Newsflash from academic frontier: YACHT is back and better than ever. Dystopia is just plain unstoppable. Four minutes of post-apocalyptic electronic strutting.
Yacht - Dystopia (The Earth is on Fire) (YSI) (filesavr)
Newsflash from academic frontier: YACHT is back and better than ever. Dystopia is just plain unstoppable. Four minutes of post-apocalyptic electronic strutting.
Yacht - Dystopia (The Earth is on Fire) (YSI) (filesavr)
I love Burial. Archangel moves me in ways few albums have. But not only is Burial a fabulous artist in his own right, he also has great taste in collaborators. First it was Four Tet last year on the awesome Moth and this year it is with Thom Yorke and Four Tet on Ego. Heady, atmospheric stuff, yet always rooted in the beat. I've been listening to both of the split EPs on repeat for the past week with no end in sight.
Burial, Four Tet & Thom Yorke - Ego (YSI) (filesavr)
Burial & Four Tet - Moth (YSI) (filesavr)
Memory Tapes' fantastic debut Seek Magic, featuring Bicycle-perhaps my favorite song of 2009-was deep, weird, and captivating. Tempering its distorted vocals and mysterious rhythms, Memory Tapes loved New Order-esque guitar solos on Seek Magic. On their new single Today is Our Life, off their upcoming as yet untitled album, Memory Tapes take a few steps away from Bicycle towards poppy, or mainstream if you will, electronic music. Still using the New Order guitars, Today Is Our Life is more upbeat and joyous than anything off Seek Magic. The mystery and creepy atmospherics are toned down in favor of showcasing vocals that now sound normal. While a surprise based on their previous work, the general laid back vibe remains and Today Is Our Life is a fantastic track with a great groove and plenty of synth and guitar solos. I am very much looking forward to seeing what Memory Tapes have to offer in 2011.
Memory Tapes - Today Is Our Life (YSI) (filesavr)
Memory Tapes - Bicycle (YSI) (filesavr)
When I first heard about James Blake, I was convinced I was going to hate his music. A young British dubstep-inflected electro-minimalist who liberally uses autotune? No thanks.
The joke was on me. Blake's new self titled record is the best album I've heard all year. It grabbed my attention on first listen, and has only gotten better the more it spins. Blake is a master of using silence to inform his sound, and he's not afraid to expose his voice - autotuned or not. The closest analog I can think of is Bon Iver, although James Blake and For Emma, Forever Ago are drastically different records. Both are built for winter, and both are built to last.
Check out a video of Blake performing live at the BBC. "Wilhelms Scream" is one of the best tracks on a record full of good ones.
James Blake - Wilhelms Scream (YSI) (filesavr<) (removed upon request)
One artist that definitely didn't get his due on this here page in 2k10 was Baths, the solo project of Will Wiesenfeld. He's a dynamic performer with a Passion Pit-esque sound. Where those guys tend toward the pop side of synths, though, Baths cuts it up, opting for a glitchier sound. His debut album, Cerulean, is reminiscent of Four Tet's poppier moments, and definitely worth a listen for fans of that sort of thing.
One band that has progressively grown on me over the past year is Brooklyn natives Tanlines. The duo first showed up on my radar when they opened for Micachu and the Shapes at a show early this year. One of their synthesizers was broken, but they put on a fantastic show anyway. Since then, I've had the chance to see them twice, and both times they really wowed me. They opened for DJ/Rupture at a free show and were a dance party and a half. Then, at Pitchfork's #Offline fest, they overshadowed (in my mind) a number of really great acts. The pair just puts on a set that is consistently bubbly and happy.
I recently found out that Jesse Cohen, one of the two Tanlines, was also in Professor Murder, a similarly designed group that I very much enjoy. Check out "Real Life," my favorite Tanlines track, and then listen to Professor Murder's "The Mountain" - I think you'll see some bouncing similarities. Tanlines takes the ideas that make Professor Murder enjoyable and boils them down to make them great. If you can listen to "Real Life" without bopping even a little bit, you should stop staring at your computer quite so much.
Tanlines - Real Life (YSI) (filesavr)
Professor Murder - The Mountain (YSI) (filesavr)
There's an excitement that comes with stumbling across a transfiguration of a genre - an artist who has taken an established type of music, twists it around, and flips it on its head. Kids & Explosions does just that, doing for the mash-up what Girl Talk did for the remix. Kids & Explosion's version of the multi-track mash is a frantic, disjointed one, but in a brilliantly fluid sort of way. The herky-jerky moves of the tracks on Shit Computer somehow combine to form a beautiful whole, in an inexplicable kind of way.
Like Girl Talk, Kids & Explosions invites you to play name-that-sample throughout the entirety of the album. More than that, he creates an interesting rhythm that transcends pop to become something one step further. The entire album is pretty incredible, so I feel a bit weird pulling out a couple tracks to share. Nevertheless, check out a couple tunes below. And please, for the love of music, download the whole mixtape; it's pay-what-you-want, and if this doesn't deserve a couple dollars, I don't know what does.
Kids & Explosions - The New Science (YSI) (filesavr)
Kids & Explosions - Use Your Words (YSI) (filesavr)
So many songs to blawg about, so little time. I'm on a big electronic kick, so I'll start with the most electronic of the bunch - Gold Panda. Gold Panda is a UK producer who you might know from last year's banger "Quitter's Raga."
Well he's back with a full-length, Lucky Shiner, and it's completely dope. The first track alone has racked up an inordinate amount of spins from me in the past couple weeks. "You" is completely addictive in the way the CD-skipping of Four Tet and The Books is addicting.
You is more than just a pop piece, though. In fact, it reminds me of a fascinating track by Paul Lansky, wherein Lansky took human voices, cut them off so that the syllables were unintelligible, and orchestrated a masterful song. They aren't siblings, but these songs are certainly cousins. I think they're both fantastic and fascinating, I hope you enjoy as well.
Gold Panda - You (YSI) (filesavr)
Paul Lansky - Notjustmoreidlechatter (YSI) (filesavr)
Sports are super serious and are never fun. That mentality is certainly visible in these two tracks by SPORTS. Just kidding, these tracks are vintage 80s electronica with surprisingly catchy, and similarly 80s, vocals. I was just expecting some electronics, but instead SPORTS craft complete songs that rise above a lot of the other stuff floating around out there. SPORTS treat the music industry like its a sport - game face.
SPORTS - Every World is a World of your Own (YSI) (filesavr)
SPORTS - To Catch a Thief (YSI) (filesavr)
This is some dark music. Perfect for a demonic rave from a Blade movie, or some updated super nintendo game music. Its been compared to something out of a Castlevania game - perfect! Heavy, atmospheric, and mysterious, Umberto really infuses his electronic music with some drama. Not for everyone, but it draws you in - not to mention the video game nostalgia.
Umberto - Temple Room (YSI) (filesavr)
Umberto - Someone Chasing Someone Through a House (YSI) (filesavr)
On Thursday night I saw one of the best shows I've seen in a long time - LCD Soundsystem headlining with Sleigh Bells opening. It was one of the highest energy concerts I've been to - Sleigh Bells rocked out as usual, and LCD blew the roof off of the Wellmont Theatre with a spectacular light set-up and phenomenal sound. They kicked off with "Dance Yrself Clean," probably my favorite track from their 2010 album This Is Happening, apparently the first time they had played that song live. Incredible.
Woah, so I'm a serious grad student now supposedly and I was thinking of an appropriate song to post as a result. All I could think of though was this pretty ridiculous song by the Golden Axe. These dudes from Australia know how to have fun and it is certainly apparent in this track that sounds like a hot room full of superballs. Just the thing for academia.
Golden Axe - Telephone (YSI)
There's something truly wonderful about a long car ride with a fellow music lover, especially one that has the time to delve into both music discussion and music enjoyment. I spent somewhere around 22 hours in a Jeep with a friend this past weekend, talking about tunes and listening to some of our favorites. We did the usual iPod shuffle, with each of us taking a turn on the 1s and 2s.
I had the pleasure of seeing Javelin at the end of last week, for the second time. The first time I saw them, they opened for The Very Best at Great Scott in Boston and were, in a word, forgettable. So much so that Zack and I continued enjoying our Guinesses at the bar rather than making our way toward the stage to watch the show. The sound was a muddled mess, the vocals were off, and it was a generally disappointing set from a band whose EP had been spinning on my stereo for quite some time.
I've been a bit overwhelmed with new music recently - there's just so much good music dropping every week that it's tough to keep up. There is, of course, a lot of mediocre music coming out as well, which makes the wading-through process even tougher. Every now and then, though, a surprise will break through and something that you don't expect to bump will catch your ear.
There has been a ton of debate about M.I.A.'s latest album, /\/\ /\ Y /\. Some people really like it, lots more really hate it. I happen to think that the album got a bad rap (not least of all because most early reviews were coming only after hearing a terrible quality version of the album) - I think the album is actually a lot better than people have been giving it credit for being.
It's been a busy week around the TSRE universe - apologies for the scarcity of posts in the past few days. There have been lots of travels, shows, and other big news poppin'. But we're back to rock your face, mind, and body, have no fear.
Posted by Chris
On the graffiti-covered walls of Bonnaroo's center, someone scribbled the phrase, "YO! Have you heard about Bassnectar?" Coming into Bonnaroo, I'll admit that my answer to the question was in the negative. I'd never heard of him, and wasn't particularly interested to check him out. Narrow mind, dontcha know.
As it happened, though, twists of fate and fortune - specifically in the form of Bassnectar's slot directly in front of LCD Soundsystem - led me to a sweaty and smoky tent where Bassnectar was spinning tunes to feed the masses, dubstep-influenced dance anthems that recalled the dystopic future-worlds seen in many a B-movie. While not what I was expecting, and certainly not the music you would immediately associate with LCD Soundsystem, it was completely on point. These tunes were sick and the crowd ate them up.
So Ratatatatatat, kings of all things buzzy guitar instrumental indie rock related, are back with their latest uncreatively-titled full length, LP4. This, on the heels of its predecessor LP3. Great work naming team. Very informative regarding where each release falls in the chronology of the duo’s discography.
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