SXSW Ridiculousness, Part 4: Warpaint

Warpaint. Warpaint. I love Warpaint.

I saw Warpaint on my first afternoon of SXSW. And again on my first night of SXSW. And again on another day of SXSW. I had never heard their songs before heading to Austin, and had no idea what I was getting into that first day at Mohawk. Then these four lovely L.A. ladies took to the stage and blew me away.

I'll be the first to admit it, I don't usually like female rock bands. I like female singers in their softer incarnations, and usually find female-voiced rock a little off-putting. Not quite sure why, and I'm not proud of it, but it's the truth. I think it might be traced back to Zack's stupid love of Le Tigre.

But Warpaint is an entirely different can of worms. Drummer Stella Mozgawa was the best drummer I saw at the whole festival. Guitarists/Vocalists Theresa Wayman and Emily Kokal are visions and sirens, easy on the eyes and easier on the ears. Bassist Jenny Lee Lindberg is cool as ice, and thumps along on the bottom of the spectrum with a calm drive that keeps the band's long songs moving forward. Does it sound like I'm head over heels for this band? Because I'm pretty sure I am.

The band has only recorded a single EP, and although it's good, it's not as mesmerizing as their live show. But they are currently in the process of recording their debut LP, and I have faith that it will be every bit as good or better. Warpaint rocks hard, and I can't wait to see them again.

Warpaint - Billie Holiday (YSI) (filesavr)


Warpaint - Elephants (YSI) (filesavr)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinvyrxh0tI0amN_NxuwX7uT-G_aPqKwM9TczDitBo3ubhRGrlkkHd-srz043FNUKaitVQ1UnjkwHeL0paKLpLq2_OPkav9z900PIzvFkP86gv_sSxRCWaEk5sVOduTgAsWaJv-b59e2ts/s1600/warpaintTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinvyrxh0tI0amN_NxuwX7uT-G_aPqKwM9TczDitBo3ubhRGrlkkHd-srz043FNUKaitVQ1UnjkwHeL0paKLpLq2_OPkav9z900PIzvFkP86gv_sSxRCWaEk5sVOduTgAsWaJv-b59e2ts/s320/warpaintTSRE.JPG" /></a>Warpaint. Warpaint. I love Warpaint.<br /> <br /> I saw Warpaint on my first afternoon of SXSW. And again on my first night of SXSW. And again on another day of SXSW. I had never heard their songs before heading to Austin, and had no idea what I was getting into that first day at Mohawk. Then these four lovely L.A. ladies took to the stage and blew me away.<br /> <br /> I'll be the first to admit it, I don't usually like female rock bands. I like female singers in their softer incarnations, and usually find female-voiced rock a little off-putting. Not quite sure why, and I'm not proud of it, but it's the truth. I think it might be traced back to Zack's stupid love of Le Tigre.<br /> <br /> But Warpaint is an entirely different can of worms. Drummer Stella Mozgawa was the best drummer I saw at the whole festival. Guitarists/Vocalists Theresa Wayman and Emily Kokal are visions and sirens, easy on the eyes and easier on the ears. Bassist Jenny Lee Lindberg is cool as ice, and thumps along on the bottom of the spectrum with a calm drive that keeps the band's long songs moving forward. Does it sound like I'm head over heels for this band? Because I'm pretty sure I am.<br /> <br /> The band has only recorded a single EP, and although it's good, it's not as mesmerizing as their live show. But they are currently in the process of recording their debut LP, and I have faith that it will be every bit as good or better. Warpaint rocks hard, and I can't wait to see them again.<br /> <br /> <b><span class="Apple-style-span" style="font-weight: normal;"><b>Warpaint - Billie Holiday</b> (<a href="http://www.yousendit.com/download/bFFNclVBUzhENlN4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/billieholiday_1" target="_blank">filesavr</a>)</span></b><br /> <b><br /> </b><br /> <b>Warpaint - Elephants</b> (<a href="http://www.yousendit.com/download/bFFNclVBUzhOQnhFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/02elephants" target="_blank">filesavr</a>)

SXSW Ridiculousness, Part 3: Titus Andronicus

You know, I was never a big fan of Titus Andronicus. Their music always sounded a little too loose for me, a little too hard and fast. Early reviews I read of their live show seemed to describe it as an anything-goes drunken revelry. A good time at a party? Perhaps. Something I want to pay money to watch on-stage? No.

The band's latest album, though, is awesome. I've been listening to it a bunch, and I really really enjoy it. Describing it, it's tough for me to avoid the phrase "like a drunk, dirty Conor Oberst" and I mean that in the best way possible. It has a bit of a Civil War theme tinge to it, but without sacrificing edge. So at SXSW, when I was finally given the opportunity to see Titus Andronicus play live without paying for a ticket, I jumped at the chance.

I was blown away. From accounts I've heard - and what I observed - the group has toned down their antics a bit, dialing down the volume in exchange for a little more mainstream acceptance. Not that the band is altogether psyched about this change - when an audience member told lead singer Pat Stickles that he had seen the band perform two years ago, Stickles replied, "We're much worse now!" I got the feeling he meant it.

In concert, Titus was face melting. The guitars were hot, the vocals were harsh, and the jams were fervent. When the band was informed that they had nine minutes left in their allotted time, they launched into "The Battle of Hampton Roads," a fourteen minute epic that closes out The Monitor. It took them 16 minutes, and the venue pulled the plug with 45 seconds left. "We really wanted to finish the song," said Stickles to the crowd - but I got the feeling he felt alright playing the badass.

Titus Andronicus - A More Perfect Union (YSI) (filesavr)

Titus Andronicus - Four Score And Seven (YSI) (filesavr)

You know, I was never a big fan of Titus Andronicus. Their music always sounded a little too loose for me, a little too hard and fast. Early reviews I read of their live show seemed to describe it as an anything-goes drunken revelry. A good time at a party? Perhaps. Something I want to pay money to watch on-stage? No.<br /> <div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br /> </div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbcpitT4fPYBG0TxJXf6bAr4ZMDIvFbh-vb6RhKeZ5uTPYBiyvJ54IioPksRdBZoZ0jfQFPNU9WRm_yqiteREGjuvPjD9XgFnn4NPkBg1XAFVuxueD3ijPljTvwpjEynMmuw-ilbDSE7g/s1600/TitusAndronicusTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbcpitT4fPYBG0TxJXf6bAr4ZMDIvFbh-vb6RhKeZ5uTPYBiyvJ54IioPksRdBZoZ0jfQFPNU9WRm_yqiteREGjuvPjD9XgFnn4NPkBg1XAFVuxueD3ijPljTvwpjEynMmuw-ilbDSE7g/s320/TitusAndronicusTSRE.JPG" /></a></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">The band's latest album, though, is awesome. I've been listening to it a bunch, and I really really enjoy it. Describing it, it's tough for me to avoid the phrase "like a drunk, dirty Conor Oberst" and I mean that in the best way possible. It has a bit of a Civil War theme tinge to it, but without sacrificing edge. So at SXSW, when I was finally given the opportunity to see Titus Andronicus play live without paying for a ticket, I jumped at the chance.</div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br /> </div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">I was blown away. From accounts I've heard - and what I observed - the group has toned down their antics a bit, dialing down the volume in exchange for a little more mainstream acceptance. Not that the band is altogether psyched about this change - when an audience member told lead singer Pat Stickles that he had seen the band perform two years ago, Stickles replied, "We're much worse now!" I got the feeling he meant it.</div><br /> In concert, Titus was face melting. The guitars were hot, the vocals were harsh, and the jams were fervent. When the band was informed that they had nine minutes left in their allotted time, they launched into "The Battle of Hampton Roads," a fourteen minute epic that closes out <i>The Monitor</i>. It took them 16 minutes, and the venue pulled the plug with 45 seconds left. "We really wanted to finish the song," said Stickles to the crowd - but I got the feeling he felt alright playing the badass.<br /> <br /> <b>Titus Andronicus - A More Perfect Union </b>(<a href="http://www.yousendit.com/download/bFFNclVEMGNQb0t4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/01amoreperfectunion" target="_blank">filesavr</a>)<br /> <br /> <b>Titus Andronicus - Four Score And Seven</b> (<a href="http://www.yousendit.com/download/bFFNclVCZ1AyWGV4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/06fourscoreandseven" target="_blank">filesavr</a>)

SXSW Ridiculousness, Part 2: Free Energy

We've largely ignored Free Energy around these parts, for a couple different reasons. The most salient reason being that they always kind of struck me as a little too arrogant - pretentious even. Their music has a refreshing swagger to it, but the first time I saw them in concert I was put off by their cockiness. There's a difference between rock-and-roll not-caring and rock-and-roll pretending-not-to-care, and they were certainly smack dab in the middle of the latter category.

Through sheer circumstance, I saw the Free Energy guys play three separate times at SXSW, and I have to admit that I was very happily surprised. Each time, the Philly guys put on a dynamite show, getting people to dance, sing, and generally have fun - at a festival where people are often to busy or tired to do any of that.

The first time I saw them, at the Rolling Stone Thursday night showcase, they seemed genuinely honored to have a big, involved crowd (including the members of Titus Andronicus). Repeatedly, lead singer Paul Sprangers thanked the crowd, with a refreshing honesty that was missing from their Brooklyn show. It sounded to me like Free Energy had a bit of a wakeup call, a SXSW reality check surrounded by (literally) a thousand other talented bands. Sprangers talked about their SXSW Showcase at the Fader Fort. "Thanks for dancing!" he said on Thursday night. "This is much better than our Fader Fort show, where there was a guy in the front row flipping us off and mouthing the words 'Fuck You' the entire time. The entire time."

Indeed it was better. Each time I saw Free Energy, I liked them a little bit more. Which is nice, because they make some pretty damn fun tunes.

Free Energy - Free Energy (YSI) (filesavr)

Free Energy - Dream City (YSI) (filesavr)

We've largely ignored Free Energy around these parts, for a couple different reasons. The most salient reason being that they always kind of struck me as a little too arrogant - pretentious even. Their music has a refreshing swagger to it, but the first time I saw them in concert I was put off by their cockiness. There's a difference between rock-and-roll not-caring and rock-and-roll pretending-not-to-care, and they were certainly smack dab in the middle of the latter category.<br /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidMVniTeIxoKtQ5mJC6Gqpvy1zlz8fB4Vn525sh1-nJT_GxwRrQOln5IiAnf26YP95zirurWyyXwu7WuoUY9pTL-uZZAyw4c9QN09BYeRlXckFWD8we48QLMEFHHMpdKBed7oJ-2Q6qe8/s1600/free-energy-something-in-commonTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidMVniTeIxoKtQ5mJC6Gqpvy1zlz8fB4Vn525sh1-nJT_GxwRrQOln5IiAnf26YP95zirurWyyXwu7WuoUY9pTL-uZZAyw4c9QN09BYeRlXckFWD8we48QLMEFHHMpdKBed7oJ-2Q6qe8/s320/free-energy-something-in-commonTSRE.JPG" /></a><br /> Through sheer circumstance, I saw the Free Energy guys play three separate times at SXSW, and I have to admit that I was very happily surprised. Each time, the Philly guys put on a dynamite show, getting people to dance, sing, and generally have fun - at a festival where people are often to busy or tired to do any of that.<br /> <br /> The first time I saw them, at the Rolling Stone Thursday night showcase, they seemed genuinely honored to have a big, involved crowd (including the members of Titus Andronicus). Repeatedly, lead singer Paul Sprangers thanked the crowd, with a refreshing honesty that was missing from their Brooklyn show. It sounded to me like Free Energy had a bit of a wakeup call, a SXSW reality check surrounded by (literally) a thousand other talented bands. Sprangers talked about their SXSW Showcase at the Fader Fort. "Thanks for dancing!" he said on Thursday night. "This is much better than our Fader Fort show, where there was a guy in the front row flipping us off and mouthing the words 'Fuck You' the entire time. The entire time."<br /> <br /> Indeed it was better. Each time I saw Free Energy, I liked them a little bit more. Which is nice, because they make some pretty damn fun tunes.<br /> <br /> <b>Free Energy - Free Energy</b> (<a href="http://www.yousendit.com/download/bFFOd0VEQ0NsMHhFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/01freeenergy" target="_blank">filesavr</a>)<br /> <br /> <b>Free Energy - Dream City </b>(<a href="http://www.yousendit.com/download/bFFOd0VBcG9PSHl4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/dreamcity" target="_blank">filesavr</a>)

April Showers Bring Some Exciting Music

Boston is gearing up for some April showers these days, but its ok. We've had a 70+ degree day already and there is some exciting new music on the way. Blitzen Trapper are returning soon with Destroyer of the Void their follow up to their woods rock classic Furr. The first track from the album, Heaven and Earth, is a pretty heavy ballad replete with dire lyrics and dusty piano. Nice, more mature work.

Blitzen Trapper - Heaven and Earth (YSI) (zshare)

Collector, the first track from Here We Go Magic's upcoming album Pigeons, is a straight up phenomenal song. Gone is the excess artiness and instead *oh my* is the sound dense and lush. Layers of vocals pop up everywhere and with such a pervading sense of enthusiasm and joy. What a great song for spring.

Here We Go Magic - Collector (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibn_Peko9c6MjHfTjnrpZykPja9rTfrf0q-nak2qGhGTTb3Qw96RSlDycFHOFW8n2FhwyPM3gNdJA6a9XACTCx4WlOPRgS00RfWq6rFRdSBnDnprik58gWDiJ3QQt4wjsEspiYidfsG0pz/s1600/TSRE+April+Showers.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5453101101383598258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibn_Peko9c6MjHfTjnrpZykPja9rTfrf0q-nak2qGhGTTb3Qw96RSlDycFHOFW8n2FhwyPM3gNdJA6a9XACTCx4WlOPRgS00RfWq6rFRdSBnDnprik58gWDiJ3QQt4wjsEspiYidfsG0pz/s320/TSRE+April+Showers.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 320px;" /></a>Boston is gearing up for some April showers these days, but its ok. We've had a 70+ degree day already and there is some exciting new music on the way. Blitzen Trapper are returning soon with <span style="font-style: italic;">Destroyer of the Void</span> their follow up to their woods rock classic <span style="font-style: italic;">Furr</span>. The first track from the album, Heaven and Earth, is a pretty heavy ballad replete with dire lyrics and dusty piano. Nice, more mature work.<br /><br /><span style="font-weight: bold;">Blitzen Trapper - Heaven and Earth</span> (<a href="http://www.yousendit.com/download/THE0ZUNrdGpBNkd4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/742436018f98a19a/" target="_blank">zshare</a>)<br /><br />Collector, the first track from Here We Go Magic's upcoming album <span style="font-style: italic;">Pigeons</span>, is a straight up phenomenal song. Gone is the excess artiness and instead *oh my* is the sound dense and lush. Layers of vocals pop up everywhere and with such a pervading sense of enthusiasm and joy. What a great song for spring.<br /><br /><span style="font-weight: bold;">Here We Go Magic - Collector</span> (<a href="http://www.yousendit.com/download/THE0ZUN1dzhKV05jR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74243703e2523a11/" target="_blank">zshare</a>)

Hester Prynne Gets a Makeover

Some tracks can be classified as straight fire. Brash female hip hopper/rocker Hesta Prynn has just dropped such a track on our heads. While not a club hit, Can We Go Wrong has the driving guitars, syncopation, and reverb-y female vocals for a gritty pump up jam. Also, I'm a sucker for witty historical or literary names - check on that front. Formerly of the hip hop outfit Northern Lights Northern State, Hesta Prynn is releasing her debut LP later this year. Should be good and if nothing else, quite fun.

Hesta Prynn - Can We Go Wrong (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgEowSebv2AhKABSFb3fPyGjl1E6MFRwNHaVRVQX1y2hw5MUc211ru4Ocyc0nqe_Qm_4mz0VeXtOKUm_j38D3_sQi-GFk_8D1lWBBTJvbACF_iYrUwKAPutlqmMqXGH-mWm_fLIcLvMrKP/s1600/TSRE+Hawthorne.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5453097594014833202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgEowSebv2AhKABSFb3fPyGjl1E6MFRwNHaVRVQX1y2hw5MUc211ru4Ocyc0nqe_Qm_4mz0VeXtOKUm_j38D3_sQi-GFk_8D1lWBBTJvbACF_iYrUwKAPutlqmMqXGH-mWm_fLIcLvMrKP/s320/TSRE+Hawthorne.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 240px; height: 320px;" /></a>Some tracks can be classified as straight fire. Brash female hip hopper/rocker Hesta Prynn has just dropped such a track on our heads. While not a club hit, Can We Go Wrong has the driving guitars, syncopation, and reverb-y female vocals for a gritty pump up jam. Also, I'm a sucker for witty historical or literary names - check on that front. Formerly of the hip hop outfit <strike>Northern Lights</strike> Northern State, Hesta Prynn is releasing her debut LP later this year. Should be good and if nothing else, quite fun.<br /><br /><span style="font-weight: bold;">Hesta Prynn - Can We Go Wrong</span> (<a href="http://www.yousendit.com/download/THE0ZUNrNkdsMHcwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74242910676ed891/" target="_blank">zshare</a>)

Check out the Van Burens!

Tonight, the Van Burens kick off their inaugural national tour at the Middle East Upstairs in Boston. I’ve seen these guys a few times before, and highly recommend that you check out their show if they roll through your neck of the woods (you can check out their tour schedule here). They’ve just released their debut EP, “The Eager EP” which includes a bunch of fresh original material that they’ll be performing over the next couple of weeks.

Their sound—particularly their vocal harmonies and the timbre of their lead guitar—is more than a little reminiscent of Phish. But what I like about the Van Burens is that when they break into an extended instrumental jam, there is a clear harmonic direction to it. Their jams do not ramble (like Phish's often do). They do not noodle. They are tight, rhythmic, and dance-able, which makes for a great live show.

So seriously, check these boys out. They always get creative, making each concert a little different. For instance, I had the pleasure of checking out their Christmas concert, where I witnessed a mash-up of Snoop Dogg's "GZ and Hustlas" with the Dance of the Sugarplum Fairies. It was awesome.

I’ve included a few tracks below for your enjoyment. And if you happen to live in Boston, I hope to run into you at the Middle East tonight—if you show, you won’t be disappointed, I promise. And if you live in LA, Iowa City, NYC, DC, etc... you can check them out soon enough.

The Van Burens – Jeffrey’s World (YSI)
The Van Burens – Tranceformers (YSI)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizIk200GQWSfWLvD1odwiELWnsxbp_wW9nR8QlgYCmIoPDqgdCkWFzjlWEsdGa5Rkd4UMn9B6I417IcNXMVTauQ8XUFhxu2_RVHNzZlBfuevUvBPWo7sgayKRM7EONq3CcnaxQOWsWfgc/s1600/776376976_z77DU-M-300x200.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5452769479141751826" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizIk200GQWSfWLvD1odwiELWnsxbp_wW9nR8QlgYCmIoPDqgdCkWFzjlWEsdGa5Rkd4UMn9B6I417IcNXMVTauQ8XUFhxu2_RVHNzZlBfuevUvBPWo7sgayKRM7EONq3CcnaxQOWsWfgc/s320/776376976_z77DU-M-300x200.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 300px; height: 200px;" /></a>Tonight, the Van Burens kick off their inaugural national tour at the Middle East Upstairs in Boston. I’ve seen these guys a few times before, and highly recommend that you check out their show if they roll through your neck of the woods (you can check out their tour schedule <a href="http://www.vanburenmusic.com/tour-schedule/" target="_blank">here</a>). They’ve just released their debut EP, “The Eager EP” which includes a bunch of fresh original material that they’ll be performing over the next couple of weeks.<br /><br />Their sound—particularly their vocal harmonies and the timbre of their lead guitar—is more than a little reminiscent of Phish. But what I like about the Van Burens is that when they break into an extended instrumental jam, there is a clear harmonic direction to it. Their jams do not ramble (like Phish's often do). They do not noodle. They are tight, rhythmic, and dance-able, which makes for a great live show.<br /><br />So seriously, check these boys out. They always get creative, making each concert a little different. For instance, I had the pleasure of checking out their Christmas concert, where I witnessed a mash-up of Snoop Dogg's "GZ and Hustlas" with the <span style="font-style: italic;">Dance of the Sugarplum Fairies</span>. It was awesome.<br /><br />I’ve included a few tracks below for your enjoyment. And if you happen to live in Boston, I hope to run into you at the Middle East tonight—if you show, you won’t be disappointed, I promise. And if you live in LA, Iowa City, NYC, DC, etc... you can check them out soon enough.<br /><br /><span style="font-weight: bold;">The Van Burens – Jeffrey’s World</span> (<a href="https://www.yousendit.com/download/THE0WGJBdWMwZ2swTVE9PQ" target="_blank">YSI</a>)<br /><span style="font-weight: bold;">The Van Burens – Tranceformers</span> (<a href="http://www.yousendit.com/download/THE0WGJBdWN6NEt4dnc9PQ" target="_blank">YSI</a>)

SXSW Ridiculousness, Part 1: Bone Thugs-n-Harmony

So I just got back from SXSW, the most intense/incredible of music festivals. I saw 56 shows in 4 days (and photographed 45 of them!) and had my mind blown over and over again. I haven't really processed what happened last week in Austin. Suffice it to say that it was formative, and that I will be back next year. I will elaborate on the bands I saw and the things I heard in the coming week or two - starting with the oldest/most established group I checked out, Bone Thugs 'n Harmony.

Yes, that's right. Bone Thugs played at SXSW and I was there to see it. It was amazing, in the weirdest way possible. Never thought I would find myself watching Bone Thugs in concert.

They played a lot of old hits (after all, it's pretty much the only thing they've got), saying things like "Let's take it back to '95!" and "Let's go even further back to '89!" They dedicated their hit "Crossroads" to Michael Mother Fucking Jackson, and they sprinkled in a couple covers of Biggie and Tupac tracks, which was really cool. The fact that their rendition of "Notorious Thugz," the track they recorded with Biggie, got the biggest response of the evening is a testament to B.I.G.'s tunes. It was a sight to see, and a really fun concert for sure.

Coincidentally, I stumbled upon a pretty sick video today of Biggie, rapping on the street in Brooklyn at the age of 17 (SEVENTEEN!!). It's a scene that's reprised in the movie Notorious, but I'd never seen the real video until today. It's out of control, check it out.



Man, unbelievable.

It got me thinking, though, do we have anyone like Biggie today? I don't think we do. Unfortunate.

I was going to post the first single from the upcoming Bone Thugs-n-Harmony album (yes, there's an upcoming album) but it's terrible. So instead, here's a track of Bone Thugs rapping over Jay Z's "D.O.A.", and a Biggie/Jay-Z remix for good measure.

Bone Thugs-n-Harmony - D.O.A. (YSI) (drop.io)

Big Z - Blue Magic (Jay Z + Notorious B.I.G.) (YSI) (drop.io)

So I just got back from SXSW, the most intense/incredible of music festivals. I saw 56 shows in 4 days (and photographed 45 of them!) and had my mind blown over and over again. I haven't really processed what happened last week in Austin. Suffice it to say that it was formative, and that I will be back next year. I will elaborate on the bands I saw and the things I heard in the coming week or two - starting with the oldest/most established group I checked out, Bone Thugs 'n Harmony.<br /> <br /> Yes, that's right. Bone Thugs played at SXSW and I was there to see it. It was amazing, in the weirdest way possible. Never thought I would find myself watching Bone Thugs in concert.<br /> <br /> They played a lot of old hits (after all, it's pretty much the only thing they've got), saying things like "Let's take it back to '95!" and "Let's go even further back to '89!" They dedicated their hit "Crossroads" to Michael Mother Fucking Jackson, and they sprinkled in a couple covers of Biggie and Tupac tracks, which was really cool. The fact that their rendition of "Notorious Thugz," the track they recorded with Biggie, got the biggest response of the evening is a testament to B.I.G.'s tunes. It was a sight to see, and a really fun concert for sure.<br /> <br /> Coincidentally, I stumbled upon a pretty sick video today of Biggie, rapping on the street in Brooklyn at the age of 17 (SEVENTEEN!!). It's a scene that's reprised in the movie <i>Notorious</i>, but I'd never seen the real video until today. It's out of control, check it out.<br /> <br /> <object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/ufHZWt3xSZk&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ufHZWt3xSZk&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br /> <br /> Man, unbelievable.<br /> <br /> It got me thinking, though, do we have anyone like Biggie today? I don't think we do. Unfortunate.<br /> <br /> I was going to post the first single from the upcoming Bone Thugs-n-Harmony album (yes, there's an upcoming album) but it's terrible. So instead, here's a track of Bone Thugs rapping over Jay Z's "D.O.A.", and a Biggie/Jay-Z remix for good measure.<br /> <br /> Bone Thugs-n-Harmony - D.O.A. (<a href="http://www.yousendit.com/download/THE3TmZRdWMwVWxjR0E9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/rlsafhc/asset/d-o-a-freestyle-mp3" target="_blank">drop.io</a>)<br /> <br /> Big Z - Blue Magic (Jay Z + Notorious B.I.G.) (<a href="http://www.yousendit.com/download/THE3TmZVdGpqV0N4dnc9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/iflg6rp/asset/02-blue-magic-feat-jay-z-and-notorious-b-i-g-m4a" target="_blank">drop.io</a>)

Fang Island - Island of the Lost Videogames?

Fang Island has been getting a decent bit of hype recently and I thought I would throw in my two cents. Right off the bat you might notice the soaring Ratatat-esque guitars that remind me of video game music. Always surprisingly joyous, Fang Island constantly bring me back to the ending/victory anthems of old Super Nintendo games - which isn't a bad thing. Upon a second listen, the facet that makes Fang Island worth many listens is the sometimes plaintive, sometimes raucous a shout-a-long, sometimes very choral vocals that just sort of appear on most tracks. The combination works and contributes to a whole that is greater than just video game inspired guitar shredding.

Fang Island - Dream of Dreams (YSI) (zshare)

Fang Island - The Illinois (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHmhW4xSvE-qRiU5-ydt1SEKjYuhFxbOqVXGdhZDU6d0mgISe3N4WVvD6S7_6DNn65k6-U0Rqh5WbCwhhIzEcjnpqWbbHHvF2zO9eJVrSk_O_NYmIeuJGL7t2LvrRzI4k9D5zGEH-XY5ix/s1600-h/TSRE+Easter+Island.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5451065304200482130" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHmhW4xSvE-qRiU5-ydt1SEKjYuhFxbOqVXGdhZDU6d0mgISe3N4WVvD6S7_6DNn65k6-U0Rqh5WbCwhhIzEcjnpqWbbHHvF2zO9eJVrSk_O_NYmIeuJGL7t2LvrRzI4k9D5zGEH-XY5ix/s320/TSRE+Easter+Island.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 240px; height: 320px;" /></a>Fang Island has been getting a decent bit of hype recently and I thought I would throw in my two cents. Right off the bat you might notice the soaring Ratatat-esque guitars that remind me of video game music. Always surprisingly joyous, Fang Island constantly bring me back to the ending/victory anthems of old Super Nintendo games - which isn't a bad thing. Upon a second listen, the facet that makes Fang Island worth many listens is the sometimes plaintive, sometimes raucous a shout-a-long, sometimes very choral vocals that just sort of appear on most tracks. The combination works and contributes to a whole that is greater than just video game inspired guitar shredding.<br /><br /><span style="font-weight: bold;">Fang Island - Dream of Dreams</span> (<a href="http://www.yousendit.com/download/THE2Qk0xeWE0b0EwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/73989316bd46fbf1/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Fang Island - The Illinois</span> (<a href="http://www.yousendit.com/download/THE2Qk01MGtCTWswTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/73989337d0aaf853/" target="_blank">zshare</a>)

They Exist! - Worthwhile Rap Remixes

I am sort of over the massive synth remix these days and as a result these two interesting remixes instantly caught my eye. First off, I love Matt and Kim and Daylight is one of my favorite tracks. The song has just such a simple, simmering energy but also a nastily precise beat. It was only a matter of time before somebody put some rap over it and here it is. De La Soul layers in perfectly with the slightly languid pace of the remix and really makes the remix unique and truly a worthwhile song and not just a flash in the pan one-off.

Chiddy Bang just keep rolling as well. Here they take parts of hipster heartthrob Ellie Goulding's jam Under the Sheets and rap like hell around them. Good show chaps. Looking forward to Chiddy Bang's upcoming new mixtape Air Swell, which is where this catchy track is from.

Matt and Kim - Daylight (Troublemaker remix feat. De La Soul) (YSI) (zshare)

Chiddy Bang - Under the Sheets (Chiddy Bang Remix) (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq6H2BECBB56ZUmK0CNB2owQkiXMpes10tAIBEVS0kGbOp_ChgbhYtQsrzDpv-03XxTrAWBSuMBqEXWBxAXHo_GUsHRNbsr-U7c8Adf2sxXrNKKpwLY8uejxzlqiReEcV4S0UHm2Fk295v/s1600-h/TSRE+grave.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5450914079535581458" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq6H2BECBB56ZUmK0CNB2owQkiXMpes10tAIBEVS0kGbOp_ChgbhYtQsrzDpv-03XxTrAWBSuMBqEXWBxAXHo_GUsHRNbsr-U7c8Adf2sxXrNKKpwLY8uejxzlqiReEcV4S0UHm2Fk295v/s320/TSRE+grave.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 213px; height: 320px;" /></a>I am sort of over the massive synth remix these days and as a result these two interesting remixes instantly caught my eye. First off, I love Matt and Kim and Daylight is one of my favorite tracks. The song has just such a simple, simmering energy but also a nastily precise beat. It was only a matter of time before somebody put some rap over it and here it is. De La Soul layers in perfectly with the slightly languid pace of the remix and really makes the remix unique and truly a worthwhile song and not just a flash in the pan one-off.<br /><br />Chiddy Bang just keep rolling as well. Here they take parts of hipster heartthrob Ellie Goulding's jam Under the Sheets and rap like hell around them. Good show chaps. Looking forward to Chiddy Bang's upcoming new mixtape <span style="font-style: italic;">Air Swell</span>, which is where this catchy track is from.<br /><br /><span style="font-weight: bold;">Matt and Kim - Daylight (Troublemaker remix feat. De La Soul)</span> (<a href="http://www.yousendit.com/download/THE2Qk02U1BCSnBFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/73988980a54c0c12/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Chiddy Bang - Under the Sheets (Chiddy Bang Remix) </span>(<a href="http://www.yousendit.com/download/THE2Qk02U1BFd2Z2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/739890357bbbe9ae/" target="_blank">zshare</a>)

New MGMT on the way

MGMT's sophomore album is on the way and here is the first released track from Congratulations. Flash Delirium is not the same anthemic synth pop of Oracular Spectacular. Flash Delirium, while not bad by any means, sees MGMT trying to strut around like the Beatles - to mixed results. Still interesting, not classic. Enjoy the awesome weather this weekend.

MGMT - Flash Delirium (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGZkoWaND8pr5oHVXzD4-wFXI0Rg0_qsRypsl0ATCNhX37NNVtww-2LJzA6aOH6-uzq238xOBDxr5_znALoTlTb5d_8Nas8VSU8BelGpE1gjWtKl-3oPxeB9aXf3kq0HFHU97hq-YbKJpd/s1600-h/TSRE+MGMT.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5450911969960394562" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGZkoWaND8pr5oHVXzD4-wFXI0Rg0_qsRypsl0ATCNhX37NNVtww-2LJzA6aOH6-uzq238xOBDxr5_znALoTlTb5d_8Nas8VSU8BelGpE1gjWtKl-3oPxeB9aXf3kq0HFHU97hq-YbKJpd/s320/TSRE+MGMT.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 320px;" /></a>MGMT's sophomore album is on the way and here is the first released track from <span style="font-style: italic;">Congratulations</span>. Flash Delirium is not the same anthemic synth pop of Oracular Spectacular. Flash Delirium, while not bad by any means, sees MGMT trying to strut around like the Beatles - to mixed results. Still interesting, not classic. Enjoy the awesome weather this weekend.<br /><br /><span style="font-weight: bold;">MGMT - Flash Delirium</span> (<a href="http://www.yousendit.com/download/THE0N3RZYXloeVpFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/739757384e05157b/" target="_blank">zshare</a>)

Say Hey!

On occasion I’m up for delving into complex, poetic lyrics. But more often than not, I appreciate a simple, direct lyrical message. Whether it’s the simple “I love you” sentiments of soul music, or the “JUST DANCE!” directive of dance music. I guess I just don’t usually listen to lyrics carefully enough to appreciate subtle details. My loss, I suppose.

Fortunately, there are a lot of great songs with simple messages out there. One I’ve been digging of late is “Say Hey (I Love You)” from Michael Franti & Spearhead. It’s a song you’ve probably heard many times on the radio, at a party, etc. It’s certainly not a hidden gem. But with a great Latin dance beat and joyful message, it’s easy to see why it’s popular. “Seems like everywhere I go, the more I see the less I know. But I know one thing: that I love you.”

Another song with a similarly simple message that I’m digging these days comes from a very different genre. It’s “Danny’s Song,” by Loggins & Messina. This understated country love song was written by Kenny Loggins for his brother, Danny, upon the birth of Danny’s first son. It is simple, acoustic song about the joys of marriage and parenthood. You can imagine a new father singing it to his wife: “Even though we ain’t got money, I’m so in love with you honey…” A little cheesy? Yes. Nonetheless beautiful? I think so.

It’s a beautiful day, here are some beautiful songs to go with it. Enjoy.

Michael Franti & Spearhead – Say Hey (I Love You) (YSI)
Loggins & Messina – Danny’s Song (YSI)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5k0awJk67zgqLSm3O7TvlLblQd12py5o-45XKmpoLkhXgU8BiaOGv4OKXV8oSjfSbAN1Z9YprotDs_J6nl7OXPbRI-hBovltO-NU_7fqC9Ols2jfyCDF65j3LRueSI5QjE0zlSsAS_sE/s1600-h/2991104039_382cfffb88.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5450753906467734082" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5k0awJk67zgqLSm3O7TvlLblQd12py5o-45XKmpoLkhXgU8BiaOGv4OKXV8oSjfSbAN1Z9YprotDs_J6nl7OXPbRI-hBovltO-NU_7fqC9Ols2jfyCDF65j3LRueSI5QjE0zlSsAS_sE/s320/2991104039_382cfffb88.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 213px;" /></a><span style="font-size:85%;">On occasion I’m up for delving into complex, poetic lyrics. But more often than not, I appreciate a simple, direct lyrical message. Whether it’s the simple “I love you” sentiments of soul music, or the “JUST DANCE!” directive of dance music. I guess I just don’t usually listen to lyrics carefully enough to appreciate subtle details. My loss, I suppose.<br /><br />Fortunately, there are a lot of great songs with simple messages out there. One I’ve been digging of late is “Say Hey (I Love You)” from Michael Franti & Spearhead. It’s a song you’ve probably heard many times on the radio, at a party, etc. It’s certainly not a hidden gem. But with a great Latin dance beat and joyful message, it’s easy to see why it’s popular. “Seems like everywhere I go, the more I see the less I know. But I know one thing: that I love you.”<br /><br />Another song with a similarly simple message that I’m digging these days comes from a very different genre. It’s “Danny’s Song,” by Loggins & Messina. This understated country love song was written by Kenny Loggins for his brother, Danny, upon the birth of Danny’s first son. It is simple, acoustic song about the joys of marriage and parenthood. You can imagine a new father singing it to his wife: “Even though we ain’t got money, I’m so in love with you honey…” A little cheesy? Yes. Nonetheless beautiful? I think so.<br /><br />It’s a beautiful day, here are some beautiful songs to go with it. Enjoy.<br /><br /><span style="font-weight: bold;">Michael Franti & Spearhead – Say Hey (I Love You)</span> (<a href="https://www.yousendit.com/download/THE0N3RlZDVoeVpFQlE9PQ" target="_blank">YSI</a>)<br /><span style="font-weight: bold;">Loggins & Messina – Danny’s Song</span> (<a href="http://www.yousendit.com/download/THE0N3RlZDU5bER2Wmc9PQ" target="_blank">YSI</a>)</span>

Sublime is Back?

I was reading recently about how Sublime has formed with a new lead singer to tour the country as Sublime with Rome. Word on the street is that he sounds just like the late Bradley Nowell (you can check it out if you want on YouTube Dot Com).

Sublime have not fallen off the map like some other 90s bands. You still hear “Santeria” and “What I Got” on the radio all the time. But it seems that, at least on the radio, 40 Oz. to Freedom is somewhat overlooked. While Sublime is laden with hits, 40 Oz. is more consistent. It’s an album that I would always listen to front to back.

What I always loved most about Sublime was Nowell’s singing, so it’s hard for me to get too psyched about this Rome guy. Nowell’s voice was able be both confrontational and tender, and at moments was legitimately beautiful. This beauty was particularly poignant when juxtaposed with lyrics of drugs, booze, violence, etc. It created a sense of redemption, like a phoenix rising from ashes. Unfortunately, Rome is not Bradley risen from the dead, so I’ll be skipping this tour. But I will take time to enjoy some classic Sublime tracks like the ones below from 40 Oz. to Freedom.

Sublime – 40 Oz. to Freedom (YSI)
Sublime – 54-46 That’s My Number/Ball and Chain (YSI)
Sublime – D.J.S. (YSI)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiggYCnyQl_w2QFvkR6b-PBFplg7tQp4oZSiUfGBVH_dZjlF_o5QwEcWDi8HxQNFT0-pxp-svZupJXarozHvu3BCieClRz5EL1EJFhnIYxYhHSz_ieNU_VeTgnP5juIp2VnbdFSHkbQ8QA/s1600-h/40oztofreedom.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5450183414374136306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiggYCnyQl_w2QFvkR6b-PBFplg7tQp4oZSiUfGBVH_dZjlF_o5QwEcWDi8HxQNFT0-pxp-svZupJXarozHvu3BCieClRz5EL1EJFhnIYxYhHSz_ieNU_VeTgnP5juIp2VnbdFSHkbQ8QA/s320/40oztofreedom.jpg" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 231px; height: 231px;" /></a><span style="font-size:85%;">I was reading recently about how Sublime has formed with a new lead singer to tour the country as Sublime with Rome. Word on the street is that he sounds just like the late Bradley Nowell (you can <a href="http://www.youtube.com/watch?v=kghdDla6KRU" target="_blank">check it out</a> if you want on <a href="http://www.youtube.com/watch?v=gxkuYeERt1c" target="_blank"">YouTube Dot Com</a>).<br /><br />Sublime have not fallen off the map like some other 90s bands. You still hear “Santeria” and “What I Got” on the radio all the time. But it seems that, at least on the radio, <span style="font-style: italic;">40 Oz. to Freedom</span> is somewhat overlooked. While <span style="font-style: italic;">Sublime</span> is laden with hits, <span style="font-style: italic;">40 Oz.</span> is more consistent. It’s an album that I would always listen to front to back.<br /><br />What I always loved most about Sublime was Nowell’s singing, so it’s hard for me to get too psyched about this Rome guy. Nowell’s voice was able be both confrontational and tender, and at moments was legitimately beautiful. This beauty was particularly poignant when juxtaposed with lyrics of drugs, booze, violence, etc. It created a sense of redemption, like a phoenix rising from ashes. Unfortunately, Rome is not Bradley risen from the dead, so I’ll be skipping this tour. But I will take time to enjoy some classic Sublime tracks like the ones below from <span style="font-style: italic;">40 Oz. to Freedom</span>.<br /><br /><span style="font-weight: bold;">Sublime – 40 Oz. to Freedom</span> (<a href="https://www.yousendit.com/download/THE3bUpRT01ubHhFQlE9PQ" target="_blank">YSI</a>)<br /><span style="font-weight: bold;">Sublime – 54-46 That’s My Number/Ball and Chain</span> (<a href="http://www.yousendit.com/download/THE3bUpRT013NUt4dnc9PQ" target="_blank">YSI</a>)<br /><span style="font-weight: bold;">Sublime – D.J.S.</span> (<a href="http://www.yousendit.com/download/THE3bUphbEpmVGF4dnc9PQ" target="_blank">YSI</a>)<br /></span>

Chillwave - The Origin

While probably not the exact origin, I like to think of the short-lived group Ghosthustler as one of the main forerunners of the current Chillwave craze. Headed by Alan Palomo, who currently goes by Neon Indian and VEGA (perhaps you've heard of them?), Ghosthustler has those ethereal, dream-like vocals down along with some crunchy, sci-fi synths. Not quite as dreamy as Neon Indian or Toro y Moi, Ghosthustler really begins to hint at those atmospheric synths on tracks like Only Me to Trust. They still crank out some jams like Busy Busy Busy, one of my favorites. Ghosthustler no longer exists, but their few extant tracks are certainly worth listening to.

Ghosthustler - Busy Busy Busy (YSI) (zshare)

Ghosthustler - Only Me to Trust (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg27Eb56g3JSt2penUeeG91VtN8KzXQSLc9MoFXdQ_b1nGOXpoeUBy8yjIODIgyO0eNr-jMBGqpBfvgHMfLK-meSC8KdEljAnxayUqNLAWVikWf9p4D_FXcrCql-Bt1Htej5eyYDgiW-1Cc/s1600-h/TSRE+Casper.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5449375087216949826" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg27Eb56g3JSt2penUeeG91VtN8KzXQSLc9MoFXdQ_b1nGOXpoeUBy8yjIODIgyO0eNr-jMBGqpBfvgHMfLK-meSC8KdEljAnxayUqNLAWVikWf9p4D_FXcrCql-Bt1Htej5eyYDgiW-1Cc/s320/TSRE+Casper.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 259px;" /></a>While probably not the exact origin, I like to think of the short-lived group Ghosthustler as one of the main forerunners of the current Chillwave craze. Headed by Alan Palomo, who currently goes by Neon Indian and VEGA (perhaps you've heard of them?), Ghosthustler has those ethereal, dream-like vocals down along with some crunchy, sci-fi synths. Not quite as dreamy as Neon Indian or Toro y Moi, Ghosthustler really begins to hint at those atmospheric synths on tracks like Only Me to Trust. They still crank out some jams like Busy Busy Busy, one of my favorites. Ghosthustler no longer exists, but their few extant tracks are certainly worth listening to.<br /><br /><span style="font-weight: bold;">Ghosthustler - Busy Busy Busy</span> (<a href="http://www.yousendit.com/download/THE0T2pHRStqY3FGa1E9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/7379704593a1c130/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Ghosthustler - Only Me to Trust</span> (<a href="http://www.yousendit.com/download/THE0T2pHRStUME1LSkE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/73797064110601f1/" target="_blank">zshare</a>)

Folky Rockness from Mumford and Sons

I recently heard Mumford & Sons' debut album, Sigh No More, after being introduced to the band via Laura Marling's cover of their song "Roll Away Your Stone." You can read my full review of the album over on Pretty Much Amazing, but in short, I thought it had brilliant moments that sacrificed some of their power due to the repetitive nature of the album.

That repetition, however, shouldn't take away from those brilliant moments individually. The band has mastered the folk rock tension and release that makes for stunning songs, and a couple really deserve to be highlighted (highlit?)

The best song on the disc, in my opinion, is "Little Lion Man." It's awesome. I won't waste time trying to describe it - check it out if you like organic rock tracks, it's worth your time.

My other favorite tune on the record is "Winter Winds." The song has nicely spaced out banjo strums and picks, some stomp-tambourine percussion, and a delicious horn section. Get on this while it's hot, these guys are gonna be big.

Mumford & Sons - Little Lion Man (YSI) (filesavr)

Mumford & Sons - Winter Winds (YSI) (filesavr)

I recently heard Mumford & Sons' debut album, <i>Sigh No More</i>, after being introduced to the band via Laura Marling's cover of their song "Roll Away Your Stone." You can read my full review of the album over on <a href="http://prettymuchamazing.com/reviews/albumreviews/mumford-sons-sigh-no-more-album-review" target="_blank">Pretty Much Amazing</a>, but in short, I thought it had brilliant moments that sacrificed some of their power due to the repetitive nature of the album.<br /> <br /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKQledknOvVs8hmuoujJRD6TS2KbcPHMLsioYk0wk4h1Ivolddjtl4_oWt8YgBpMZd8NI32QZ1-f1VJb4Jmkgovb21WSSbYcMXwXBAqdbba0YVDfkvic9fE7dz7Tcn_koMa9LUxX0F5Vc/s1600-h/mumfordTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKQledknOvVs8hmuoujJRD6TS2KbcPHMLsioYk0wk4h1Ivolddjtl4_oWt8YgBpMZd8NI32QZ1-f1VJb4Jmkgovb21WSSbYcMXwXBAqdbba0YVDfkvic9fE7dz7Tcn_koMa9LUxX0F5Vc/s320/mumfordTSRE.JPG" /></a>That repetition, however, shouldn't take away from those brilliant moments individually. The band has mastered the folk rock tension and release that makes for stunning songs, and a couple really deserve to be highlighted (highlit?)<br /> <br /> The best song on the disc, in my opinion, is "Little Lion Man." It's awesome. I won't waste time trying to describe it - check it out if you like organic rock tracks, it's worth your time.<br /> <br /> My other favorite tune on the record is "Winter Winds." The song has nicely spaced out banjo strums and picks, some stomp-tambourine percussion, and a delicious horn section. Get on this while it's hot, these guys are gonna be big.<br /> <br /> <b>Mumford & Sons - Little Lion Man</b> (<a href="http://www.yousendit.com/download/THE2WmduT2JVbTlMWEE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/07littlelionman" target="_blank">filesavr</a>)<br /> <br /> <b>Mumford & Sons - Winter Winds</b> (<a href="http://www.yousendit.com/download/THE2Wmd0UnFUWUFLSkE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/03winterwinds" target="_blank">filesavr</a>)

GUITARZZZ

There is a lot of chillwave, synth and otherwise abnormal (but often great) music out there these days. Lets cut the oddness for a minute and listen to a couple raucous guitar tracks - one gritty and modern, the other delightfully retro. While I guess only the Cloud Nothings actually can be described as a jam, its worth noting that seemingly straightforward guitar rock can be innovative and fun these days too. And now back to your regularly scheduled hipster programming.

Cloud Nothings - Morgan (YSI)

Spirit Kid - My Imagination (YSI)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj87cRjqcNX063B62bX4liN_0M1_fZaXjdbIEUP9HAmoQ5CAE1pn7jKsSwPBkC7CcTAiO5IIWcN03gbBu0QohHwM3rGvYtRyDc_XfTK6PRF3kKXFL4X4m5o2vUkmiKErp0y_oPlP8CzjOb1/s1600-h/TSRE+Cirrus.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5448291169914723826" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj87cRjqcNX063B62bX4liN_0M1_fZaXjdbIEUP9HAmoQ5CAE1pn7jKsSwPBkC7CcTAiO5IIWcN03gbBu0QohHwM3rGvYtRyDc_XfTK6PRF3kKXFL4X4m5o2vUkmiKErp0y_oPlP8CzjOb1/s320/TSRE+Cirrus.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 274px; height: 320px;" /></a>There is a lot of chillwave, synth and otherwise abnormal (but often great) music out there these days. Lets cut the oddness for a minute and listen to a couple raucous guitar tracks - one gritty and modern, the other delightfully retro. While I guess only the Cloud Nothings actually can be described as a jam, its worth noting that seemingly straightforward guitar rock can be innovative and fun these days too. And now back to your regularly scheduled hipster programming.<br /><br /><span style="font-weight: bold;">Cloud Nothings - Morgan</span> (<a href="http://www.yousendit.com/download/THE1cHBEQzdtMEtGa1E9PQ" target="_blank">YSI</a>)<br /><br /><span style="font-weight: bold;">Spirit Kid - My Imagination</span> (<a href="http://www.yousendit.com/download/THE1cHBIQzNPSHpIRGc9PQ" target="_blank">YSI</a>)

South By South What?

So I'm amidst preparations to head down to South By South West for the first time. SWEET. I'm going down with Melophobe, another site I write some concert coverage for. I have the feeling some good stuff will make its way over to these here pages, though.

I don't have tons of free time at the moment, as I'm packing and planning and doing all that fun stuff. So here's a quick list of things I'm most pumped about for SXSW, and some tunes from bands I'm excited to see live for the first time.

Awesome things I'm looking forward to at SXSW:
1. Breakfast Tacos.
2. Free BBQ.
3. Music. All the time.
4. Music fans everywhere.
5. Free BBQ.
6. Impromptu shows.
7. Non-stop action.
8. Breakfast Tacos.

Bands I'm psyched to catch live for the first time, and a sample of each!

Local Natives - Sun Hands (YSI)

Rural Alberta Advantage - The Ballad of the RAA (YSI)

Major Lazer - Halo (Beyonce Cover) (YSI)

<a href="http://www.blogger.com/"></a><span id="goog_1268264962793"></span><span id="goog_1268264962794"></span><br /> So I'm amidst preparations to head down to South By South West for the first time. SWEET. I'm going down with Melophobe, another site I write some concert coverage for. I have the feeling some good stuff will make its way over to these here pages, though.<br /> <br /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcpX8LJcCqYX9d2BV0HFdAWWPjmBjF2zkeiTub-TnrFWK0ZVbHAeVgalKnaGnu40PAtCE1V7yMpNdXprFNoinxYabmLO_6cO9C73i5fSTm78T2smJa2j85uxINKSng8Z-pwx4JGxYFQg0/s1600-h/SXSWTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcpX8LJcCqYX9d2BV0HFdAWWPjmBjF2zkeiTub-TnrFWK0ZVbHAeVgalKnaGnu40PAtCE1V7yMpNdXprFNoinxYabmLO_6cO9C73i5fSTm78T2smJa2j85uxINKSng8Z-pwx4JGxYFQg0/s320/SXSWTSRE.JPG" /></a>I don't have tons of free time at the moment, as I'm packing and planning and doing all that fun stuff. So here's a quick list of things I'm most pumped about for SXSW, and some tunes from bands I'm excited to see live for the first time.<br /> <br /> Awesome things I'm looking forward to at SXSW:<br /> 1. Breakfast Tacos.<br /> 2. Free BBQ.<br /> 3. Music. All the time.<br /> 4. Music fans everywhere.<br /> 5. Free BBQ.<br /> 6. Impromptu shows.<br /> 7. Non-stop action.<br /> 8. Breakfast Tacos.<br /> <br /> Bands I'm psyched to catch live for the first time, and a sample of each!<br /> <br /> <b>Local Natives - Sun Hands</b> (<a href="http://www.yousendit.com/download/THE2U2V1Z2pqY3JIRGc9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Rural Alberta Advantage - The Ballad of the RAA</b> (<a href="http://www.yousendit.com/download/THE2U2VrdGpsamZIRGc9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Major Lazer - Halo (Beyonce Cover)</b> (<a href="http://www.yousendit.com/download/THE2U2V1UzdENlFLSkE9PQ" target="_blank">YSI</a>)

Broken Bells of Doom

While escaping Boston for the sunny hills of Maine has granted me a temporary reprieve from the torrential rain, it looks like bad weather will be catching up with me today. Like it or not, that might mean an abrupt end to my ski season, which makes me a little sad. The music of Broken Bells, composed of the lead singer from the Shins and Danger Mouse, sums up my feelings about this. It evokes pleasant memories, but with an inescapable twinge of melancholy and languor. Perfect weekend tracks for when you have some stuff on your mind (in my case deciding which grad school to go to). Enjoy.

Broken Bells - The High Road (YSI)

Broken Bells - The Ghost Inside (YSI)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglzTVJg4czazMir21L4o5ehL8tsDdzBoc91QWDMCCq40g11WjYGe3p5g1QYcC8lNdbhcVlfnNwZ1OJsIiYnXIXxBa1cs6UKK3VioUZ-J8ocl5MPei6VAV8V4ydRL_Z41OaWgWslM25luuP/s1600-h/TSRE+Rain+Window.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5448288450379156178" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglzTVJg4czazMir21L4o5ehL8tsDdzBoc91QWDMCCq40g11WjYGe3p5g1QYcC8lNdbhcVlfnNwZ1OJsIiYnXIXxBa1cs6UKK3VioUZ-J8ocl5MPei6VAV8V4ydRL_Z41OaWgWslM25luuP/s320/TSRE+Rain+Window.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" /></a>While escaping Boston for the sunny hills of Maine has granted me a temporary reprieve from the torrential rain, it looks like bad weather will be catching up with me today. Like it or not, that might mean an abrupt end to my ski season, which makes me a little sad. The music of Broken Bells, composed of the lead singer from the Shins and Danger Mouse, sums up my feelings about this. It evokes pleasant memories, but with an inescapable twinge of melancholy and languor. Perfect weekend tracks for when you have some stuff on your mind (in my case deciding which grad school to go to). Enjoy.<br /><br /><span style="font-weight: bold;">Broken Bells - The High Road</span> (<a href="http://www.yousendit.com/download/THE1cHBOQ1JwM21Ga1E9PQ" target="_blank">YSI</a>)<br /><br /><span style="font-weight: bold;">Broken Bells - The Ghost Inside</span> (<a href="http://www.yousendit.com/download/THE1cHBOQ1JsMHpIRGc9PQ" target="_blank">YSI</a>)

Food for Thought

What is the point of a concert review? If I was not at the concert, why do I care what songs they played, whether they did a sick cover of MGMT, or how charming the between-song banter was? And if I was at the concert, I already know what songs they played, what covers they did and what the banter was like. So seriously, who is the intended audience? I guess there are people out there who need the “authoritative” opinion of some music writer to confirm their own, but that doesn’t really strike me as particularly justifying.

I’m confused as to how this format has reached such prominence. I guess I can see how concert reviews might be useful for posterity’s sake. For instance, many music historians have pored through reviews of the premieres of Beethoven’s symphonies. These reviews do provide some interesting perspective on how performance practices differed in those days. For example, unlike today, it was normal back then to clap between movements. The orchestra would sometimes even repeat a movement in response to particularly rapturous applause (as in the case of the second movement of Beethoven’s Seventh Symphony).

But clearly concert reviews are not being written today purely to satisfy the interest of future historians. Why then? Clearly, there are good concert reviews written. In my experience, a review only makes for compelling reading when it’s treated as a compelling, thoughtful piece of writing—when the concert is merely a foil for the writer’s own creativity.

Well, them’s my thoughts. As always, I might be wrong. What am I missing here? Let me know.

Ray Charles – I Got a Woman (Live) (YSI) (dropbox)
James Brown – I Don’t Mind (Live) (YSI) (dropbox)
Beethoven – Symphony No. 7, Mvmt. 2 – Allegretto (YSI) (dropbox)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigbuslqjIB3_eWdkZz7ZOvQcz7Vfkd7DxTdK_8I7Uou4uyoBBAmqGSq9_9Eh12fg42kvIfnnMbHITNDmb8TJFX0x1pxSZT7bgCS13IHDiHplVGR-cebPdnYZfy4IgPgltvwb4ebFcC0PI/s1600-h/review-2009.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5447595525564577666" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigbuslqjIB3_eWdkZz7ZOvQcz7Vfkd7DxTdK_8I7Uou4uyoBBAmqGSq9_9Eh12fg42kvIfnnMbHITNDmb8TJFX0x1pxSZT7bgCS13IHDiHplVGR-cebPdnYZfy4IgPgltvwb4ebFcC0PI/s320/review-2009.jpg" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 235px; height: 129px;" /></a><span style="font-size:85%;">What is the point of a concert review? If I was not at the concert, why do I care what songs they played, whether they did a sick cover of MGMT, or how charming the between-song banter was? And if I was at the concert, I already know what songs they played, what covers they did and what the banter was like. So seriously, who is the intended audience? I guess there are people out there who need the “authoritative” opinion of some music writer to confirm their own, but that doesn’t really strike me as particularly justifying.<br /><br />I’m confused as to how this format has reached such prominence. I guess I can see how concert reviews might be useful for posterity’s sake. For instance, many music historians have pored through reviews of the premieres of Beethoven’s symphonies. These reviews do provide some interesting perspective on how performance practices differed in those days. For example, unlike today, it was normal back then to clap between movements. The orchestra would sometimes even repeat a movement in response to particularly rapturous applause (as in the case of the second movement of Beethoven’s Seventh Symphony).<br /><br />But clearly concert reviews are not being written today purely to satisfy the interest of future historians. Why then? Clearly, there are good concert reviews written. In my experience, a review only makes for compelling reading when it’s treated as a compelling, thoughtful piece of writing—when the concert is merely a foil for the writer’s own creativity.<br /><br />Well, them’s my thoughts. As always, I might be wrong. What am I missing here? Let me know.<br /><br /><span style="font-weight: bold;">Ray Charles – I Got a Woman</span> <span style="font-weight: bold;">(Live)</span> (<a href="http://www.yousendit.com/download/THE2b3BGUnI3N0FLSkE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/07%20I%20Got%20a%20Woman%20%28Live%29.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">James Brown – I Don’t Mind</span> <span style="font-weight: bold;">(Live)</span> (<a href="http://www.yousendit.com/download/THE2b3BGUnJ0d0YzZUE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/05%20I%20Don%27t%20Mind%201.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Beethoven – Symphony No. 7, Mvmt. 2 – Allegretto</span> (<a href="http://www.yousendit.com/download/THE2b3BGUnJrYUFLSkE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/4-06%20Beethoven_%20Symphony%20%237%20In%20A%2C%20Op.%2092%20-%202.%20Allegretto%201.mp3" target="_blank">dropbox</a>)<br /></span>

Washed Out and Small Black @ Mercury Lounge, 3/7/10

I had the pleasure of catching Washed Out and Small Black at the Mercury Lounge in NYC last weekend, and man was I pleasantly surprised. I came in having fairly mediocre expectations for the show - I don't have a ton of faith in the translation of chillwave/glo-fi music to the stage. Both Small Black and Washed Out gave me more confidence in the movement, though, as their stage shows were awesome, both visually and musically.

Check out some of my photos from the show:

I had never heard Small Black before last week leading up to the show, and I was really excited to hear their stuff, both old and new. It's great. My favorite track of theirs is probably "Despicable Dogs" from the Small Black EP. It's buzzy and awesomely relaxed.

Here are a couple tunes to buzz you through your Thursday and into Friday - loop them repeatedly and your day will vanish into a wonderful oblivion.

Small Black - Despicable Dogs (YSI)

Washed Out - Hold Out (YSI)

Washed Out - Feel It All Around (Toro Y Moi Remix) (YSI)

I had the pleasure of catching Washed Out and Small Black at the Mercury Lounge in NYC last weekend, and man was I pleasantly surprised. I came in having fairly mediocre expectations for the show - I don't have a ton of faith in the translation of chillwave/glo-fi music to the stage. Both Small Black and Washed Out gave me more confidence in the movement, though, as their stage shows were awesome, both visually and musically.<br /> <br /> Check out some of my photos from the show:<br /> <br /> <div style="width: 640px;"><object data="http://www.melophobe.com/flash/MelophobeAutoviewerExtended.swf?mode=embed&showTitle=melophobe | Washed Out Small Black - Mercury Lounge (New York, NY; Mar. 7, 2010)&showURL=http://www.melophobe.com/concert-reviews/washed-out-small-black-mercury-lounge-new-york-ny/&xmlURL=http://www.melophobe.com/images/100307washedout/gallerydata.xml" height="320" type="application/x-shockwave-flash" width="426"><param name='movie' value='http://www.melophobe.com/flash/MelophobeAutoviewerExtended.swf?mode=embed&showTitle=melophobe | Washed Out Small Black - Mercury Lounge (New York, NY; Mar. 7, 2010)&showURL=http://www.melophobe.com/concert-reviews/washed-out-small-black-mercury-lounge-new-york-ny/&xmlURL=http://www.melophobe.com/images/100307washedout/gallerydata.xml'/></object><br /> <div style="font-family: arial; font-size: 12px; margin-top: 9px; padding-left: 40px; text-indent: -20px; width: 90%;"><a href="http://www.melophobe.com/concert-reviews/washed-out-small-black-mercury-lounge-new-york-ny/" style="color: #5f655e; text-decoration: none;"></a></div></div><br /> I had never heard Small Black before last week leading up to the show, and I was really excited to hear their stuff, both old and new. It's great. My favorite track of theirs is probably "Despicable Dogs" from the <i>Small Black </i>EP. It's buzzy and awesomely relaxed.<br /> <br /> Here are a couple tunes to buzz you through your Thursday and into Friday - loop them repeatedly and your day will vanish into a wonderful oblivion.<br /> <br /> <b>Small Black - Despicable Dogs</b> (<a href="http://www.yousendit.com/download/THE2U2VrNXZwaFIzZUE9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Washed Out - Hold Out</b> (<a href="http://www.yousendit.com/download/THE2U2VnTXZCSWNLSkE9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Washed Out - Feel It All Around (Toro Y Moi Remix)</b> (<a href="http://www.yousendit.com/download/THE2U2VpTk1tUUdGa1E9PQ" target="_blank">YSI</a>)

Stu Reid Under The Covers: Strings Play Sigur Ros, Peter Gabriel Takes On Arcade Fire, and Ellie Goulding is Sweet

As promised, back again with Stu Reid Under The Covers, a look at our favorite covers of the here and now. Yesterday I talked about three tunes and today I've got three more.

The first tune comes from Peter Gabriel's cover album, Scratch My Back. I listened to the album a few times when it first came out, and I wasn't totally impressed by it. Yesterday I caught this track again on XMU and decided to give it a second look. It's Gabriel's take on Arcade Fire's "My Body Is A Cage," and it's saccharine sweet and syrupy. Honestly, it's still not my favorite. But it is pretty interesting if you're in need of lush orchestration and a heavy dose of melodrama. And it does make me very excited for the second part of the project, where Arcade Fire covers Peter Gabriel.

The second tune is Ellie Goulding covering Temper Trap's "Sweet Disposition." It's no secret that we love us some Ellie around here, and this tune is no different. It's a live cut, but good quality. And nice proof that Goulding can actually carry a tune in real life, unlike a lot of studio divas of today. Would love to catch her live.

Finally, an ambitious cover of Sigur Ros' "Hoppipolla" by a group called the Vitamin String Quartet. I saw it first on The World Forgot. It's a string arrangement of the Icelandic group's epic, and it's pretty beautiful. I wish they utilized the cello more - it's a bit shrill with the violins doing all the moving. But when all is said and done, it's a string quartet covering Sigur Ros, so of course it's awesome.

Peter Gabriel - My Body Is A Cage (Arcade Fire Cover) (YSI)

Ellie Goulding - Sweet Disposition (Temper Trap Cover) (YSI)

Vitamin String Quartet - Hoppipolla (Sigur Ros Cover) (YSI)

As promised, back again with Stu Reid Under The Covers, a look at our favorite covers of the here and now. Yesterday I talked about three tunes and today I've got three more.<br /> <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggNzXyyG3N1TU4-rH9mpG9rYyYIoWtH5orwQip7dgjoCu6UQ-qIZsYAmqQITjQXYwFsgvU5gU6agePNXIntWn5JQO_3jv7zLf_cazSbtG6n_KBwSw3nApUsnOVWWmJN2X-oLSbsB6j7o4/s1600-h/TSREundercovers.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggNzXyyG3N1TU4-rH9mpG9rYyYIoWtH5orwQip7dgjoCu6UQ-qIZsYAmqQITjQXYwFsgvU5gU6agePNXIntWn5JQO_3jv7zLf_cazSbtG6n_KBwSw3nApUsnOVWWmJN2X-oLSbsB6j7o4/s320/TSREundercovers.JPG" /></a></div>The first tune comes from Peter Gabriel's cover album, <i>Scratch My Back</i>. I listened to the album a few times when it first came out, and I wasn't totally impressed by it. Yesterday I caught this track again on XMU and decided to give it a second look. It's Gabriel's take on Arcade Fire's "My Body Is A Cage," and it's saccharine sweet and syrupy. Honestly, it's still not my favorite. But it is pretty interesting if you're in need of lush orchestration and a heavy dose of melodrama. And it does make me very excited for the second part of the project, where Arcade Fire covers Peter Gabriel.<br /> <br /> The second tune is Ellie Goulding covering Temper Trap's "Sweet Disposition." It's no secret that we love us some Ellie around here, and this tune is no different. It's a live cut, but good quality. And nice proof that Goulding can actually carry a tune in real life, unlike a lot of studio divas of today. Would love to catch her live.<br /> <br /> Finally, an ambitious cover of Sigur Ros' "Hoppipolla" by a group called the Vitamin String Quartet. I saw it first on <a href="http://www.theworldforgot.com/">The World Forgot</a>. It's a string arrangement of the Icelandic group's epic, and it's pretty beautiful. I wish they utilized the cello more - it's a bit shrill with the violins doing all the moving. But when all is said and done, it's a string quartet covering Sigur Ros, so of course it's awesome.<br /> <br /> <b>Peter Gabriel - My Body Is A Cage (Arcade Fire Cover)</b> (<a href="http://www.yousendit.com/download/THE1eVdxUENvQUozZUE9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Ellie Goulding - Sweet Disposition (Temper Trap Cover) </b>(<a href="http://www.yousendit.com/download/THE1eVdxUEMxUUIzZUE9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Vitamin String Quartet - Hoppipolla (Sigur Ros Cover)</b> (<a href="http://www.yousendit.com/download/THE1eVdxUENuSlJMWEE9PQ" target="_blank">YSI</a>)

Stu Reid Under The Covers: M.Ward Takes on Joanna, Phoenix Plays Dylan, and Florence Is Addicted To Love

I’ve been sitting on a bunch of covers, and it’s been far too long since we’ve done a Stu Reid Under The Covers, so boom! Here I is, back with another dose. In fact, it’s a DOUBLE DOSE – I’ll be back tomorrow with three more tasty treats.

We’ll start off with some really distinctive voices – Florence, Joanna, and Dylan. The first, Ms. Machine herself, is doing the covering in this case, taking on Robert Palmer’s “Addicted To Love.” Her voice absolutely carries the track, starting out in emptiness before growing until drums, harp, and edgy guitars bring the track home. It’s a fairly straightforward song, but in Flo’s hands it’s a beauty.

Joanna Newsom, on the other hand, is being covered, rather than singing herself. Another distinctive voice - M. Ward – takes on her “Sadie” and phew it’s wonderful. Ward’s gritty voice is at the complete other side of the spectrum from Newsom’s, and it gives the song a great new feel. Wow I dig this.

Finally, those francos from Phoenix take on Sir Bob Dylan himself, singing “Sad Eyed Lady of the Lowlands.” Lead singer Thomas Mars puts on a bit of the characteristic cavalier Dylan phrasing, and the song actually turns out pretty sweet. Not my favorite Dylan tune, but it’s nice to hear the boys from Phoenix in a less produced context.

Florence and the Machine – Addicted To Love (Robert Palmer Cover) (YSI) (YSI) (filesavr)

M.Ward – Sadie (Joanna Newsom Cover) (YSI) (filesavr)

Phoenix – Sad Eyed Lady Of The Lowlands (Bob Dylan Cover) (YSI) (filesavr)

I’ve been sitting on a bunch of covers, and it’s been far too long since we’ve done a Stu Reid Under The Covers, so boom! Here I is, back with another dose. In fact, it’s a DOUBLE DOSE – I’ll be back tomorrow with three more tasty treats.<br /> <br /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3xyXFKKofpfkq2bhuSUpPNELXLAobK1BQGLlWIevgAJe07xz7YlGxA7xuoj9YPX5V4RrNtAeFepfbQbH8bD2YYKez39TAQIs18cXjUkZh4ia4XAwsVlroqQWPhDR0_H9-Ps2aumUp33w/s1600-h/uncoveredTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3xyXFKKofpfkq2bhuSUpPNELXLAobK1BQGLlWIevgAJe07xz7YlGxA7xuoj9YPX5V4RrNtAeFepfbQbH8bD2YYKez39TAQIs18cXjUkZh4ia4XAwsVlroqQWPhDR0_H9-Ps2aumUp33w/s320/uncoveredTSRE.JPG" /></a>We’ll start off with some really distinctive voices – Florence, Joanna, and Dylan. The first, Ms. Machine herself, is doing the covering in this case, taking on Robert Palmer’s “Addicted To Love.” Her voice absolutely carries the track, starting out in emptiness before growing until drums, harp, and edgy guitars bring the track home. It’s a fairly straightforward song, but in Flo’s hands it’s a beauty.<br /> <br /> Joanna Newsom, on the other hand, is being covered, rather than singing herself. Another distinctive voice - M. Ward – takes on her “Sadie” and phew it’s wonderful. Ward’s gritty voice is at the complete other side of the spectrum from Newsom’s, and it gives the song a great new feel. Wow I dig this.<br /> <br /> Finally, those francos from Phoenix take on Sir Bob Dylan himself, singing “Sad Eyed Lady of the Lowlands.” Lead singer Thomas Mars puts on a bit of the characteristic cavalier Dylan phrasing, and the song actually turns out pretty sweet. Not my favorite Dylan tune, but it’s nice to hear the boys from Phoenix in a less produced context.<br /> <br /> <b>Florence and the Machine – Addicted To Love (Robert Palmer Cover)</b> (<strike><a href="http://www.yousendit.com/download/THE1eVdnTXYwZ2tLSkE9PQ" target="_blank">YSI</a>) </strike>(<a href="http://www.yousendit.com/download/THE2QmtjNnlwaFNGa1E9PQ">YSI</a>) (<a href="http://www.filesavr.com/addictedtoloverobertpalmercove">filesavr</a>)<br /> <br /> <b>M.Ward – Sadie (Joanna Newsom Cover)</b> <s>(</s><a href="http://www.yousendit.com/download/THE1eVdnTXZVbTkzZUE9PQ" target="_blank"><s>YSI</s></a><s>)</s> (<a href="http://www.filesavr.com/sadiejoannanewsomcover">filesavr</a>)<br /> <br /> <b>Phoenix – Sad Eyed Lady Of The Lowlands (Bob Dylan Cover) </b><s>(</s><a href="http://www.yousendit.com/download/THE1eVdpTk01aVozZUE9PQ" target="_blank"><s>YSI</s></a><s>)</s> (<a href="http://www.filesavr.com/sadeyedladyofthelowlandsbobd">filesavr</a>)

Animal Collective Show Their True Faces

Last Thursday night TSRE trekked to the Guggenheim to see Animal Collective perform their site specific piece Transverse Temporal Gyrus that included light effects from visual artist Danny Perez. While Animal Collective's recent albums have been accessible, melodic and even pop-ish at times, Transverse Temporal Gyrus solidified in my mind that these guys are first and foremost art rockers who care more about pushing boundaries and making artistic points than necessarily pleasing their fans. I arrived at the Guggenheim not expecting a concert, but at least expecting interaction and some mental stimulation. Instead, Animal Collective stood mostly still for three hours like those statue street performers in robes and masks that reminded me of the rabbit from Donny Darko. The score as I will call it had some interesting crests and loops, but in all honesty the sound along with the light show failed to fully take advantage of the uniquely awesome space that is a completely empty Guggenheim museum. Even more than simply being artistic, which it very well probably was, I just could not get over the detachment. The performance did not feel inclusive and for a celebration of the Guggenheim's 50th Anniversary and with the opportunity to perform in such a unique space, I expected to be pummeled by art, rather than only catching a glimpse of it from around a corner or vaguely reflected on a wall. I will still enjoy Animal Collective recordings, but in attempting to challenge expectations (like any solid artist) they squandered an opportunity and instead tried to deliver a weak and uninspired message to a host of fans on whom the message already seemed to be lost.

Animal Collective - Water Curses (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLN3oX3Kk5K7YOhcb80seLNZ1wjidd1ZvVUOoI2d5hSxn9EyFOQtTbMXwBJLiCbsFliQLoAwmSwnnrN0zRNDIXuWT0ydzamlDxMXDnR_5DksjHC-4kBnRHbNhv65UzMs5lR3gLbWaK74vQ/s1600-h/IMG_0031.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5446079185566854706" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLN3oX3Kk5K7YOhcb80seLNZ1wjidd1ZvVUOoI2d5hSxn9EyFOQtTbMXwBJLiCbsFliQLoAwmSwnnrN0zRNDIXuWT0ydzamlDxMXDnR_5DksjHC-4kBnRHbNhv65UzMs5lR3gLbWaK74vQ/s320/IMG_0031.JPG" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" /></a>Last Thursday night TSRE trekked to the Guggenheim to see Animal Collective perform their site specific piece <span style="font-style: italic;">Transverse Temporal Gyrus</span> that included light effects from visual artist Danny Perez. While Animal Collective's recent albums have been accessible, melodic and even pop-ish at times, <span style="font-style: italic;">Transverse Temporal Gyrus</span> solidified in my mind that these guys are first and foremost art rockers who care more about pushing boundaries and making artistic points than necessarily pleasing their fans. I arrived at the Guggenheim not expecting a concert, but at least expecting interaction and some mental stimulation. Instead, Animal Collective stood mostly still for three hours like those statue street performers in robes and masks that reminded me of the rabbit from Donny Darko. The score as I will call it had some interesting crests and loops, but in all honesty the sound along with the light show failed to fully take advantage of the uniquely awesome space that is a completely empty Guggenheim museum. Even more than simply being artistic, which it very well probably was, I just could not get over the detachment. The performance did not feel inclusive and for a celebration of the Guggenheim's 50th Anniversary and with the opportunity to perform in such a unique space, I expected to be pummeled by art, rather than only catching a glimpse of it from around a corner or vaguely reflected on a wall. I will still enjoy Animal Collective recordings, but in attempting to challenge expectations (like any solid artist) they squandered an opportunity and instead tried to deliver a weak and uninspired message to a host of fans on whom the message already seemed to be lost.<br /><br /><span style="font-weight: bold;">Animal Collective - Water Curses</span> (<a href="http://www.yousendit.com/download/THE0clVCZEtZY1EwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/734291877d0be290/" target="_blank">zshare</a>)

Deceiving Sunday?

This weekend in Boston was be beautiful and I'm afraid deceivingly so. But, even though March is probably going to be wet and muddy, one has to appreciate perfect weather when its around. I was reminded of two tracks that are light and fun, but with deceivingly addictive underlying rhythms. Both of these tracks have a touch of mystery to them, which only adds to the to their inescapable ability to get into your head. Take some time and enjoy the day with people you love, as like usual who knows the next time we'll get a weekend like this.

Primary 1 - The Blues (feat. Nina Persson) (YSI) (zshare)

Caribou - Odessa (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GC3zOoGY4GvavxCxOOlpgeG-RHna3cpopjrz-GHyS9VajmsB_EglSuxdD7mPjzoB1nA02PXNE0tXr5K3PFjyo5mbm5JW35wbjh6A160e2ky5E562hC8fWi2M-QVfsXhQFeSkF0CGqOA_/s1600-h/TSRE+SUN.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5445911981093426882" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5GC3zOoGY4GvavxCxOOlpgeG-RHna3cpopjrz-GHyS9VajmsB_EglSuxdD7mPjzoB1nA02PXNE0tXr5K3PFjyo5mbm5JW35wbjh6A160e2ky5E562hC8fWi2M-QVfsXhQFeSkF0CGqOA_/s320/TSRE+SUN.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 320px;" /></a>This weekend in Boston was be beautiful and I'm afraid deceivingly so. But, even though March is probably going to be wet and muddy, one has to appreciate perfect weather when its around. I was reminded of two tracks that are light and fun, but with deceivingly addictive underlying rhythms. Both of these tracks have a touch of mystery to them, which only adds to the to their inescapable ability to get into your head. Take some time and enjoy the day with people you love, as like usual who knows the next time we'll get a weekend like this.<br /><br /><span style="font-weight: bold;">Primary 1 - The Blues (feat. Nina Persson)</span> (<a href="http://www.yousendit.com/download/THE0clVEMGNtNEx2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/7342721426f1a5d2/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Caribou - Odessa</span> (<a href="http://www.yousendit.com/download/THE0clVEMGMzeUx2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/7342727809c5471c/" target="_blank">zshare</a>)

J.S. Cooke

Last week, a friend of mine sent me a short essay, entitled “Hearing the Notes That Aren’t Played,” by David Mamet, the Pulitzer Prize-winning author of Glengarry Glen Ross. The essay concerns what makes for good writing, and draws upon Mamet’s experience playing the piano to illustrate his ideas. While Mamet is a writer, he draws upon a variety of different arts to demonstrate the application of his ideas.

The primary insight he offers comes from Joel Silver, who produced several of Mamet’s wife’s (Rebecca Pidgeon) records. Joel tells Mamet “Leave out the third—we hear it anyway.” Silver is referring to the third as part of a triad, the three-note chord that is the fundamental building block of all Western music, from Bach to the Beatles to the Beta Band to Beirut. The three tones that make up a triad are the first, the third, and the fifth. Of these, the third is the note that can change, becoming either major or minor and providing the color of the chord.

Mamet argues that in music as well as writing, the human ability to extrapolate and contextualize renders the third unnecessary. “We hear it anyway.” He mentions how Chekhov removed the plot, Pinter the narration, and Becket the characterization. He goes on to write a particularly beautiful paragraph about Bach’s music:

It is in our nature to elaborate, estimate, predict—to run before the event. This is the meaning of consciousness; anything else is instinct. Bach allows us to run before, and his resolutions, as per Aristotle, are as inevitable (as they must be, given the strictures of Western compositional form) and surprising as his elaborate genius. We are thus delighted and instructed, as per Freud, in a nonverbal way, as to the varieties of perception, possibility, completion—we are made better.

Obviously Bach did not always (or even often) leave out the third. But his music does travel in such a way as to require the listener’s mind to develop expectations that are either confirmed or surprised by what comes next. Therein lies the charm.

But beyond chords and harmonies, I feel that this maxim can be similarly applied to lyrics. Take Bruce Springsteen, for example. His lyrics are often so detailed, his descriptions so lush, that little is left to the imagination. Compare this to soul music, where the lyrics are often as simple as can be. “I love you I love you I love you I love you I love you I love you I love you,” for example (from Sam Cooke’s “For Sentimental Reasons). Pretty much everything is left to the imagination. Plus, Sam’s wonderful voice ensures that pretty much any thoughts you have will be beautiful ones.

Below is some Bach and some Cooke. If you listen to the Bach all the way through (both pieces), you'll get to experience one of the more famous deceptive cadences of all time (talk about upending expectations). It's also one of the more intense classical pieces I know of; I always thought it could be turned into a great hip-hop beat by someone more talented than I. Enjoy.

J.S. Bach – Passacaglia & Fugue in C Minor - Passacaglia (YSI) (dropbox)
J.S. Bach - Passacaglia & Fugue in C Minor - Fugue (YSI) (dropbox)
Sam Cooke – (I Love You) For Sentimental Reasons (YSI) (dropbox)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8p_WeVEuHjsJY255YmKZemAj2HhPs6GLRSFqUe0H1FoiXIaxG_1VJCdPoXEvghRSIKtzzsBcOYh0SueYRzrGlcYFAEgPTYd-XzkLs273H9H1iBbRfqFNvydRTmpPXP8zpdGTwzqD3oyQ/s1600-h/bach-hausmann.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5445309421587813330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8p_WeVEuHjsJY255YmKZemAj2HhPs6GLRSFqUe0H1FoiXIaxG_1VJCdPoXEvghRSIKtzzsBcOYh0SueYRzrGlcYFAEgPTYd-XzkLs273H9H1iBbRfqFNvydRTmpPXP8zpdGTwzqD3oyQ/s320/bach-hausmann.jpg" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 162px; height: 201px;" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy6-mGzPka4wM6rziB30vNcYVMJnkpRHez_IctYZsLGb3B3Ik6Rvc4VVrVQIhIc_tLzrKTUZR8HZQ-NY4Fh9LLjCNFlr0Pj2NO0WwaRFV2-ZramtUjwjNobnXjKxUad3woQZ9AJmc3LK8/s1600-h/Cooke-Sam.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5445309499171144690" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy6-mGzPka4wM6rziB30vNcYVMJnkpRHez_IctYZsLGb3B3Ik6Rvc4VVrVQIhIc_tLzrKTUZR8HZQ-NY4Fh9LLjCNFlr0Pj2NO0WwaRFV2-ZramtUjwjNobnXjKxUad3woQZ9AJmc3LK8/s320/Cooke-Sam.jpg" style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 137px; height: 203px;" /></a><span style="font-size:85%;">Last w</span><span style="font-size:85%;">eek, a friend of mine sent me a short essay, entitled “Hearing the Notes That Aren’t Played,” by David Mamet, the Pulitzer Prize-winning author of <span style="font-style: italic;">Glengarry Glen Ross</span>. The essay concerns what makes for good writing, and draws up</span><span style="font-size:85%;">on Mamet’s experience playing the piano to illustrate his ideas. While Mamet is a writer, he draws upon a variety of different arts to demonstrate the application of his ideas.<br /><br />The primary insight he offers comes from Joel Silver, who produced several of Mamet’s wife’s (Rebecca Pidgeon) records. Joel tells Mamet “Leave out the third—we hear it anyway.” Silver is referring to the third as part of a triad, the three-note chord that is the fundamental building block of all Western music, from Bach to the Beatles to the Beta Band to Beirut. The three tones that make up a triad are the first, the third, and the fifth. Of these, the third is the note that can change, becoming either major or minor and providing the color of the chord.<br /><br />Mamet argues that in music as well as writing, the human ability to extrapolate and contextualize renders the third unnecessary. “We hear it anyway.” He mentions how Chekhov removed the plot, Pinter the narration, and Becket the characterization. He goes on to write a particularly beautiful paragraph about Bach’s music:<br /><blockquote><span style="font-size:78%;">It is in our nature to elaborate, estimate, predict—to run before the event. This is the meaning of consciousness; anything else is instinct. Bach allows us to run before, and his resolutions, as per Aristotle, are as inevitable (as they must be, given the strictures of Western compositional form) and surprising as his elaborate genius. We are thus delighted and instructed, as per Freud, in a nonverbal way, as to the varieties of perception, possibility, completion—we are made better.</span></blockquote>Obviously Bach did not always (or even often) leave out the third. But his music does travel in such a way as to require the listener’s mind to develop expectations that are either confirmed or surprised by what comes next. Therein lies the charm.<br /><br />But beyond chords and harmonies, I feel that this maxim can be similarly applied to lyrics. Take Bruce Springsteen, for example. His lyrics are often so detailed, his descriptions so lush, that little is left to the imagination. Compare this to soul music, where the lyrics are often as simple as can be. “I love you I love you I love you I love you I love you I love you I love you,” for example (from Sam Cooke’s “For Sentimental Reasons). Pretty much everything is left to the imagination. Plus, Sam’s wonderful voice ensures that pretty much any thoughts you have will be beautiful ones.<br /><br />Below is some Bach and some Cooke. If you listen to the Bach all the way through (both pieces), you'll get to experience one of the more famous deceptive cadences of all time (talk about upending expectations). It's also one of the more intense classical pieces I know of; I always thought it could be turned into a great hip-hop beat by someone more talented than I. Enjoy.<br /><br /><span style="font-weight: bold;">J.S. Bach – Passacaglia & Fugue in C Minor</span> <span style="font-weight: bold;">- Passacaglia</span> (<a href="http://www.yousendit.com/download/RmNEa3NmcGtTSUR2Wmc9PQ">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/14%20Passacaglia%20and%20Fugue%20in%20C%20minor%20-%20Passacaglia%201.mp3">dropbox</a>)<br /><span style="font-weight: bold;">J.S. Bach - Passacaglia & Fugue in C Minor - Fugue </span>(<a href="http://www.yousendit.com/download/RmNEa3NlK3hoMlZjR0E9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/15%20Passacaglia%20and%20Fugue%20in%20C%20minor%20-%20Fugue.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Sam Cooke – (I Love You) For Sentimental Reasons</span> (<a href="http://www.yousendit.com/download/RmNEa3NmcGtZY1R2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/05%20%28I%20Love%20You%29%20For%20Sentimental%20Reasons%201.mp3" target="_blank">dropbox</a>)<br /><br /></span>

Delorean Cruises Toward The Future

I recently read a friend talking about the band Delorean, a group of young guys from the Basque Country in Spain. I checked out some of the songs from their debut EP, and I'm impressed. They've got a good little groove to them, bridging the gap between bands like Neon Indian and Phoenix, if you can imagine that. A little bit of fuzz, a little bit of reverb, but still sprinkled with a heavy dose of popsense.

Fittingly, Delorean has gotten some big publicity by showing up alongside bands like The XX and The Big Pink. Their remix of The XX's "Islands" is a chilled out interpolation that incorporates their standout track "Deli" with those underage indie darlings.

Similarly, The Hood Internet has taken notice, appropriating "Deli" and smashing it up with Drake and Birdman. Given my recent obsession with Drake mashes, it's a straight line to my heart. Man, I gotta break this.

Glad I checked out these dudes. Hope you dig their steez.

Delorean - Deli (YSI) (YSI)

The XX - Islands (Delorean Remix) (YSI) (YSI)

The Hood Internet - Blowin' Money At The Deli (Drake x Birdman x Delorean) (YSI) (YSI)

<span style="font-size: small;"><span id="goog_1268003837544"></span><span id="goog_1268003837545"></span><a href="http://www.blogger.com/"></a>I recently read a friend talking about the band Delorean, a group of young guys from the Basque Country in Spain. </span>I checked out some of the songs from their debut EP, and I'm impressed. They've got a good little groove to them, bridging the gap between bands like Neon Indian and Phoenix, if you can imagine that. A little bit of fuzz, a little bit of reverb, but still sprinkled with a heavy dose of popsense.<br /> <br /> Fittingly, Delorean has gotten some big publicity by showing up alongside bands like The XX and The Big Pink. Their remix of The XX's "Islands" is a chilled out interpolation that incorporates their standout track "Deli" with those underage indie darlings.<br /> <br /> Similarly, The Hood Internet has taken notice, appropriating "Deli" and smashing it up with Drake and Birdman. Given my recent obsession with <a href="http://www.thestureidexperiment.com/2010/02/massive-mash-up-drizzy-drake-draws.html" target="_blank">Drake mashes</a>, it's a straight line to my heart. Man, I gotta break this.<br /> <br /> Glad I checked out these dudes. Hope you dig their steez.<br /> <br /> <b>Delorean - Deli </b><s>(</s><a href="http://www.yousendit.com/download/THE3TkFsSWh5UkUwTVE9PQ" target="_blank"><s>YSI</s></a><s>)</s> (<a href="http://www.yousendit.com/download/THE2U2VuTWNwaFNGa1E9PQ" target="_blank">YSI</a>)<br /> <br /> <b>The XX - Islands (Delorean Remix) </b><s>(</s><a href="http://www.yousendit.com/download/THE3TkF0WkJCTWxFQlE9PQ" target="_blank"><s>YSI</s></a><s>)</s> (<a href="http://www.yousendit.com/download/THE2U2VrNkdWRC9IRGc9PQ" target="_blank">YSI</a>)<br /> <br /> <b>The Hood Internet - Blowin' Money At The Deli (Drake x Birdman x Delorean)</b> <s>(</s><a href="http://www.yousendit.com/download/THE3TkF0UnFCMTVFQlE9PQ" target="_blank"><s>YSI</s></a><s>)</s> (<a href="http://www.yousendit.com/download/THE2U2VrNkdwcFVLSkE9PQ" target="_blank">YSI</a>)

Transverse Temporal Gyrus

TSRE is on a field trip to New York today because tonight at the Guggenheim Animal Collective and Danny Perez will (hopefully) be putting on a very special performance. Transverse Temporal Gyrus will combine visual art, music and performance to create an experience that according to Animal Collective has something to do with "Jane Goodall hanging out with chimpanzees in Tanzania". Animal Collective created the performance for the 50th Anniversary of the Guggenheim, which is not only an amazing collection, but also an important building. I've seen some of my favorite exhibits at the Guggenheim and hopefully tonight Animal Collective will unleash some creativity on us while continuing to blur the line between musical performance and performance art. The sold out performance starts at 9, but there is an earlier show at 4:30 that you can still get tickets for.

Animal Collective - Fireworks (YSI) (zshare)

Animal Collective - Peacebone (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2UKcNHOk3Jmc1tsFpS8FuHZvmzXKpvFY4MRbBQoQ9jDS9KiyQQgzpukhseU_zUibo-YG4oeEZEOUCoGoEP5uMXCZVoE0XGzpF4XAz9Q_iyCJWpHqZRMVX5oP2WpUBn_RCr2ML1x0Foihw/s1600-h/TSRE+Gugg.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5444607566125633250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2UKcNHOk3Jmc1tsFpS8FuHZvmzXKpvFY4MRbBQoQ9jDS9KiyQQgzpukhseU_zUibo-YG4oeEZEOUCoGoEP5uMXCZVoE0XGzpF4XAz9Q_iyCJWpHqZRMVX5oP2WpUBn_RCr2ML1x0Foihw/s320/TSRE+Gugg.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" /></a>TSRE is on a field trip to New York today because tonight at the Guggenheim Animal Collective and Danny Perez will (hopefully) be putting on a very special performance. <span style="font-style: italic;">Transverse Temporal Gyrus </span>will combine visual art, music and performance to create an experience that according to Animal Collective has something to do with "Jane Goodall hanging out with chimpanzees in Tanzania". Animal Collective created the performance for the 50th Anniversary of the Guggenheim, which is not only an amazing collection, but also an important building. I've seen some of my favorite exhibits at the Guggenheim and hopefully tonight Animal Collective will unleash some creativity on us while continuing to blur the line between musical performance and performance art. The sold out performance starts at 9, but there is an earlier show at 4:30 that you can still get tickets for.<br /><br />Animal Collective - Fireworks (<a href="http://www.yousendit.com/download/RmNCK2VwbWdtNEkwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/7328917114ed129a/" target="_blank">zshare</a>)<br /><br />Animal Collective - Peacebone (<a href="http://www.yousendit.com/download/RmNCK2VwbWdlM1JjR0E9PQ" target="_blank">YSI</a>) (<a _blank="" href="http://www.zshare.net/audio/7328921681420512/" target="">zshare</a>)

Freelance Whales Bring Tunes To The Platform

Music in subway stations is a blessing and a curse. At its best moments, it’s a pleasant and sometimes even engaging way to pass time waiting for a morning train or a ride home. At its worst moments, it’s the guy who looks like Bernie Mac, standing in the tunnel between two lines, singing off key Beatles covers and playing out of tune guitar chords. You know who I’m talking about.

Yesterday was a great day for subway music. On my way home, I take two trains. While waiting for my first train, I was treated to an innovative drum and dual trumpet combination that was peppy, original, and not overly invasive of my book. While waiting for my second train, a guy with a gravelly voice reminiscent of Howlin’ Wolf shredded all over the platform.

My destination yesterday wasn’t my home. Instead, I was headed to the Bedford Ave. subway stop to see a quasi-impromptu platform performance by Freelance Whales, that young band whose virtues I have extolled on numerous occasions before.

As I arrived at Bedford, the buskers were launching into “Starring,” one the most balladic songs on their debut album Weathervanes. The rendition was abruptly cut short about 30 seconds in by two police officers. Mischief Managed! Performance thwarted.

But our heroes were not to be dissuaded, and to the credit of the NYPD they were simply asked to relocate to a less central area of the platform. The band, along with 50 or so fans, shuffled down the platform and set up shop again.

The tunes were great, if occasionally dwarfed by the rumble of the L train. Freelance Whales played their standards – “Starring,” “Kilojoules,” “Ghosting,” “Location” – as well as a rare treat, “The Great Estates,” which they hadn’t played since November. It was a really cool setting for live music, a fun crowd, and a good performance. The perfect ending to a slow day at work and a reminder that sometimes music on the platform is exactly what you need.

Freelance Whales - The Great Estates (YSI)

Howlin' Wolf - Smokestack Lightning (YSI)

Music in subway stations is a blessing and a curse. At its best moments, it’s a pleasant and sometimes even engaging way to pass time waiting for a morning train or a ride home. At its worst moments, it’s the guy who looks like Bernie Mac, standing in the tunnel between two lines, singing off key Beatles covers and playing out of tune guitar chords. You know who I’m talking about.<br /> <div class="MsoNormal"><br /> </div><div class="MsoNormal">Yesterday was a great day for subway music. On my way home, I take two trains. While waiting for my first train, I was treated to an innovative drum and dual trumpet combination that was peppy, original, and not overly invasive of my book. While waiting for my second train, a guy with a gravelly voice reminiscent of Howlin’ Wolf shredded all over the platform. </div><div class="MsoNormal"><br /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzNEI4ATg59MyN-ZPnehtttDnWBo8pruXyLq9fXavTLowjgmJYX2QIYuzovPOuMXcKrsKCVTu77U1v4AuTb29ITh_knWFwCvSxndqbnZnip7dhz9TtmZq4DXygQMUuvLC62Y6Ckp4h8Zo/s1600-h/LTrainTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzNEI4ATg59MyN-ZPnehtttDnWBo8pruXyLq9fXavTLowjgmJYX2QIYuzovPOuMXcKrsKCVTu77U1v4AuTb29ITh_knWFwCvSxndqbnZnip7dhz9TtmZq4DXygQMUuvLC62Y6Ckp4h8Zo/s320/LTrainTSRE.JPG" /></a>My destination yesterday wasn’t my home. Instead, I was headed to the Bedford Ave. subway stop to see a quasi-impromptu platform performance by Freelance Whales, that young band whose virtues I have extolled on numerous occasions before.</div><div class="MsoNormal"><br /> As I arrived at Bedford, the buskers were launching into “Starring,” one the most balladic songs on their debut album <i style="mso-bidi-font-style: normal;">Weathervanes</i>. The rendition was abruptly cut short about 30 seconds in by two police officers. Mischief Managed! Performance thwarted.</div><div class="MsoNormal"><br /> But our heroes were not to be dissuaded, and to the credit of the NYPD they were simply asked to relocate to a less central area of the platform. The band, along with 50 or so fans, shuffled down the platform and set up shop again.</div><div class="MsoNormal"><br /> The tunes were great, if occasionally dwarfed by the rumble of the L train. Freelance Whales played their standards – “Starring,” “Kilojoules,” “Ghosting,” “Location” – as well as a rare treat, “The Great Estates,” which they hadn’t played since November. It was a really cool setting for live music, a fun crowd, and a good performance. The perfect ending to a slow day at work and a reminder that sometimes music on the platform is exactly what you need.<br /> <br /> <b>Freelance Whales - The Great Estates</b> (<a href="http://www.yousendit.com/download/RmNCZFhxeFhkMnV4dnc9PQ" target="_blank">YSI</a>)<br /> <br /> <b>Howlin' Wolf - Smokestack Lightning</b> (<a href="http://www.yousendit.com/download/RmNCZFhucHZVbSt4dnc9PQ" target="_blank">YSI</a>)</div>

Citay > City

Sometimes the city gets tiresome and routine. Most of the time it is hard to overcome that quotidian feeling, even when its not true, because its difficult to actually get out of the city for an actually refreshing break. Thus, it is often up to music to cure that melancholy that hits us all at some point.

Just as its cover shows, Dream Get Together by Citay is all about escape. The tracks are long winding affairs that just like one of those grow-a-dinosaurs just keeps growing as time passes. Twanging and strumming guitar evoke happy times and agile, yet expansive melodies can dispel whatever gloom hangs over you if you let them. The album reminds me of what Wordsworth's "I Wandered Lonely as a Cloud" would sound like. Spring is coming.

Citay - Dream Get Together (YSI) (zshare)

Citay - Secret Breakfast (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaOU0i4JdbvkgONWnqtJlQsgjQ3nNlmbJsPB48UEzkNC_OCTbv5-BDwPFqkoWNt852tQFFCZDuAr-FuDLT4iC1JslKjikXLXRpWobqo2RAK29n1u902LbTqRIJG7BLsut6rC3dMafFvmS0/s1600-h/TSRE+flower.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5443863400866940578" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaOU0i4JdbvkgONWnqtJlQsgjQ3nNlmbJsPB48UEzkNC_OCTbv5-BDwPFqkoWNt852tQFFCZDuAr-FuDLT4iC1JslKjikXLXRpWobqo2RAK29n1u902LbTqRIJG7BLsut6rC3dMafFvmS0/s320/TSRE+flower.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 289px;" /></a>Sometimes the city gets tiresome and routine. Most of the time it is hard to overcome that quotidian feeling, even when its not true, because its difficult to actually get out of the city for an actually refreshing break. Thus, it is often up to music to cure that melancholy that hits us all at some point.<br /><br />Just as its cover shows, <span style="font-style: italic;">Dream Get Together</span> by Citay is all about escape. The tracks are long winding affairs that just like one of those grow-a-dinosaurs just keeps growing as time passes. Twanging and strumming guitar evoke happy times and agile, yet expansive melodies can dispel whatever gloom hangs over you if you let them. The album reminds me of what Wordsworth's "I Wandered Lonely as a Cloud" would sound like. Spring is coming.<br /><br /><span style="font-weight: bold;">Citay - Dream Get Together</span> (<a href="http://www.yousendit.com/download/RmNDSkhURncwZ252Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/732008700ed9f522/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Citay - Secret Breakfast</span> (<a href="http://www.yousendit.com/download/RmNDSkhURnc1bmcwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/73200927c1a2f2f8/" target="_blank">zshare</a>)