced the delicate ukulele. When the instruments stopped and the whole band sang the chorus - that was magic. Seeing a bow used to play an electric bass on their new track First Freeze was new for me as well. Set closer True Believers All once again featured the horn and the guitar but also those catchy-as-hell handclaps for one final burst of warm energy. I am already looking forward to the next time The Loom is in the Boston/Providence area and I anxiously await the release of Teeth. I have an inkling that it will be a crucial part of my winter months.


The Loom - Song For The Winter Sun (YSI) (filesavr)

The Loom - True Believers All (YSI) (filesavr)

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August 29, 2010

End of Summer Tunes

Its not the end of summer yet, but its starting to feel like it. The morning air has an edge, its getting dark sooner, and I'm already reading for class. Yikes! Luckily, Labor Day is still on the horizon and some great tracks are out there that sum up and subsequently help ease the seasonal malaise.

Ducktails - Art Vandelay (YSI) (filesavr)

Real Estate - Out of Tune (YSI) (filesavr)

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August 28, 2010

I Like the New Arcade Fire

Hey everyone, sorry for the lack of posts over the past couple of weeks (and thanks Chris for covering so well!). I have been moving, settling, and preparing for grad school in Providence, RI. Not a huge move, but still all change needs some adjustment time. Hopefully, I'm back to my regular posting schedule again now.

I am absolutely loving the new Arcade Fire album right now. City with No Children is one of my favorite tracks.

Arcade Fire - City with No Children (YSI) (filesavr)

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August 27, 2010

Commercial Success: Jónsi and José Make Colorful Ads

One release from this past year that has been majorly slept on in these here TSRE pages is Jónsi's Go, the stellar debut album from the lead singer of Sigur Ros. It's an album we missed, and I'm not ashamed to admit it.

Go was recently thrust back into my mind via a pretty awesome commercial - a two minute long time lapse shot of people painting a town with colorful paint. It's a fantastically artistic commercial (always nice to see) and utilizes Jónsi's "Go Do" exceptionally well. If you haven't seen it, peep it below:



The commercial reminds me of another ad that really uses a song (and colors) to its full potential - the Sony Bravia ad that features José González covering The Knife's "Heartbeats." It's another beautiful commercial, and the song really works perfectly. Peep that here too, and grab both tunes below.



Jónsi - Go Do (YSI) (filesavr)

José González - Heartbeats (The Knife Cover) (YSI) (filesavr)

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August 26, 2010

All Tiny Creatures Recruit Bon Iver's Justin Vernon, Again

Last year, the Volcano Choir album Unmap grew on me steadily, becoming one of my favorite releases of the year. I found myself taking solace in its icy beauty throughout the winter, and count it among one of my favorite rainy day albums.

So it was pretty great timing that a similar release - the An Iris Mixtape from All Tiny Creatures - dropped yesterday on a rainy day in New York. The cassette, which runs about fifteen minutes on each side, is reminiscent of the combination of sharp guitars and swirling vocals found on Unmap, although it generally features a denser mix. All Tiny Creatures is the side project of Thomas Wincek, one of the members of Collections of Colonies of Bees, the group that collaborated with Bon Iver's Justin Vernon to form Volcano Choir. It's like 6 Degrees of Separation!

All Tiny Creatures have also released the first single from their upcoming album, Harbors, which features Justin Vernon again. That song, "An Iris," forms the basis for the An Iris Mixtape. It's a wonderful tune that gives a good indication of the vibe of the whole cassette. Dig it below - if you like it, you can try to order one of the cassettes. But move quickly, they only made two hundred and fifty! Keep your ears out for All Tiny Creatures in the near future.

All Tiny Creatures - An Iris (f. Justin Vernon) (YSI) (filesavr)

Volcano Choir - And Gather (YSI) (filesavr)

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August 25, 2010

New Beach House and New Skinny Friedman Edits

Yesterday, Beach House dropped their iTunes sessions EP, a set that featured re-worked versions of songs from Teen Dream as well as a new tune, "White Moon." I saw Beach House play "White Moon" for the first time when they stopped through New York City on their last tour, and it's absolutely stellar. Remains to be seen if that song will make it onto their next proper release, but it makes the whole iTunes EP worth copping.

Beach House has been on my mind for another reason recently, because of a remixer by the name of Skinny Friedman. I'd heard of Friedman before when he remixed Bon Iver's "Blood Bank" with a nifty and subtle rework. Recently, he took a similar hack at Beach House's "Norway," adding a skittering drum beat to the track. It's a different look for "Norway," and probably not for everyone, but it takes the song places it might not otherwise be played.

Listen to a stream of "White Moon" and check out the two Skinny Friedman edits below:



Beach House - Norway (Skinny Friedman Edit) (YSI) (filesavr)

Bon Iver - Blood Bank (Skinny Friedman Edit) (YSI) (filesavr)

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August 24, 2010

Radiopathic Delivery: Telepathe

There's something truly wonderful about a long car ride with a fellow music lover, especially one that has the time to delve into both music discussion and music enjoyment. I spent somewhere around 22 hours in a Jeep with a friend this past weekend, talking about tunes and listening to some of our favorites. We did the usual iPod shuffle, with each of us taking a turn on the 1s and 2s.


A lot of the songs were familiar, sure, but a fair number of new tunes floated past my ears during the hours in the car. Perhaps the most fun was Telepathe's "So Fine," a bass driven dance tune with female vocals. I've seen Telepathe's name bounced around the blogosphere, but hadn't gotten around to checking them out. Glad I finally did.

Apparently the duo were introduced and bonded over their shared love of hip hop. Their debut album was produced by TV On The Radio's David Sitek, a fact that might pique your interest a bit. The beat-knowledge  (of both Telepathe and Sitek, one would assume) bleeds through, as does some electronica influence; "So Fine" is definitely a mood track, not a lyric tune. But if you're looking for great dancey tunes, check this out. And don't hesitate to check in with Chairlift's chopped remix. The bass knob gets turnt up, everything gets a little more shimmery, and the song gets more present and less superficial. It's a good pair.

Telepathe - So Fine (YSI) (filesavr)

Telepathe - So Fine (Chairlift Remix) (YSI) (filesavr)

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August 22, 2010

Folk Obsessions: S. Carey and Megafaun

I am obsessed with these songs, plain and simple. These songs have a folksy aspect that draws me in, perhaps abetted by the guidance – somewhere down the line – of Justin Vernon. Once I’m drawn in, these two tunes just slap me across the face with awesomeness, the kind of replayable power that will keep them spinning for weeks to come. I’m already obsessed with the S. Carey album, and although Megafaun’s mini-album doesn’t hold the same level of excellence throughout its entirety, “Heretofore” is one of my favorite songs of the year to date.


I can’t get enough of either of these tracks, a fact that is especially poignant given my recent obsession with hip hop and big beat. A subtle guitar, fantastic vocals, and an insidiously delicious melody are never a bad way to go.

Megafaun - Heretofore (YSI) (filesavr)

S. Carey - In The Dirt (YSI) (filesavr)

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August 21, 2010

La Roux is Apparently Just Awesome For Remixes/Mash-Ups

Seriously - I must have missed the memo that everyone else in the world got that La Roux is just the best artist in the world to sample/mash/remix. The latest La Roux remix to pass through my hands, from the ever-talented Glitch Mob, is straight money, just as every other La Roux-tinged remix I've seen this year has been.

This one puts a dark dubby beat behind the chanteuse, giving her a little edge beyond her baller pipes. It's not as airy as Skream's "Finally," but it's not overly morose either. La Roux keeps it bright without making the track poppy or upbeat, per se. It's really just a great track to pump loud in your headphones with your eyes closed. Dig up on it, and check out a mash-up with Birdman/Weezy's "Money To Blow" and the aforementioned (and aforeblogged) Skream track.

Glitch Mob vs. La Roux - Glitch For The Kill (YSI) (filesavr)

La Roux vs. Birdman, Drake, and Lil Wayne - Bulletproof To Blow (YSI) (filesavr)

Skream f. La Roux - Finally (YSI) (filesavr)

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August 20, 2010

Remixes Galore: The Antlers, Kelis, and Sleigh Bells Get Touched Up


Oh man, got a bunch of good remixes for you today. I'll keep it brief, but know this:
1. This Sybarite Remix of The Antlers' "Atrophy" is the first worthwhile remix from Hospice that I've found, and it's gorgeous.
2. This Sleigh Bells remix takes an awesome upbeat song into chillwave territory without losing its power.
3. This Kelis remix is dope to the max, mainly because it features Chiddy Bang, the baller rap group out of Philly.


Check 'em out, they're worth your time.



The Antlers - Atrophy (Sybarite Remix)
(YSI) (filesavr)

Sleigh Bells - Run The Heart (GhostWaves Remix) (YSI) (filesavr)

Kelis - Acapella (feat. Chiddy Bang) (Ming Remix) (YSI) (filesavr)

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August 19, 2010

Stu Reid Under The Covers: Samuel Does Drake, Dirty Projectors Do Dylan, and Hugo Does Hova

A grab bag of covers here for your enjoyment, ranging in styles and feels. The first is a dancey remake of Drake's "Find Your Love," by Samuel under the supervision of The Knocks. Where Drake's original is brooding and pensive, this version jives more with Samuel's style, bringing it up a notch and lightening the mix. The Knocks' contribution is clear, and it's a fun take on a decent song.

The second takes a similar approach - a lighthearted stab at a rap tune. Hugo takes Jay-Z's "99 Problems," one of the most mashed songs in history, and shakes it up with a bluegrass slant. Hugo's voice is unique, certainly, but  the key lies in the cadence, applying a liltingly woodsy phrasing to Jay's hard verses. It's great. Drop this on your mix with Dynamite Hack's "Boyz In Da Hood" and The Gourds' "Gin and Juice."

Finally, a change of pace from Dirty Projectors, those masters of songwriting and dark beauty. The ladies start the Projectors' cover of the iconic Bob Dylan, but it's really all about Dave Longstreth here. The intriguingly unique voice of a genius covering another such artist is a recipe for awesome, and this track doesn't disappoint. Kind of refreshing to hear a stripped down and simple tune like this from the Dirty Projectors.

Samuel - Find Your Love (Drake Cover Produced by The Knocks) (YSI) (filesavr)

Hugo - 99 Problems (Jay-Z Cover) (YSI) (filesavr)

Dirty Projectors - Dark Eyes (Bob Dylan Cover) (YSI) (filesavr)

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August 18, 2010

Local Natives Remixed and Revisited

Local Natives are a band that, for all their hype, are under appreciated. Gorilla Manor remains one of the most re-playable albums of the year, buoyed by a slew of phenomenal tunes. It's a great combination of songs that grab you upon first listen and songs that take a while to grow - the kind of album that will continue giving you new things the more times you revisit it. Recently I've found myself spinning it a whole bunch more, remembering how good the album is.


Part of the reason I've been compelled to revisit Gorilla Manor is because of a number of dope remixes that have dropped in the past month or so. Local Natives released the stems to "Wide Eyes," and the results have been pretty brilliant. The Fool's Gold remix features a snap beat and a verse from the awesomely named Aristotle Pop A Bottle. The second remix, from buzz band Suckers, features a lethargic jackhammer and some sonic back-and-forth to spice up the song. The third remix, which I've talked about here before, is a beautiful take on the tune from Teen Daze that takes the song to the stratosphere and back.


Tough to beat the scope of these three remixes, check 'em out below.


Local Natives - Eyes Wide (Fool's Gold Remix f. Aristotle Pop A Bottle) (YSI) (filesavr)


Local Natives - Wide Eyes (Suckers Remix) (YSI) (filesavr)


Local Natives - Wide Eyes (Teen Daze Remix) (YSI) (filesavr)

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August 17, 2010

Javelin Redeemed

I had the pleasure of seeing Javelin at the end of last week, for the second time. The first time I saw them, they opened for The Very Best at Great Scott in Boston and were, in a word, forgettable. So much so that Zack and I continued enjoying our Guinesses at the bar rather than making our way toward the stage to watch the show. The sound was a muddled mess, the vocals were off, and it was a generally disappointing set from a band whose EP had been spinning on my stereo for quite some time.

Call it a bad night. Or call it an evolution. Or call it my fault. However you want to label it, the fact of the matter is that last November's show is a thing of the past, a distant memory pushed to the back of my mind by a stellar set last week at the Whitney Museum in New York. On Friday night Javelin were punchy, cohesive, danceable, and fresh. They were upbeat and fun to watch, the vocals were reverb-heavy but on-point, and the musicianship was evident in Tom and George's performance.

The performance also got me reflecting on their full length release, No Mas, an album that we largely ignored here at TSRE. While the high points of No Mas don't quite reach the "Lindsay Brohan" and "Soda Popinski" pinnacles of Javelin, songs like "Moscow 1980" and "Vibrationz" are pretty darn great. Check 'em out below.

Javelin - Moscow 1980 (YSI) (filesavr)

Javelin - C-Town (YSI) (filesavr)

Javelin - Soda Popinski (YSI) (filesavr)

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August 13, 2010

Stumbling Upon A Mice Parade

Mice Parade is a band that has apparently been around for years - since 1998, if Wikipedia is to be believed. Regardless, I just stumbled upon them for the first time this past week, and I've been really impressed. Their upcoming album is What It Means To Be Left-Handed, and from what I've heard, it's a doozy. The lead track, "Kupanda" is a really sweet African-flecked tune. With bongo drums and some echoingly present strings, the song immediately conjures a pleasantly relaxing mood. This tune really reminds me of another song, but I can't quite figure out what it is. Regardless, I dig it.

Check it out below, along with the significantly weirder "Double Dolphins on The Nickel" from their 2007 self-titled album. And stay tuned for What It Means To Be Left-Handed, which drops in early September.

Mice Parade - Kupanda (YSI) (filesavr)

Mice Parade - Double Dolphins On The Nickel (YSI) (filesavr)

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August 12, 2010

Stu Reid Under the Covers: Beck's Good 'Ole Record Club

Hopefully most of you have heard of, or better yet listened to, some of the recordings by Beck's Record Club. Number 1 - they feature some very talented and diverse collections of artists jamming together; number 2 - Beck has chosen some very interesting albums to cover, including one by Yanni and another by INXS; number 3 - the videos are interesting to watch, seeing all the musicians interact in the studio. INXS seems to be pretty sleazy. On this cover of perhaps their most recognizable song (and guilty pleasure song), "Need you Tonight," Beck and company maintain that smooth vibe and the trademark riff, but turn the tables on INXS with St. Vincent's lovely yet sultry vocals and some tight percussion. Check out all of Beck's Record Club covers and videos for free over HERE at his site.

Beck, St. Vincent, Liars, Os Mutates - Need You Tonight (YSI) (filesavr)

INXS - Need You Tonight (YSI) (filesavr)

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August 11, 2010

New Plus New Equals Dat New New (Tunes from Kid Cudi and Best Coast)

Disclaimer: In blog-time, these songs are old. Ranging from a week to a month old, these songs are probably old news to the Stereogum-scourerers out there. Sorry for the repetition, but these songs just aren't meant to be missed.

Well, I should temper that with another disclaimer. 2/3 of these songs may be meant to be missed if you're not into the laid-back delivery of Kid Cudi or the summery echoes of Best Coast. The (probably) new Kid Cudi track is the usual stoner flow from the Cudster, with the usual indie skinny jeans and Brooklyn references. Best Coast's "Summer Mood" is pretty self-descriptive - like the rest of the band's debut album, it is a shimmery, airy pop snippet that clocks in well under three minutes.

These two laid-back styles, though, become hot fire when combined on the Converse-sponsored and Rostam-from-Vampire-Weekend-assisted "All Summer." This song is awesome, the right combination of chill and chill, amped up with a little grind to create something eminently replayable. Pretty much meant for soundtracks and pool parties.

Best Coast - Summer Mood (YSI) (filesavr)

Kid Cudi - Mojo So Dope (YSI) (filesavr)

Kid Cudi, Best Coast, and Rostam from Vampire Weekend - All Summer (YSI) (filesavr)

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August 10, 2010

Laid Back Electro From Mock & Toof

I've been a bit overwhelmed with new music recently - there's just so much good music dropping every week that it's tough to keep up. There is, of course, a lot of mediocre music coming out as well, which makes the wading-through process even tougher. Every now and then, though, a surprise will break through and something that you don't expect to bump will catch your ear.

Such is the case with Mock & Toof. Mock & Toof are a pair of British producers who have apparently been in the remix game since the good old days of 2k6. They recently came my way with Tuning Echoes, their latest original release. From the first track, "Farewell to Wendo," they had me hooked. It's subtle, relaxed electro that absolutely hooks you. It's not being kidnapped in a van, it's being convinced to ride sweet bikes around the neighborhood. Tasty.

The rest of the album is similarly keyed, laid back and funky with an underlying bass groove. I dig it big-time. Check out that first cut from Tuning Echoes below, as well as a loooooong Hot Chip remix that might appeal to the more dubstep-minded members of the audience.

Mock & Toof - Farewell To Wendo (YSI) (filesavr)

Hot Chip - Over and Over (Mock and Toof Remix) (YSI) (filesavr)

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August 9, 2010

Rated R Reissue

I just read Rated R by the Queens of the Stone Age has been reissued as a deluxe edition and while I don't necessarily need another copy of it, I am excited the album is getting some press. Ever since reading about it, I have been digging back into all my earlier QOTSA music and man do I love both Rated R and Songs for the Deaf. The trick is that Josh Homme and crew make hard rock so catchy and listenable that for me at least it has become the ultimate rock-out music. Songs for the Deaf spans many shades of so-called hard rock and then ends with Mosquito Song, an epic campfire jam that is unexpected and awesome. Rated R and Songs for the Deaf simply are really good albums. They are loud, hard, surprisingly melodic and even Dave Grohl gets in on the action. Probably some of my favorite guitar centric albums ever. Not for everyone, but you should give this desert rock a listen, if for nothing else than an excellent change of pace. I could not bring myself to just post a couple, so here's four.

Queens of the Stone Age - Monsters in the Parasol (YSI) (filesavr)

Queens of the Stone Age - Auto Pilot (YSI) (filesavr)

Queens of the Stone Age - Go With the Flow (YSI) (filesavr)

Queens of the Stone Age - Mosquito Song (YSI) (filesavr)

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August 8, 2010

Lord Huron's Great Summer Song

Lord Huron is from Michigan and is pretty indie. He has also created a fantastic summer tune that is delightfully ramshackle and folky. Its pretty great and reminds me of shimmering water on a hot afternoon. Enjoy the track and the summer Sunday. Check out his bandcamp if you want more.

Lord Huron - Into the Sun (YSI) (filesavr)

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August 6, 2010

Dream Boat is Pretty Scary

Some chillwave-y songs these days are creepy and dark, but this track from Dream Boat is downright frightening. The only connection with summer I can see is that this is the song that would be playing in a movie as a group of vengeful ghosts descend upon a group of hapless campers in a remote cabin on a lake. So very eerie, but it also gets trapped in your head - in a good way.


Dream Boat - Your Beaches
(YSI) (filesavr)

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August 5, 2010

Going Back To The Roots

The Roots have been making tons of good music recently, and we've been largely ignoring it. Time for that to change! Philly's legendary Roots crew, who of course serve as the house band on Late Night Jimmy Fallon, haven't stopped recording now that they've found a permanent gig. If anything, they're dropping more tunes than ever - their 11th studio album How I Got Over came out in June, earlier this year they released a free album of Roots renditions of J. Dilla beats called Dilla Joints, and they're set to release an album with John Legend called Wake Up in September. Busy bees, those kids.

My favorite track from How I Got Over reprises the verse that Black Thought lay down in a cypher with Eminem and Mos Def at the B.E.T. Hip Hop Awards (which we wrote about here). It features Legend on the hook nicely, and is classic high-tempo Roots rap. Another song that really hits my ears is a bit of a departure from The Roots' usual style, recontextualizing Monsters of Folk's "Dear God (Sincerely M.O.F.)" to become "Dear God 2.0." It's laid back and completely dope.

The Roots - Doin' It Again (f. John Legend) (YSI) (filesavr)

The Roots - Dear God 2.0 (f. Monsters of Folk) (YSI) (filesavr)

I'll hold off from any tracks from Wake Up, but Dilla Joints is worth checking out for any beat lovers/Dilla fans out there. It's a very chill album that's almost 100% instrumental, but it really puts Dilla's beatmaking into perspective - these are beats you can listen to on repeat without getting bored. Completely in the moment and very accessibly complex. Love it. Check 'em out for a fresh take on some classics.

The Roots - Hot Shit (I'm Back!) (Dilla Instrumental) (YSI) (filesavr)

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August 4, 2010

Jens Lekman has Created the Perfect Summer Song

Its August and its hot, but sadly the end of summer is beginning to come into view and that twinge of end of the season sadness could come up at any minute. Fortunately though A Sweet Summer's Night on Hammer Hill is the best song for summer in the history of the world. The horns and hand claps are catchy as hell and it perfectly evokes hanging out with a bunch of friends during the summer (just as the title says). The chorus is very fun to sing along to as well. Despite being a generally upbeat and happy track, it is not without a slight undertone of melancholy - just like the tail end of summer.

Just for kicks, here's Jens Lekman's track that made it on Pitchfork's best of 2007 list a few years back.

Jens Lekman - A Sweet Summer's Night on Hammer Hill (YSI) (filesavr)

Jens Lekman - A Postcard to Nina (YSI) (filesavr)

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August 3, 2010

We Are Scientists Return

I recently heard a catchy song on the radio that I couldn't identify, and I went to hunt it down. To my surprise, it was by We Are Scientists - the band that was briefly hailed as the next big thing in indie rock. That was back in the heat of the Franz Ferdinand era, shortly before We Are Scientists were eclipsed by the Arctic Monkeys as the band of the moment. Well, they're back. Well, they're sort of back.


We Are Scientists are never going to be a big deal again. They don't have a distinct enough sound to really finish the job, I don't think - they're easily lumped in with the Franzes, the Arctics, the Futureheads, except that all of those groups are slightly better. That being said, We Are Scientists are capable of crafting some really catchy pop rock that is worth listening to a few times and throwing on some mixes of the moment. "Rules Don't Stop," the lead single from their 2010 album Barbara is one such song. It's short, it's infectious, and it's easy on the ears. If Panda Bear and Toro Y Moi aren't exactly your thing, you might find some solace in this track.

We Are Scientists - Rules Don't Stop (YSI) (filesavr)

And for good measure, here's We Are Scientists' breakout hit "Nobody Move, Nobody Get Hurt," as well as a previously TSRE'd cover of Sigur Ros' "Hoppipolla" that is - remarkably - quite good.

We Are Scientists - Nobody Move, Nobody Get Hurt (YSI) (filesavr)

We Are Scientists - Hoppipolla (Sigur Ros Cover) (YSI) (filesavr)

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August 2, 2010

No Doubt About It: These M.I.A. Remixes Rule

There has been a ton of debate about M.I.A.'s latest album, /\/\ /\ Y /\. Some people really like it, lots more really hate it. I happen to think that the album got a bad rap (not least of all because most early reviews were coming only after hearing a terrible quality version of the album) - I think the album is actually a lot better than people have been giving it credit for being.


One thing is for sure, and that's that M.I.A.'s sound has taken a turn for the abrasive. Perhaps trying to inhabit the same sonic space as Sleigh Bells, songs like "Steppin' Up" on /\/\ /\ Y /\ are intentionally confrontational and sharp. 

M.I.A. - Steppin' Up (YSI) (filesavr)

The harsh mix on the original is a great set up for reworkers like Nacey, who takes M.I.A.'s verses from Steppin' Up and throws them on top of a jaunty little piano riff with a click track beat. It gives the song an entirely new feel, and makes it endlessly more repeatable. Where the original is challenging and perhaps re-defining, the remix is just damn catchy.

M.I.A. - Steppin' Up (Nacey Remix) (YSI) (filesavr)

Not all remixes of "Steppin' Up" go the complete soft route. Afghan Raiders take a shot at the track, making it a lot more electro, while smoothing out the edges. It's not quite the kicked-back low-key jam that the Nacey Remix, but it definitely puts the song in a new light. This remix is meant to be spun into mixes, and it shows nicely.

M.I.A. - Steppin' Up (Afghan Raiders Remix) (YSI) (filesavr)

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August 1, 2010

Sunday Hip Hop

Excuse the pun, but there have been a couple big hip hop releases recently that have been getting a lot of spins from me - specifically Big Boi and Big K.R.I.T., with Sir Lucious Leftfoot: The Son of Chico Dusty and K.R.I.T. Wuz Here respectively. Both albums capture the feel of Southern rap without pandering too much to the traditions of that genre. Where K.R.I.T. is a young gun reflecting back on dirty South roots, Big Boi is a legend continuing to push the bounds of hip hop. Both albums are completely great.

One track off of each album has particularly wormed its way into my ears. From Big Boi's Sir Lucious Leftfoot, that track is "Tangerine." I don't think it's the best track on the album - that's probably "Shutterbug" or "Shine Blockas" - but it certainly is the one I've found myself playing on repeat the most. It's a bit darker, bass-ier than most of the album, and it has a swagger that I just can't ignore.

Big Boi - Tangerine (YSI) (filesavr)

From K.R.I.T. Wuz Here, that track is "Viktorious," a dope jam spun around a sampled that sounds like the piano riff from Army of the Pharaohs (the Philly hip hop supergroup featuring a few dudes from Jedi Mind Tricks). Krit makes and produces all of his own beats and materials, which makes this song all the more impressive. It's full of signifying, but it's also completely sick sick sick.

Big K.R.I.T. - Viktorious (YSI) (filesavr)

As a bonus, here's the Army of the Pharaohs track that shares the flavor for "Viktorious."

Army of the Pharaohs - Bloody Tears (YSI) (filesavr)

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