June 30, 2010

Sleigh Bells Meet Their Match

We've posted more than once about Sleigh Bells (as has everyone else in the world). Succinct summary: we love them. They're raw, they're loud, and they don't seem to be bound my many conventions. It's blistering music that isn't like much else you'll hear these days - unless you count M.I.A. and the other artists currently trying to replicate/cultivate the Sleigh Bells sound.

Maybe that unique fire is what has caused almost every mash-up/remix attempt I've heard incorporating Sleigh Bells has fallen a little flat for me. It's a bit like using really good wine to make sangria - it may taste great, but you're losing some of the flavor of the most important ingredient. That's how I felt about the Speak! remix that Zack posted a few weeks back, and that's how I felt about the more impressive but still disappointing J.Cole remix that dropped in my inbox a week or two ago.

Sleigh Bells f. J.Cole - The Last Stretch (Dikky Mash-Up) (YSI) (filesavr)

As usual, though, The Hood Internet has laughed in the face of that challenge. Where I doubted that it could be done, ABX mixed and matched the power of Sleigh Bells with the smooth crooning of Usher's radio-friendly summer anthem "OMG". It's infectious, it's contagious, and it straight up works. Cheers to a job well done.

The Hood Internet - Oh My Kids (Sleigh Bells vs. Usher) (YSI) (filesavr)

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June 29, 2010

Janelle Monae is Great

Janelle Monae's recent piece of art/album The ArchAndroid is awesome. It manages to be original, daring, catchy, and filled with hits all at the same time, which is a pretty remarkable feat. We here at TSRE having been singing Monae's praises for a while since Metropolis: The Chase Suite announced her arrival as a sci-fi queen. All that energy and endearing weirdness carries over. Sources have been comparing The ArchAndroid to Outkast's Stankonia for a host of reasons, not the least of which being they are both from Atlanta and share local influences. Its not a bad assertion. The overall scope of the albums are similar and to me the machinegun snare drums behind Monae's Cold War are very reminiscent of those driving Outkast's classic BOB. There are plenty of more eloquent and informed reviews of The ArchAndroid and why/how it is a great album. Go read them if you would like, but just know it is awesome. She has delivered upon the promise of Metropolis.

Outkast - BOB (YSI) (filesavr)

Janelle Monae - Cold War (YSI) (filesavr)

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June 28, 2010

Newport Folk Festival Preview

The long running and storied Newport Folk Festival is July 30 - August 1 this year and the lineup looks fantastic. I cannot even do the lineup full justice. There are the classic veterans like Richie Havens and exciting young(er) guns like Edward Sharpe & The Magnetic Zeroes and Blitzen Trapper. There seems to be a good combination of folk and R&B with Sharon Jones on the docket. Even Steve Martin is performing. I am hoping to make it to Sunday for what looks like a wonderful day music perfect for a summer day on the water. Can you image going from The Avett Brothers to see Sharon Jones - awesome.

Edward Sharpe & The Magnetic Zeroes
- Home (YSI) (filesavr)

Sharon Jones and the Dap-Kings - Money (YSI) (filesavr)

Blitzen Trapper - Below the Hurricane (YSI) (filesavr)

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June 27, 2010

Sip of Lemonade

As can be expected, xylophones and highly caffeinated rhythms take center stage on Lemonade's new Pure Moods EP. Unexpectedly though, they sound more streamlined, cohesive, and increasingly reggae inspired on the new disc. While no longer as out of control, this can be both a positive and a negative, they retain that crazy edge. This Real Slime Bounce remix is still my favorite offering from Lemonade. It is unstoppable.

Lemonade - Lifted
(YSI) (filesavr)

Lemonade - Real Slime Bounce (Mashepest remix) (YSI) (filesavr)

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June 26, 2010

Can't Get Enough Of These Days

As I already fully disclosed, I am completely obsessed with The Tallest Man On Earth these days. Also these days, I've become obsessed with a song he covered for La Blogotheque last year - Jackson Browne's "These Days." It's an oft-covered song that I had never heard before, remarkably, so I was excited to hear that it's a popular song amongst talented musicians. In recent days, my playlist has featured heavy rotation of the many versions of this song. Remarkably, the tune was originally written by Jackson Browne at the age of 16. Nico was the first to record the tune, and Browne himself later produced his own take on the track.



Here are a few of my favorite versions - Nico's haunting original, Gregg Allman's soulful take, and St. Vincent's beautiful version. Enjoy!

Nico - These Days (YSI) (filesavr)

Gregg Allman - These Days (Jackson Browne/Nico Cover) (YSI) (filesavr)

St. Vincent - These Days (Jackson Browne/Nico Cover) (YSI) (filesavr)

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June 25, 2010

The Professor

Do you ever hear an artist’s music for the first time and instantly realize that said music is clearly going to be a thing for you going forward? I experienced one such moment this week, and I’m going to share it with you in hopes that it might be a thing for you too.

So, I’ve been watching the HBO series Treme. From the first preview I saw, I was pretty excited for this series—a show by the same writers as The Wire about musicians in New Orleans? Sounds like a pretty lethal combination, and it is. It is a show that moves slowly but rewards the viewer for his or her patience. I certainly recommend catching up on it if you have the chance.

Anyways, so it’s a show about music in New Orleans, and so there are tons of references to the classic New Orleans musicians, from Sidney Bechet to Dr. John. And then there’s Professor Longhair. In one scene, a character sits down to teach a piano lesson. It is the student’s first lesson, and so the teacher decides that she should learn “Tipitina,” perhaps Longhair’s most famous composition.

After seeing this, I was intrigued. I’d heard of Professor Longhair, but had never actually sought out his music. And so I did, acquiring the 2-disc compilation Tipitina. Good move, Ben. I’ve been listening to it ever since. The music is loose, the singing imprecise but impassioned, and the piano playing repetitive but deceptively rhythmic. And it’s fun. I guess that’s what stuck out to me most of all. Just like early rock n’ roll and classic soul music, Professor Longhair’s tunes are fun to listen to. And what a great name...

Check it out for yourself. Here are “Tipitina” and “Mardi Gras in New Orleans.” In the latter, I particularly enjoy the excitedly out-of-tune whistling. Enjoy.

Professor Longhair - Tipitina (YSI) (filesavr)
Professor Longhair - Mardi Gras in New Orleans (YSI) (filesavr)

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June 24, 2010

Bonnasnooze: The XX Rock Me Gently To Sleep

I had a lot of trepidation going into The XX's set at Bonnaroo - I'd heard a lot of mixed reviews of their live show. Luckily, with 1am quickly approaching, their set struck a chord - it was a sleepy group of songs that closed the first night of Bonnaroo perfectly. On the heels of a dynamic set from Local Natives and the best set I've seen thus far from Neon Indian, The XX wove together songs from their debut to hazily bring us back down to earth.


The XX are an enigma to me. Their eponymous debut is a sexualized slow burner that grows on me the more I listen to them. In concert they lack any immediacy - a fact which would usually bother me, but occasionally might hit perfectly. In the right mood, this band is unmatched.

The XX - Basic Space (YSI) (filesavr)

The XX vs. Notorious B.I.G. - Juicy-R (YSI) (filesavr)

The XX - Islands (Delorean Remix) (YSI) (filesavr)

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June 23, 2010

Raise the Bonnaroof: Bassnectar

On the graffiti-covered walls of Bonnaroo's center, someone scribbled the phrase, "YO! Have you heard about Bassnectar?" Coming into Bonnaroo, I'll admit that my answer to the question was in the negative. I'd never heard of him, and wasn't particularly interested to check him out. Narrow mind, dontcha know.

As it happened, though, twists of fate and fortune - specifically in the form of Bassnectar's slot directly in front of LCD Soundsystem - led me to a sweaty and smoky tent where Bassnectar was spinning tunes to feed the masses, dubstep-influenced dance anthems that recalled the dystopic future-worlds seen in many a B-movie. While not what I was expecting, and certainly not the music you would immediately associate with LCD Soundsystem, it was completely on point. These tunes were sick and the crowd ate them up.


He clearly thrived on the massive crowd, as well. At one point during the set, he implored the ladies to get up on the shoulders of people around them. It was a bi-level dance party, criss-crossed by flying glow sticks, and it was awesome.

Sleigh Bells - Run The Heart (Bassnectar Remix) (YSI) (filesavr)

Fever Ray - When I Grow Up (Bassnectar Remix) (YSI) (filesavr)

The Pixies - Where Is My Mind (Bassnectar Remix) (YSI) (filesavr)

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June 22, 2010

Bonnagroovy: Jay-Z and The Roots Unplugged

At Bonnaroo, I had the chance to see Jay-Z play a headlining set on Saturday night. It came hot on the heels of a  hit-filled set from Stevie Wonder that left me beaming with happiness, head filled with beautiful melodies. Jay-Z took the stage and completely tore things apart - starting with recent hits like "Run This Town," "D.O.A.," and "On To The Next One," and then delving into the back catalog, Jay took the 50,000+ fans on a tour of his oeuvre. Back to back, Stevie Wonder and Jay-Z might have been the best concert I've ever been to. Tough to beat that combination.



On my 15 hour drive home, I meandered through my iPod for some Jay tracks to ride to, and I found his performance on MTV Unplugged. It's a hidden little gem that I had completely forgotten about. Man am I glad I found it. On the performance, Jay is backed by The Roots and joined by Mary J. Blige and Jaguar Wright on some vocals. It's pretty incredible.

Let me just re-state that for any skimmers out there. Jay-Z, backed by The Roots, joined by Mary J. Blige and Jaguar Wright. It's absurdly good - I suggest you go get the whole thing. For now, here are a few of my favorites from the set.

Jay-Z f. The Roots - Izzo (H.O.V.A) (MTV Unplugged) (YSI) (filesavr)

Jay-Z f. The Roots & Jaguar Wright - Heart of the City (Ain't No Love) (MTV Unplugged) (YSI) (filesavr)

Jay-Z f. The Roots - Big Pimpin' (MTV Unplugged) (YSI) (filesavr)

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June 21, 2010

Stu Reid Under The Covers: Bomb Your Stereo Edition

One of the acts that I caught at Bonnaroo was a group by the name of Bomba Estereo - they're a Colombian rap group fronted by an awesome young lady named Liliana Saumet, who is part Lady Sovereign and part La Mala Rodriguez. She put down sick rhymes in Spanish, spoke between songs in charmingly broken English, and generally ran the show on stage with authority. So imagine my happiness when I stumbled across a session Bomba Estereo did with Levi's, covering seminal 80s Jock Jams classic "Pump The Jam."


The Colombian good timers haven't been the only ones to crank out a quality session in this Levi's series - there have been some really dope covers thus far. I thought I'd share some of my faves: Nas covering Slick Rick, James Mercer of The Shins and Broken Bells covering Squeeze, and Bomba Estereo covering Technotronic. Bomb your stereo with these bad boys.

Nas - Hey Young World (Slick Rick Cover) (YSI) (filesavr)

The Shins - Goodbye Girl (Squeeze Cover) (YSI) (filesavr)

Bomba Estereo - Pump The Jam (Technotronic Cover) (YSI) (filesavr)

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June 20, 2010

The Drums = Summertime

The Drums must really like summer. They sing about surfing, are trendily retro, and release fun albums of perfect summer jams in time for summer. The Drums just released their self title debut LP on June 7 and it is replete with all the characteristics necessary for summertime fun. Handclaps - check, poppy/shoegazey guitars and synths- check, Beatles-esque vocals about girls and longing - check. Its all there. The songs are upbeat and poppy, but with enough 60's lo-fi throwback and haze to make them worth coming back to. The album is solid all the way through and great for listening to outside this summer. Trust me the album is really good. Below are a couple of my favorites.

The Drums - Skippin' Town (YSI) (filesavr)

The Drums - Forever and Ever Amen (YSI) (filesavr)

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June 19, 2010

A Velella Velella Washes Up Onshore

I really like Seattle band Velella Velella. They are funky, rhythmic, and danceable. Oh where have you gone? They released the excellent The Bay of Biscay LP and Fight Club EP in 2007 and since then I have heard or seen nothing from them. Please come back Velella Velella you guys make great music. Check out their jagged dance music.


Velella Velella - Do Not Fold/Do Not Bend
(YSI) (filesavr)

Velella Velella - Hunter (YSI) (filesavr)

Velella Velella - Alex Boom Selector (YSI) (filesavr)

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June 18, 2010

Sadness in Boston

A painful day in Boston town, after last night's defeat at the hands of Kobe, Pau et al. This morning, I find that nothing can channel my grief than a little William Billings.

We wept, we wept, when we remember thee O Boston. When we remember thee O Boston...

Still love you, Paulie.

William Billings - Lamentation Over Boston (YSI) (filesavr)

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June 17, 2010

World Cup Coverage

Its that magical time every four years when I actually care about soccer, in other words its the World Cup! I'm serious though, usually I only marginally pay attention to soccer, but when the World Cup rolls around I turn into a USA zealot and voraciously watch as much of all the games as possible. With not having a job this summer, I have been able to watch a ton of coverage so far and it has been so much fun. Even more than the Olympics, the World Cup is such a special sports treat that it is just a joy to watch, especially when national pride gets so conflated with athletic competition.

Group X - You'd Give Kiss If I Were on Soccer Team (YSI) (filesavr)

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June 16, 2010

Warpaint & Beach Fossils - Knitting Factory, 6/15

I have lots of Bonnaroo related updates coming soon, but for now I'll bask in the glory of the show I went to last night. I had the pleasure of catching Warpaint and Beach Fossils at the Knitting Factory in Brooklyn - my 5th time seeing Warpaint but my first time with Beach Fossils.

Both bands were predictably excellent. Beach Fossils started up with a solid set of echo-y tunes centered around guitars. They sound a little young, which is to be expected, but they also have a sheen to them reminiscent of Real Estate and Best Coast, a summertime jam vibe that fit the night nicely. To cap things off, the bassist took a leaping dive onto the drummer, who was playing floor toms, at the conclusion of the band's last song. He wins.

Warpaint came on next, and continues to completely blow me away. The ladies just exude a coolness that is tough to explain. Every time I see them I am impressed with how they can turn long, largely stationary jams into full on dance parties. There was hardly a still body in the audience throughout the show. And to make everything even better, they announced their intentions to move to New York next year. More Warpaint!

Beach Fossils - Youth (YSI) (filesavr)

Warpaint - Elephants (YSI) (filesavr)

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June 13, 2010

New M.I.A.

The title pretty much says it all. There's a new M.I.A. album heading our way in July. The first available track, XXXO, is pretty slick. Danceable with a catchy chorus and some club-ready electronics, XXXO has me excited for the album. At first listen it may seem simple, XXXO is quite addictive with much more vocal depth than expected. As a bonus here's a remix featuring Jay-Z for good measure (its pretty fly).

M.I.A. - XXXO (YSI) (filesavr)

M.I.A. - XXXO (remix f. Jay-Z) (YSI) (filesavr)

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June 12, 2010

The Futureheads 6/7/10 @ The Paradise Boston

To be honest, I hadn't really thought about the Futureheads much since I stopped listening to their self titled debut album some years ago. That is until the opportunity to see them arose a few weeks ago. In their first US tour in four years, the Futureheads seem to be in a bit of a comeback mode. While, not quite recapturing the magic of their debut, their new album The Chaos, approaches that level of charming British angularity.

The show was not the kind that I usually see and I enjoyed it for that. Four voices, two guitars, a bass and a set of drums littered the stage as the band ripped through furious guitar riffs, jokes, soccer heckling and some solos. At times their old school rock puffery seemed forced or contrived, but on the whole I dug their over-the-top shtick. Trust me, they were working hard up there, let loose a ton of energy and it showed. Personally I still have a soft spot for their early material and Hounds of Love stood out as the best track of the night. Like many of their earlier songs, it has a more sophisticated sense of melody than many of their later more frenzied songs. As the band said, the last time they were in the states they watched England get knocked out of the World Cup and while I don't necessarily wish that fate on the Brits this time around (yet), I do hope they find a comfy spot to see the US beat (or at least draw) with the Brits this Saturday.

The Futureheads - Hounds of Love (YSI) (filesavr)

The Futureheads - Jupiter (YSI) (filesavr)

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June 11, 2010

Eff You, Texas School Board

Last month, the Texas School Board passed a new, substantially revised history & social studies curriculum that will affect all of the state's public schools, with the potential to affect public schools across our great nation. As one of the two biggest textbook consumers in the country (the other being California), it is possible that textbook publishers will be economically compelled to reflect Texas's new curriculum in its nationally-distributed books. That said, there are some, including Robert Scott, Texas's Commissioner of Education, who believe that this is less of an issue than many people think due to the rise of desktop publishing and other technologies. Let us hope that Mr. Scott is correct, and that this travesty does not expand beyond Texas's borders.

The school board's decisions very clearly reflect a religious, political, and racial agenda. The Republicans on the school board may deny such a claim, explaining that they are merely correcting for a liberal bias. Texas democrats call it like it is, describing the recent changes as an effort to "whitewash" history. Indeed, Texas Republicans have left their dirty little fingerprints on everything from the Civil War, to the Constitution, to music.

Yes, folks, music. The school board voted to strike hip-hop from a list of "culturally significant movements" and replace it with country & western.

Please excuse me while I vomit.

Look, Texas, feel free to add country & western music to the list. It has certainly exerted its influence over the years. Elvis, for example, was clearly influenced by country music, and he in turn influenced lots of early rock n' rollers, including the Beatles, and they... well, they pretty much influenced everybody. At one point, country & western music (and folk music) filled a similar role to that of hip-hop. Look at Johnny Cash, for example. You can easily draw connections between his brand of outlaw country and gangsta rap. So why does Cash's genre deserve the attention of our country's young people, while gangsta rap does not? The answer is obvious: Cash is white.

It's hard for me to think of a musical movement that has been more culturally relevant than hip-hop over the last 30 years. Has any movement, musical or otherwise, done more to shed light on the tragedy that is our nation's inner cities? While television was taking baby steps, displaying black families in a typically white, middle-class milieu (The Cosby Show, Fresh Prince of Bel-Air, etc.), Public Enemy was releasing incisive tracks like "9-1-1 is a Joke." 2Pac was expressing the despair of a people in tracks like "Changes." Wu-Tang was rapping about urban violence and H.I.V. in tracks like "Tearz." Biggie was spitting rhymes about the "Everyday Struggles" that his community faced. The list goes on--can you think of a more genuine, charismatic tribute to one's mother than 2Pac's "Dear Mama"? And yet Texas thinks that these songs do not a significant cultural movement make.

Wow.

I know that not all hip-hop has been culturally relevant--over the past decade, much of it has focused to the glorification of violence, wealth, bling, etc. Frankly, I think we may have just seen mainstream hip-hop's own hair-metal/glam-rock phase, which I hope will soon be left behind in favor of a more expressive, relevant form.

So, why, Texas School Board, did you decide to not only add country & western, but remove hip hop from your list? Is it because hip-hop makes you uncomfortable? Is it because hip-hop's content calls into question the benefits of the capitalist--oh wait, pardon me; I understand that you've replaced the word "capitalism" with "free enterprise"--system of trickle-down economics? Or is it because you believe that this is a white, Christian country and that minorities don't belong in the story?

Whatever the reason, I have only have one more thing to say: fuck you, Texas School Board. Despite your best efforts, you've done nothing to reduce the hip-hop's relevance--you've only reduced your own.

2Pac - Dear Mama (YSI) (filesavr)
Notorious B.I.G. - Everyday Struggles (YSI) (filesavr)
Wu-Tang Clan - Tearz (YSI) (filesavr)

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June 10, 2010

Original Synth

Clock Opera has been making some big waves around the blogosphere recently with some solid remixes and an original or two. I'm not sure if these Dutch kids will ever make it big, but they certainly have a Passion Pit-esque quality to them. They're by no means a photocopy of that buzz band, though - they have their own style that mixes synthesizers with some woodsier aspects, making it not just straight synth pop, but some sort of synthetic folk.

I won't pretend to know much about Clock Opera, but I will tell you this - I've been bumping them a lot recently and I'm excited to check out their debut album, A Piece of String. The lead single is baller, as are these two remixes.

Clock Opera - A Piece of String (YSI) (filesavr)

Au Revoir Simone - Tell Me (Clock Opera Remix) (YSI) (filesavr)

Marina + The Diamonds - I Am Not A Robot (Clock Opera Remix) (YSI) (filesavr)

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June 9, 2010

I Am Obsessed With The Tallest Man On Earth

I wish I had more words to describe this song, but I'll keep it brief. Paul Simon's Graceland is, in my opinion, the greatest album ever made. I will go toe-to-toe with anyone on that one. As a result, I would never recommend covering a song from that album. It's an exercise in folly.

That being said, I have been powerfully and cripplingly seized by The Tallest Man On Earth's cover of Graceland's title track. I am obsessed with it. It haunts me in the most beautiful way possible. It creates a stark environment for a song from one of the warmest albums I have ever heard. It milks the lyrics for every ounce of bleakness, and completely transforms the song. I cannot cannot cannot get enough.

The Tallest Man On Earth - Graceland (Paul Simon Cover) (YSI) (filesavr)

If you like that tune, I'd recommend checking out The Tallest Man On Earth. I slept on him for a while, but he's completely awesome. Watching this video of him from La Blogotheque gives me Bon Iverian shivers.



The Tallest Man On Earth - Love Is All (YSI) (filesavr)

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June 8, 2010

Stu Reid Under The Covers: Did You Know Nina Simone Covered Hall & Oates?

Is there a song that is more fun to cover than Hall and Oates' "Rich Girl"? I posit that there is not. I saw Diane Birch in concert last week (swoon) and she blew me away with a cover of said song. "Some people might say that this song is a little cheesy," she said to introduce the tune, "but I dare anyone in this room to raise their hand and say they don't like Hall and Oates." WORD.

There are tons of great Hall and Oates covers out there, but a couple caught my ear recently. The first comes from The Bird and The Bee, a cute little duo best known for some baller covers (including a sick one of the BeeGee's "How Deep Is Your Love"). Recently The Bird and The Bee announced a covers project which will begin with a full album of Hall and Oates covers. I dig it. The Bird and The Bee have a cool spaced out electro pop vibe that lends itself really nicely to taking older "cheesier" songs and making them wonderfully enchanting. I love this version.

On the other side of the coin is the all-time great Nina Simone, lending her raspy voice and personal arrangement to Hall and Oates. This is from a concert she did in London in December of 1977, and is just completely awesome. Mainly because Nina Simone is completely awesome. Pretty sure she could sing "Twinkle Twinkle Little Star" and make it sound epic. Love all around.

Get in on these two covers and check out the original below. Because like we always say, everyone needs a little Hall and Oates in their life.

Hall & Oates - Rich Girl (YSI) (filesavr)

Nina Simone - Rich Girl (Hall & Oates Cover) (YSI) (filesavr)

The Bird and The Bee - Rich Girl (Hall & Oates Cover) (YSI) (filesavr)

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June 7, 2010

Vampire Weekend: A Sample Placed And A Remix Found

Last summer I posted up a dynamite remix of Vampire Weekend’s “Cape Cod Kwassa Kwassa” done by the excellent (and sparing) Black Dominoes. I was recently reminded the track by the shuffle on my iTunes, and I noticed that the sample – which I had before identified simply as shouting from “some kids” – was now familiar. It’s a sample of Rye Rye’s “Shake It To The Ground,” which is pretty cool. Rye Rye is a spunky little rapper from Baltimore who really impressed me at SXSW. Cool to retroactively place a sample and realize that it comes from someone you like. Here’s the remix as well as Rye Rye’s original.

Vampire Weekend – Cape Cod Kwassa Kwassa (Black Dominoes Remix) (YSI) (filesavr)

Rye Rye – Shake It To The Ground (YSI) (filesavr)

In my poking around, I also stumbled across a pretty dope remix of Vampire Weekend’s “The Kids Don’t Stand A Chance” by those crazy kids Chromeo. It’s slick, dig all up on it.

Vampire Weekend – The Kids Don’t Stand A Chance (Chromeo Remix) (YSI) (filesavr)

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June 6, 2010

Rainy Day Music

Man this weekend in Boston is crazy. Insanely hot and humid on Saturday and now rainy and windy on Sunday. Not ideal for playing ultimate needless to say. Tomorrow is going to be rough. Here are some great rainy day songs to listen to as you watch the rain dribble down the window, or as you fervently wish the rain would go away.

Amplive - Weird Fishez (YSI) (filesavr)

The Very Best - Rain Dance (feat. M.I.A.) (YSI) (filesavr)

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June 5, 2010

Music in the Age of Obama, Part II

A year ago, I wrote about the Gershwin Prize for Popular Song being awarded to Stevie Wonder in a PBS Special. Well folks, they’ve given another award this year (though the PBS special has yet to air, I believe). The winner? Sir Paul McCartney. Not exactly earth-shattering, though some pointed out that a Brit had won an American prize.

I guess it’s always nice to see the U.S. government recognize the arts: “Here, arts! In lieu of money, we’ll give you this sweet prize!” But doesn’t it just seem completely meaningless? Here’s Paul McCartney, who at one point was the only billionaire musician (not sure where his finances stand these days) in the world, was long ago knighted by the Queen of England, loved by millions, yada yada yada. This prize doesn’t even qualify as the cherry on top of it all, it’s just superfluous. Future writers of McCartney biographies will brush over it, if they even mention it at all.

It basically seems like an excuse for a star-studded concert at the White House. And, I must admit, I would have loved to be there to see Stevie Wonder do “We Can Work it Out,” or to see McCartney charm the pants off of everyone by singing “Michelle” to the first lady. But the whole award part is boring. Why not just throw a dope concert every year that’s a celebration of music—of the art itself. Bring in young artists as well as old, doing covers as well as original songs. The concert could even tour the country (though I suppose it would have to somehow be deficit-neutral)!

But now I’m just dreaming. So here are a few great covers of McCartney songs. Enjoy!

Aretha Franklin - Eleanor Rigby (YSI) (filesavr)
Al Green - I Want to Hold Your Hand (YSI) (filesavr)
Stevie Wonder - We Can Work it Out (YSI) (filesavr)

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June 4, 2010

Team-up Extraordinare

Diplo is in the midst of a good stretch right now. First the team-up with M.I.A., then the Major Lazer collaboration with Switch and now the Major Lazer work with La Roux on Lazerproof. Remixing, reworking and contributing a few new tracks, Lazerproof showcases La Roux pipes backed by more hip-hop/Caribbean beats. The opening Bulletproof remix is fantastic, preserving the piano and strings, while adding those syncopated beats underneath. Good stuff plus its always fun to hear some new guests featured on tracks as Diplo brings in some great people like usual on the album. Mixtapes are hit or miss and while there are some so-so tracks here, there are some real gems as well. Independent Kill is bouncy as hell. You can go get the mixtape for free over HERE.

Major Lazer & La Roux - Bulletproof (Nacey Remix ft. Matt Hemerlein) (YSI) (filesavr)

Major Lazer & La Roux - Independent Kill (ft. Candi Redd) (YSI) (filesavr)

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June 3, 2010

New Menomena on the Horizon

There are few things better than listening to I Am The Fun Blame Monster on a pair of good headphones. Then with Friend & Foe Menomena's herky-jerky yet melodic brand of indie pop reached its more accessible stride. Now the band with its Dartmouth ties (booyah!) is on the verge of releasing its third album and here is the first single from said album: Five Little Rooms. The track picks up right were Friend & Foe leaves off with some catchy saxophone and delicate bells mixed in which Menomena's patented sound. Looking forward to the album this summer.

Menomena - Five Little Rooms (YSI) (filesavr)

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June 2, 2010

Nas and Mos Def Pay Tribute to One of the Greats

Gil Scott-Heron is one of the legends. He's not just a legend, he's one of the legends. He's the voice of a generation, of a city, of a movement. Know the phrase "The revolution will not be televised"? That was him. Ever heard a rap song? There are parts of him there, too.

Gil fell on some hard times in the 2000s, most notably getting booked for two years for coke possession and being diagnosed as HIV positive. This year, though, he made a comeback with his minimalistic album I'm New Here. It's a gritty, personal album that mixes spoken word and rap, straying closer to the poetry side of things. The opening track, "On Coming From A Broken Home (Pt. 1)," is beautiful, stark, evocative.

Perhaps the most talked about track on this unique album is "New York Is Killing Me." It's built on a foundation of hand claps and deep bass, relying almost completely on the texture of Scott-Heron's voice to infuse the song with melody through pure spoken word.

Recently, a couple of my favorite rappers have chimed in on top of the track - rappers with some New York cred under their belt. The first I heard was Mos Def's take on the track, which is a nice little tip of the cap to one of the fathers of the genre. Rather than taking over the piece, Mos just chimes in every now and then with a couple quick verses, leaving Scott-Heron as the heart of the track. It's a respectful approach that fits nicely.

The second rapper to touch up the track is Nas, of "New York State of Mind" fame. His verses are more present than Mos' - but they're also more New York-centric, which fits nicely with the thematic content of the track. I go back and forth about which remix I like better, but I think in the end I side with Nas. Neither - in my opinion - can match the emotional barrenness of the original, but they're definitely worth checking out.

Gil Scott-Heron - New York Is Killing Me (YSI) (filesavr)

Gil Scott-Heron - New York Is Killing Me (f. Mos Def Remix) (YSI) (filesavr)

Gil Scott-Heron - New York Is Killing Me (f. Nas Remix) (YSI) (filesavr)

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June 1, 2010

New BRAHMS On The Block

According to Wikipedia, Johannes Brahms "was a German composer and pianist" and "one of the leading musicians of the Romantic period." According to me, BRAHMS is an up-and-coming indie band fronted by Cale Parks. You might know Parks from White Williams, Aloha, or Joan of Arc. Or maybe you've heard his solo stuff. Or maybe you've never heard of him or BRAHMS before.

You're about to. After releasing a handful of stellar tracks and baller remixes, these guys look like they're poised to do some great things. Zack posted up a remix they did of Neon Indian a little while back, but since then they've only gotten better and better.

I had a chance to see these guys play with Das Racist last week at Pianos in New York, and it was a great show all around. Das Racist was a blast and BRAHMS was legitimately impressive. Keep your ears out for more from Parks and co.

BRAHMS - Brought It Out (YSI) (filesavr)

The Joy Formidable - Whirring (BRAHMS Remix) (YSI) (fileasavr)

Das Racist - You Oughta Know (YSI) (filesavr)

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