Sick New Tunes Alert

Heads up! There are some sick new tunes floating around out there. Some you are expecting like the new Crystal Castles and some you're probably not like the new Tobacco. The new self-titled Crystal Castles album is certainly noisy as hell, but there are some lulls in the electronic storm. Celestica is one such break that even reveals a bit of emotion. Crazy huh?

Crystal Castles - Celestica (YSI) (filesavr)

Continuing this post of dirty, dirty electronica is a new track from Tobacco. Beck lends his vocal talents to this short and ferocious buzzsaw of a song. Beck's laidback lyrics are a perfect contrast to the sharp synths oscillating all over the place.

Tobacco - Fresh Hex (Feat. Beck) (YSI) (filesavr)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzrssEuOPIP7Ry4Zz8bJJ_B8uLSB3xKO8K1rKOr9fYOzkDwPf89YJfW9Kp81P8E37yh_01wwr332DSVBonlLB-zLU7mBRoM1-M0IMzSDx8bmaTQaoiDnxMbap70g55AxgWDpzsNLD6aKJi/s1600/TSRE+Wow.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5465722549858402162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzrssEuOPIP7Ry4Zz8bJJ_B8uLSB3xKO8K1rKOr9fYOzkDwPf89YJfW9Kp81P8E37yh_01wwr332DSVBonlLB-zLU7mBRoM1-M0IMzSDx8bmaTQaoiDnxMbap70g55AxgWDpzsNLD6aKJi/s320/TSRE+Wow.png" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 320px;" /></a>Heads up! There are some sick new tunes floating around out there. Some you are expecting like the new Crystal Castles and some you're probably not like the new Tobacco. The new self-titled Crystal Castles album is certainly noisy as hell, but there are some lulls in the electronic storm. Celestica is one such break that even reveals a bit of emotion. Crazy huh?<br /><br /><span style="font-weight: bold;">Crystal Castles - Celestica </span>(<a href="https://www.yousendit.com/download/OHo3Q1ZucVg5NVZjR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/2-02celestica" target="_blank">filesavr</a>)<br /><br />Continuing this post of dirty, dirty electronica is a new track from Tobacco. Beck lends his vocal talents to this short and ferocious buzzsaw of a song. Beck's laidback lyrics are a perfect contrast to the sharp synths oscillating all over the place.<br /><br /><span style="font-weight: bold;">Tobacco - Fresh Hex (Feat. Beck)</span> (<a href="https://www.yousendit.com/download/OHo3Q1ZxeFg4aU5jR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/02freshhexfeatbeck" target="_blank">filesavr</a>)

Yeasayer Next Week

Oh man, oh man, oh man am I excited for Yeasayer at the Paradise in Boston on May 3. With Sleigh Bells opening, it is going to be a face melting and body moving show. The show has been sold out for a while now, but if you can find a ticket it is going to be well worth every cent, favor, or incriminating deed you can muster. Yeasayer's new more electronic style is going to be fun live, but you can still hear some of their earlier, more spiritual style form All Hour Cymbals on this stripped down demo version of O.N.E. Check it out.

Yeasayer - O.N.E. (demo verson) (YSI) (filesavr)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnyBcq4YaFGz6MoavQl13VsN8U8ie15qno6vxd_-iNn3PWjnOUol6tzEglhv43wXihmOaNwupJnjTJ4VfsDtMblJFe8aVeuVljJwAKRp0hyphenhyphenwRj7E95UMmcQ1-jjVo5Ym6FfXjchDsBmnSQ/s1600/TSRE+Arrow.png" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5464255536071615666" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnyBcq4YaFGz6MoavQl13VsN8U8ie15qno6vxd_-iNn3PWjnOUol6tzEglhv43wXihmOaNwupJnjTJ4VfsDtMblJFe8aVeuVljJwAKRp0hyphenhyphenwRj7E95UMmcQ1-jjVo5Ym6FfXjchDsBmnSQ/s320/TSRE+Arrow.png" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 320px;" /></a>Oh man, oh man, oh man am I excited for Yeasayer at the Paradise in Boston on May 3. With Sleigh Bells opening, it is going to be a face melting and body moving show. The show has been sold out for a while now, but if you can find a ticket it is going to be well worth every cent, favor, or incriminating deed you can muster. Yeasayer's new more electronic style is going to be fun live, but you can still hear some of their earlier, more spiritual style form <span style="font-style: italic;">All Hour Cymbals</span> on this stripped down demo version of O.N.E. Check it out.<br /><br /><span style="font-weight: bold;">Yeasayer - O.N.E. (demo verson) </span>(<a href="https://www.yousendit.com/download/%20OHo0ek9uTkFwM2swTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/03onedemoversion" target="_blank">filesavr</a>)

Newborn Foals on the Way Soon

I really like the Foals and their angular, nimble brand of guitar-driven rock from Antidotes. On their upcoming follow-up, Total Life Forever, the Foals abandon some of their abstract angularity for more melodic hooks and increasingly varied rhythms. Don't worry though, the energy is still there and the album is catchy as hell. Blue Blood is a sneak peek from Total Life Forever and it really showcases the more streamlined, yet still faithful sound of the Foals.

The Foals - Blue Blood (YSI) (filesavr)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQlGzkcDY7Uq9EHZLlUYsb8zkK_IP6SeX0iDjCN8xDo2arIf7NzZFNrRr8YKH32DseJIlGOEuCxBdZZc7wQbGFo5VI5CjJYUIURXg_QRf2qraU5TOkpO2Bp5arExZR5ZDTCFd6nH-qnhFY/s1600/TSRE+Foals.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5464252350678314690" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQlGzkcDY7Uq9EHZLlUYsb8zkK_IP6SeX0iDjCN8xDo2arIf7NzZFNrRr8YKH32DseJIlGOEuCxBdZZc7wQbGFo5VI5CjJYUIURXg_QRf2qraU5TOkpO2Bp5arExZR5ZDTCFd6nH-qnhFY/s320/TSRE+Foals.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 216px;" /></a>I really like the Foals and their angular, nimble brand of guitar-driven rock from <span style="font-style: italic;">Antidotes</span>. On their upcoming follow-up, <span style="font-style: italic;">Total Life Forever</span>, the Foals abandon some of their abstract angularity for more melodic hooks and increasingly varied rhythms. Don't worry though, the energy is still there and the album is catchy as hell. Blue Blood is a sneak peek from <span style="font-style: italic;">Total Life Forever</span> and it really showcases the more streamlined, yet still faithful sound of the Foals.<br /><br /><span style="font-weight: bold;">The Foals - Blue Blood</span> (<a href="https://www.yousendit.com/download/%20OHo0ek92cGtKV094dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/01blueblood" target="_blank">filesavr</a>)

Concerts Last Week: Apples In Stereo and Harlem

I've been going to boatloads of shows recently, which has been a blast. Seems like every week in New York there are at least a handful of bands that I would love to see play - honestly the difficulty is choosing which shows not to go to. If I followed my heart, I'm not sure I'd ever sleep.

Last week I caught Apples in Stereo and Harlem in concert. On Tuesday night, the Apples show was an exhibit in how to be a likable indie rock group - interact with your audience, don't take yourself too seriously, have fun while you're playing your songs. On Wednesday the Harlem show was the exact opposite - the band seemed to resent the audience (admittedly, the audience more or less deserved to be resented), they didn't look like they  cared on stage, and they commented throughout the show on how poorly the concert was going. Look dudes, I know you're really cool and you don't like bloggers and all that, but try not to forget that you're getting a ton of attention right now for the music people paid to see you play - an opportunity that thousands would kill for. Give your audience a little bit more respect. Maybe they weren't dancing because you guys were yelling at them.

Anywho, mini-rant over. Fact of the matter is that commentary aside Harlem played musically a very good show. But Apples in Stereo took the cake last week. Check out some pictures I snapped of the Apples gig below, and a tune from each of the bands after that.

The Apples In Stereo - Energy (YSI) (filesavr)

Harlem - Friendly Ghost (YSI) (filesavr)

I've been going to boatloads of shows recently, which has been a blast. Seems like every week in New York there are at least a handful of bands that I would love to see play - honestly the difficulty is choosing which shows <i>not</i> to go to. If I followed my heart, I'm not sure I'd ever sleep.<br /> <br /> Last week I caught Apples in Stereo and Harlem in concert. On Tuesday night, the Apples show was an exhibit in how to be a likable indie rock group - interact with your audience, don't take yourself too seriously, have fun while you're playing your songs. On Wednesday the Harlem show was the exact opposite - the band seemed to resent the audience (admittedly, the audience more or less deserved to be resented), they didn't look like they  cared on stage, and they commented throughout the show on how poorly the concert was going. Look dudes, I know you're really cool and you don't like bloggers and all that, but try not to forget that you're getting a ton of attention right now for the music people paid to see you play - an opportunity that thousands would kill for. Give your audience a little bit more respect. Maybe they weren't dancing because you guys were yelling at them.<br /> <br /> Anywho, mini-rant over. Fact of the matter is that commentary aside Harlem played musically a very good show. But Apples in Stereo took the cake last week. Check out some pictures I snapped of the Apples gig below, and a tune from each of the bands after that.<br /> <br /> <br /> <div style="width: 426px;"><object data="http://www.melophobe.com/flash/MelophobeAutoviewerExtended.swf?mode=embed&showTitle=melophobe | Apples In Stereo - Bowery Ballroom (New York, NY; Apr. 21, 2010)&showURL=http://www.melophobe.com/concert-reviews/apples-in-stereo-bowery-ballroom-new-york-ny-apr-21-2010/&xmlURL=http://www.melophobe.com/images/100421applesinstereo/gallerydata.xml" height="320" type="application/x-shockwave-flash" width="426"><param name='movie' value='http://www.melophobe.com/flash/MelophobeAutoviewerExtended.swf?mode=embed&showTitle=melophobe | Apples In Stereo - Bowery Ballroom (New York, NY; Apr. 21, 2010)&showURL=http://www.melophobe.com/concert-reviews/apples-in-stereo-bowery-ballroom-new-york-ny-apr-21-2010/&xmlURL=http://www.melophobe.com/images/100421applesinstereo/gallerydata.xml'/></object><br /> <br /> <b>The Apples In Stereo - Energy</b> (<a href="https://www.yousendit.com/download/%20OHo3NnFFQXBsamRFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/04energy" target="_blank">filesavr</a>)<br /> <br /> <b>Harlem - Friendly Ghost</b> (<a href="https://www.yousendit.com/download/%20OHo3NnFFQXBrUmswTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/friendlyghost" target="_blank">filesavr</a>)<br /> <div style="font-family: arial; font-size: 12px; margin-top: 9px; padding-left: 40px; text-indent: -20px; width: 90%;"><a href="http://www.melophobe.com/concert-reviews/apples-in-stereo-bowery-ballroom-new-york-ny-apr-21-2010/" style="color: #5f655e; text-decoration: none;"></a></div></div>

Nice Weather Requires a Steady Beat

Its not that nice a day today, but that doesn't stop New England from trending towards summer. One thing I have discovered about summertime jams is that the best always have a very apparent and steady beat. These two early entries for summer hits have just that: unstoppable beats. Pair that with catchy vocals and infectious melodies and you have songs that will be played on decks, by lakes, and in cars all spring and summer long. Nottee in particular with her Lykke Li -esque cute catchiness is poised to blow up. Stay tuned.

Nottee - Control (YSI) (zshare)

I Am Arrows - Nun (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi40zPyYXUXZb3lBvfT-3FlTj-SlWC2nsy6Jhav6d_YSuWmgq25LceyIrMkZdC_16o_pkjdqWVgaK_XXYzrzbHJrg9UxnrdDa1heYxAz5QpoknSBd4BiBrob0DzScdVElF9il_lts3UynbH/s1600/TSRE+Umbrella.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5462422095346444882" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi40zPyYXUXZb3lBvfT-3FlTj-SlWC2nsy6Jhav6d_YSuWmgq25LceyIrMkZdC_16o_pkjdqWVgaK_XXYzrzbHJrg9UxnrdDa1heYxAz5QpoknSBd4BiBrob0DzScdVElF9il_lts3UynbH/s320/TSRE+Umbrella.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 310px; height: 320px;" /></a>Its not that nice a day today, but that doesn't stop New England from trending towards summer. One thing I have discovered about summertime jams is that the best always have a very apparent and steady beat. These two early entries for summer hits have just that: unstoppable beats. Pair that with catchy vocals and infectious melodies and you have songs that will be played on decks, by lakes, and in cars all spring and summer long. Nottee in particular with her Lykke Li -esque cute catchiness is poised to blow up. Stay tuned.<br /><br /><span style="font-weight: bold;">Nottee - Control</span> (<a href="http://www.yousendit.com/download/OHo3aXRIcVhrUm52Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/752013717b698b90/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">I Am Arrows - Nun</span> (<a href="http://www.yousendit.com/download/OHo3aXRIcVhVbTgwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/752014028fd194e6/" target="_blank">zshare</a>)

Its the Weekend - Get Outside!!!

Perusing my music library recently I came across a bluegrass cover of Radiohead's great track 2+2=5 by Corporate Love Breakdown, which got me craving real gritty, rustic line dancing music. This cover is certainly that. So is this song by The Others. It is just so ramshackle and dirty. The guitars twang, the voice is garbled and everything just works. Go outside this fine spring weekend and get muddy doing something.

Corporate Love Breakdown - 2+2=5 (Radiohead Cover) (YSI) (zshare)

The Others - I Cant Stand This Love Goodbye (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTdkj6toV37I56qfX64rcfynBvNYeSukzWUJdEcWo-oBNYSnSjkBLwSe162meqvXhnlMV-ZrO-VkZQ8AI4OCG8QF3iffz8fwoTzlkJiNaC_ZeNViC-7qDk6ZrGMPJyUbhPy5aYSnquFcui/s1600/TSRE+Milk+Jugs.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5462406597460791362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTdkj6toV37I56qfX64rcfynBvNYeSukzWUJdEcWo-oBNYSnSjkBLwSe162meqvXhnlMV-ZrO-VkZQ8AI4OCG8QF3iffz8fwoTzlkJiNaC_ZeNViC-7qDk6ZrGMPJyUbhPy5aYSnquFcui/s320/TSRE+Milk+Jugs.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" /></a>Perusing my music library recently I came across a bluegrass cover of Radiohead's great track 2+2=5 by Corporate Love Breakdown, which got me craving real gritty, rustic line dancing music. This cover is certainly that. So is this song by The Others. It is just so ramshackle and dirty. The guitars twang, the voice is garbled and everything just works. Go outside this fine spring weekend and get muddy doing something.<br /><br /><span style="font-weight: bold;">Corporate Love Breakdown - 2+2=5 (Radiohead Cover)</span> (<a href="http://www.yousendit.com/download/OHo3aXRNcklwM2swTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/751999788e0862b4/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">The Others - I Cant Stand This Love Goodbye </span>(<a href="http://www.yousendit.com/download/OHo3aXRNcklVbSt4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/752000143b4f1ab9/" target="_blank">zshare</a>)

The Power of Music

When Language is Blocked, Music May Offer Detour
A therapy of singing and gestures has Tripp Black, 9, speaking at last.


I seem to come across stories such as this one every few weeks. I love these news stories, because it strikes me that, in the grand scheme of things, music is so often seen as some soft, frivolous luxury that may be beautiful but certainly doesn’t deserve much serious focus…or funding. Students these days should really be focusing on important subjects, like hard sciences or mathematics. Or at least that’s what you read every day from writers like Thomas Friedman. I’m not saying that he’s wrong—in fact, I’m pretty certain that it would serve the average student well to take more math and science classes.

But let us not dismiss music. Particularly now that every few weeks there seems to be a new (scientific) study showing that music has all sorts of powers. As outlined in the story above, music can help autistic children learn how to speak. Music may help hospitalized patients heal more quickly. Music can do wonders for Alzheimer’s patients, causing them to sing along or dance (particularly if it’s music that dates from their formative years). Music can alleviate dementia.

Cautionary note: I haven’t taken the time to find references for all of these claims. I’m pretty sure I’ve read stories detailing all of them, but may be wrong: Caveat Emptor.

In a certain light, these are fascinating stories. But in reality, these results shouldn’t really come as a surprise to any music lover. Of course music is powerful. We are reminded of this every day that we listen, whether we are getting caught up in the grandiose narrative of a classical piece, or being dragged down into melancholic contemplation by a mournful acoustic tune, or being moved to dance by a particularly bumping beat.

I both hope and expect that, in the coming years, we will find an increasing number of ways in which to harness music’s power to help people. So people, keep listening!

Smokey Robinson - (Come 'Round Here) I'm The One You Need (YSI) (dropbox)
Strauss - Four Last Songs: II. September (YSI) (dropbox)
Paul Simon - American Tune (YSI) (dropbox)

<span style="font-size:85%;"><a href="http://www.boston.com/news/health/articles/2010/04/22/when_language_is_blocked_music_may_offer_detour/"><span style="font-weight: bold;" target="_blank">When Language is Blocked, Music May Offer Detour</span></a><br /><span style="font-style: italic;">A therapy of singing and gestures has Tripp Black, 9, speaking at last.<br /><br /></span><br /></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIjpvTc-TShLOIFhJVmUJOpQ4U-nbTqMCyureCkJsU6V_MgdT_lZSvLUsS26w5-kGXNBJ7EyLhNdkyPL_toi3_maeLLENYuwiwo3OvadcIxQEimaXAUPjLBL2TS5b-a2ZP-2Sk4khh34s/s1600/neuronal-music2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5463180983702888594" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIjpvTc-TShLOIFhJVmUJOpQ4U-nbTqMCyureCkJsU6V_MgdT_lZSvLUsS26w5-kGXNBJ7EyLhNdkyPL_toi3_maeLLENYuwiwo3OvadcIxQEimaXAUPjLBL2TS5b-a2ZP-2Sk4khh34s/s320/neuronal-music2.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 186px;" /></a><span style="font-size:85%;">I seem to come across stories such as this one every few weeks. I love these news stories, because it strikes me that, in the grand scheme of things, music is so often seen as some soft, frivolous luxury that may be beautiful but certainly </span><span style="font-size:85%;">doesn’t deserve much serious focus…or funding. Students these days should really be focusing on important subjects, like hard sciences or mathematics. Or at least that’s what you read every day from writers like Thomas Friedman. I’m not saying that he’s wrong—in fact, I’m pretty certain that it would serve the average student well to take more math and science classes.<br /><br />But let us not dismiss music. Particularly now that every few weeks there seems to be a new (scientific) study showing that music has all sorts of powers. As outlined in the story above, music can help autistic children learn how to speak. Music may help hospitalized patients heal more quickly. Music can do wonders for Alzheimer’s patients, causing them to sing along or dance (particularly if it’s music that dates from their formative years). Music can alleviate dementia.<br /><br /><span style="font-style: italic;">Cautionary note: I haven’t taken the time to find references for all of these claims. I’m pretty sure I’ve read stories detailing all of them, but may be wrong: Caveat Emptor.</span><br /><br />In a certain light, these are fascinating stories. But in reality, these results shouldn’t really come as a surprise to any music lover. Of course music is powerful. We are reminded of this every day that we listen, whether we are getting caught up in the grandiose narrative of a classical piece, or being dragged down into melancholic contemplation by a mournful acoustic tune, or being moved to dance by a particularly bumping beat.<br /><br />I both hope and expect that, in the coming years, we will find an increasing number of ways in which to harness music’s power to help people. So people, keep listening!<br /><br /><span style="font-weight: bold;">Smokey Robinson - (Come 'Round Here) I'm The One You Need </span>(<a href="http://www.yousendit.com/download/OHo2ZEUwdkdEa1h2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/04%20%28Come%20%27Round%20Here%29%20I%27m%20The%20One%20You%20Need%201.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Strauss - Four Last Songs: II. September </span>(<a href="http://www.yousendit.com/download/OHo2ZEUwdkc0b0EwTVE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/02%20September.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Paul Simon - American Tune</span> (<a href="https://www.yousendit.com/download/OHo2ZEUycWY4aVB2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/American%20Tune%201.mp3" target="_blank">dropbox</a>)<br /></span>

Stu Reid Under The Covers: The Antlers Cover The XX, MGMT Gets the Bluegrass Treatment, and Deer Tick is Still Crazy

Lots of hot new covers dropping these days, although often in sadly lo-fi formats (see Surfer Blood's otherwise charming cover of the Beach Boys' "Don't Worry Baby"). Lucky for you, I've rounded up a few of my favorites in not-so-poor-quality format.

The first is a great Paul Simon cover by Deer Tick. I'm not a huge huge Deer Tick fan - I was pretty disappointed in their performance at SXSW - but this track is awesome. Sounds like lead singer John McCauley is using some sort of old-style microphone on the vocals, and otherwise the mix is wonderfully clean. It doesn't stray too far from the original, just a bit slower, really. Still, it's cool to hear a voice other than Simon's singing this grand old tune.

Deer Tick - Still Crazy After All These Years (Paul Simon Cover) (YSI) (filesavr)

Another great cover is an older one but a good one. With MGMT's new album making tons of noise, I thought I'd flip it back to this bluegrassy cover of Oracular Spectacular's "Kids" by Dr. Fox's Old Timey String Band. It's chill, fun, and a wonderful change of pace from the electrified original. And whooo, I love banjo.

Dr. Fox's Old Timey String Band - Kids (MGMT Cover) (YSI) (filesavr)

Well, at least two of them are higher quality. This last one, courtesy of The Antlers, is a pretty lo-fi rendition of The XX's "VCR." It's pretty awesome in its subtlety, though, and really interesting to hear Peter Silberman's voice on non-Hospice tracks and without tons of fuzz on top. I strangely love this tune.

The Antlers - VCR (The XX Cover) (YSI) (filesavr)

Lots of hot new covers dropping these days, although often in sadly lo-fi formats (see Surfer Blood's otherwise charming cover of the Beach Boys' "Don't Worry Baby"). Lucky for you, I've rounded up a few of my favorites in not-so-poor-quality format.<br /> <br /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ5Cc_S7Elg1GXNgmTQ1f-sUWfcVYJibRVLqgShhxI29_yRPcYlgoisEUR9-j7tjKRHR3JdES_BsgJGDEJlGmrghA4Psm69Jheiw1c9qF1H1szXXDX72jCU7p_LqSchNqIzuE8mN44kd4/s1600/TSREundercovers.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJ5Cc_S7Elg1GXNgmTQ1f-sUWfcVYJibRVLqgShhxI29_yRPcYlgoisEUR9-j7tjKRHR3JdES_BsgJGDEJlGmrghA4Psm69Jheiw1c9qF1H1szXXDX72jCU7p_LqSchNqIzuE8mN44kd4/s320/TSREundercovers.JPG" /></a>The first is a great Paul Simon cover by Deer Tick. I'm not a huge huge Deer Tick fan - I was pretty disappointed in their performance at SXSW - but this track is awesome. Sounds like lead singer John McCauley is using some sort of old-style microphone on the vocals, and otherwise the mix is wonderfully clean. It doesn't stray too far from the original, just a bit slower, really. Still, it's cool to hear a voice other than Simon's singing this grand old tune.<br /> <br /> <b>Deer Tick - Still Crazy After All These Years (Paul Simon Cover)</b> (<a href="http://www.yousendit.com/download/OHo0UGhRUzhlcEkwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/stillcrazyafteralltheseyearsp" target="_blank">filesavr</a>)<br /> <br /> Another great cover is an older one but a good one. With MGMT's new album making tons of noise, I thought I'd flip it back to this bluegrassy cover of <i>Oracular Spectacular</i>'s "Kids" by Dr. Fox's Old Timey String Band. It's chill, fun, and a wonderful change of pace from the electrified original. And whooo, I love banjo.<br /> <br /> <b>Dr. Fox's Old Timey String Band - Kids (MGMT Cover)</b> (<a href="http://www.yousendit.com/download/OHo0UGhWT00yWGV4dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/kidsmgmt" target="_blank">filesavr</a>)<br /> <br /> Well, at least two of them are higher quality. This last one, courtesy of The Antlers, is a pretty lo-fi rendition of The XX's "VCR." It's pretty awesome in its subtlety, though, and really interesting to hear Peter Silberman's voice on non-<i>Hospice</i> tracks and without tons of fuzz on top. I strangely love this tune.<br /> <br /> <b>The Antlers - VCR (The XX Cover) </b>(<a href="http://www.yousendit.com/download/OHo0UGhXSytCSWZ2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/vcrthexxcover" target="_blank">filesavr</a>)

Outkast: Something Old, Something New, and Something Borrowed

I've been on a real Outkast kick recently, perhaps due to the trickles of information coming from their camp. Supposedly a new Outkast album is "brewing," and Big Boi's solo album has finally been set for a July 6th release date, which is exciting. The latest single to drop from that solo effort - which has the greatest name ever: Sir Luscious Leftfoot: The Son of Chico Dusty - is called Shutterbug. The beat is absolutely massive - sounds like something straight out of a Timbaland/Timberlake collaboration. Dig it.

Big Boi - Shutterbug (YSI) (filesavr)

Also, just heard this mash-up via Pigeons and Planes. It's a slick little mix of the 'kast boys with Fatboy Slim's "Praise You." I like that it's not the standard lazy flow that you find in most mash-ups. Some serious tweaking went into making these verses fit with this beat.

The White Panda - Praise Outkast (Outkast vs. Fatboy Slim) (YSI) (filesavr)

Finally, a song that I've written about before, but just can't get enough of. It's the not-so-instrumental introduction to Atlanta's SMKA's The 808 Experiment: Vol. 1. The track generously samples Outkast, and is all the better for it.

SMKA - The Instrumental Introduction (YSI) (filesavr)

PEACE UP, A-TOWN DOWN!

<span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;">I've been on a real Outkast kick recently, perhaps due to the trickles of information coming from their camp. Supposedly a new Outkast album is "brewing," and Big Boi's solo album has finally been set for a July 6th release date, which is exciting. The latest single to drop from that solo effort <i>- </i>which has the greatest name ever: <i>Sir Luscious Leftfoot: The Son of Chico Dusty</i> - is called Shutterbug. The beat is absolutely massive - sounds like something straight out of a Timbaland/Timberlake collaboration. Dig it.</span></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOOKXDzZzd-ozXuGdqxQHcvudQC5RKvwjjWiCVLyWk6eACDBsuCubGVJZeiL33HITynaEwd__JtrlVO5IO5-zzaw9Ask04KY0K46CLq6jVRw1Et8RPDrr9Vtri458vwFNetANJ0eyT5mc/s1600/outkast_logoTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOOKXDzZzd-ozXuGdqxQHcvudQC5RKvwjjWiCVLyWk6eACDBsuCubGVJZeiL33HITynaEwd__JtrlVO5IO5-zzaw9Ask04KY0K46CLq6jVRw1Et8RPDrr9Vtri458vwFNetANJ0eyT5mc/s320/outkast_logoTSRE.JPG" /></a></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><br /> </span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><b>Big Boi - Shutterbug</b> (<a href="http://www.yousendit.com/download/OHo1ckhjNDJGR0h2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/shutterbug" target="_blank">filesavr</a>)</span></span><div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><br /> </span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;">Also, just heard this mash-up via Pigeons and Planes. It's a slick little mix of the 'kast boys with Fatboy Slim's "Praise You." I like that it's not the standard lazy flow that you find in most mash-ups. Some serious tweaking went into making these verses fit with this beat.</span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><br /> </span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><b>The White Panda - Praise Outkast (Outkast vs. Fatboy Slim)</b> (<a href="http://www.yousendit.com/download/OHo1ckhSSU9oMlZjR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/praiseoutkastoutkastvsfatboysl" target="_blank">filesavr</a>)</span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><br /> </span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;">Finally, a song that I've written about before, but just can't get enough of. It's the not-so-instrumental introduction to Atlanta's SMKA's <i>The 808 Experiment: Vol. 1</i>. The track generously samples Outkast, and is all the better for it.</span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><br /> </span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><b>SMKA - The Instrumental Introduction <span class="Apple-style-span" style="font-weight: normal;">(<a href="http://www.yousendit.com/download/OHo1ckhZeDMxUUR2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/01theinstrumentalintroduction_1" target="_blank">filesavr</a>)</span></b></span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;"><br /> </span></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-size: small;"><span class="Apple-style-span" style="font-size: 13px;">PEACE UP, A-TOWN DOWN!</span></span></div></div></div>

The Power of Marathon Monday

Sorry for the lack of music yesterday, but it was Patriots Day in Boston, which means day baseball and the Boston Marathon. Watching the marathon in person is a unique experience. All of those people all pushing themselves to the brink to complete such an impressive feat. But for me it was the individual way each person approached the final few blocks that really captured my attention. Some were in the zone, some struggling, some interacting with the fans, some looking for family, and some running with a team. I am just so proud of everyone who completed the race, not to mention the elite runners who ran all 26.2 miles with a faster average mile time than I can probably do. Although, I now have a my sights set on the Boston marathon someday when my ultimate frisbee career diminishes. Also, on a personal note - congratulations Jamie from Claire and Zack on a job very well done. Here's some inspirational John Adams music.

Rob Lane - Opening Titles (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvpCZCUaYlCJSK3VW-Z7U10bh99ifLzQWcoIcZ5JUdd5Soz8lkNGISuaAE5b-7C3UfP5nsdD6dco7AGZHR-5LsZRCJTLp_9ZVahH6dh0AR9uJtNOOAjVDma2W6SqxSApfgfZKzRAdGo5W5/s1600/TSRE+Adams.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5461985650222069698" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvpCZCUaYlCJSK3VW-Z7U10bh99ifLzQWcoIcZ5JUdd5Soz8lkNGISuaAE5b-7C3UfP5nsdD6dco7AGZHR-5LsZRCJTLp_9ZVahH6dh0AR9uJtNOOAjVDma2W6SqxSApfgfZKzRAdGo5W5/s320/TSRE+Adams.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 191px; height: 320px;" /></a>Sorry for the lack of music yesterday, but it was Patriots Day in Boston, which means day baseball and the Boston Marathon. Watching the marathon in person is a unique experience. All of those people all pushing themselves to the brink to complete such an impressive feat. But for me it was the individual way each person approached the final few blocks that really captured my attention. Some were in the zone, some struggling, some interacting with the fans, some looking for family, and some running with a team. I am just so proud of everyone who completed the race, not to mention the elite runners who ran all 26.2 miles with a faster average mile time than I can probably do. Although, I now have a my sights set on the Boston marathon someday when my ultimate frisbee career diminishes. Also, on a personal note - congratulations Jamie from Claire and Zack on a job very well done. Here's some inspirational John Adams music.<br /><br /><span style="font-weight: bold;">Rob Lane - Opening Titles </span>(<a href="http://www.yousendit.com/download/bFFOanZqayt3NUpFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/download/75158801f70c3ea8/" target="_blank">zshare</a>)

Reminiscing: Smashing Pumpkins

Another cornerstone of my musical adolescence, the Smashing Pumpkins showed me that it was ok to be sorta weird. I mean, Billy Corgan was a mainstream rock god in the 90s and he is weird as hell. He performed in dresses, while crafting anthemic, melodic, and heavy songs many of which have no become hallmarks of the 90s scene. Mellon Collie and the Infinite Sadness was the first album that I really sunk my teeth into as a complete work. It has everything: ballads, face-melting guitars, sadness, power, melody, and passion. Mellon Collie was the first time that an album transported me someplace. While my musical tastes have certainly evolved since then, the Smashing Pumpkins will always reside in a special place in my heart. I will never stop listening to them.

Smashing Pumpkins - Bullet with Butterfly Wings (YSI) (zshare)

Smashing Pumpkins - An Ode to No One (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOkl90ZLAyTlwT-1ts8A9R4tJqxBe1i7pMtH7c2LprLuO-B8N2sULnMxFCBZiNEMlB__ZSENw_LHz5T1wUxOv-AUSR_sw8WUwB299zG7TzXz1Jw3OhtFpF2etWIixAuuNLnOcTL_71l6EJ/s1600/TSRE+Stained+Glass.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5461295855077585410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOkl90ZLAyTlwT-1ts8A9R4tJqxBe1i7pMtH7c2LprLuO-B8N2sULnMxFCBZiNEMlB__ZSENw_LHz5T1wUxOv-AUSR_sw8WUwB299zG7TzXz1Jw3OhtFpF2etWIixAuuNLnOcTL_71l6EJ/s320/TSRE+Stained+Glass.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 240px; height: 320px;" /></a>Another cornerstone of my musical adolescence, the Smashing Pumpkins showed me that it was ok to be sorta weird. I mean, Billy Corgan was a mainstream rock god in the 90s and he is weird as hell. He performed in dresses, while crafting anthemic, melodic, and heavy songs many of which have no become hallmarks of the 90s scene. Mellon Collie and the Infinite Sadness was the first album that I really sunk my teeth into as a complete work. It has everything: ballads, face-melting guitars, sadness, power, melody, and passion. Mellon Collie was the first time that an album transported me someplace. While my musical tastes have certainly evolved since then, the Smashing Pumpkins will always reside in a special place in my heart. I will never stop listening to them.<br /><br /><span style="font-weight: bold;">Smashing Pumpkins - Bullet with Butterfly Wings</span> (<a href="http://www.yousendit.com/download/bFFNWGJFNkdKV094dnc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/750947958765ee1a/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Smashing Pumpkins - An Ode to No One</span> (<a href="http://www.yousendit.com/download/bFFNWGJFNkd0NjlFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/7509483016158ed3/" target="_blank">zshare</a>)

Brother Ali @ The Knitting Factory, 4/15/10 - NYC

Perhaps the worst kept secret around these parts is my love for Brother Ali. I've posted about him countless times, extolling his rap abilities and down to earth lyrics. His show at the House of Blues last year was one of our 12 Best Boston Concerts of 2009. I even got a chance to interview him last year - he is articulate, intelligent, and just a remarkable dude.

On Thursday night I got the chance to see him in concert for the second time, and I was once again blown away. The man, more than any other rapper I have seen play live, knows how to work a crowd. His fans are knowledgable and faithful, singing and rapping along with songs from both his latest album and his earliest releases.

As usual, "Forest Whitaker" was a highlight. Additionally, though, Ali played some of my all-time favorites - "Room With A View," "Blah Blah Blah," and "Good Lord" spring to mind. It was a baller show with a baller crowd.

The night finished off with an awesome finish - Brother Ali and Immortal Technique came out for a freestyle encore (joined by hilariously large Poison Pen). The two masters killed the beat, Poison Pen killed some time, and Brother Ali killed the night.

Here are some deeper cuts and goodies for the Brother Ali fan inside us all.

Brother Ali - Little Rodney (YSI) (filesavr)

The Hood Internet - BNGN MY SHIT (Brother Ali vs. Flying Lotus) (YSI) (filesavr)

BK-One - Here I Am (f. Phonte, Brother Ali & The Grouch) (YSI) (filesavr)

Perhaps the worst kept secret around these parts is my love for Brother Ali. I've posted about him countless times, extolling his rap abilities and down to earth lyrics. His show at the House of Blues last year was one of our <a href="http://www.thestureidexperiment.com/2009/12/tsre-year-end-12-best-boston-concerts.html" target="_blank">12 Best Boston Concerts of 2009</a>. I even got a chance to <a href="http://www.thestureidexperiment.com/2009/10/tsre-wonders-exclusive-interview-with_23.html" target="_blank">interview</a> him last year - he is articulate, intelligent, and just a remarkable dude.<br /> <div><br /> </div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji3RORlhOQwI9WcUBkrz6nKM0mSePTHUEmz0fFbSkZjBJurn9SdiIK6QSMTe1iyvfHqJMZyvZ7acuUCXOO7ATxXMNfamEmrpZWNknEjvZO74pl6J6J2Eva-tMZpJA0ZFScLBdDXIjN_MY/s1600/BrotherAliTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji3RORlhOQwI9WcUBkrz6nKM0mSePTHUEmz0fFbSkZjBJurn9SdiIK6QSMTe1iyvfHqJMZyvZ7acuUCXOO7ATxXMNfamEmrpZWNknEjvZO74pl6J6J2Eva-tMZpJA0ZFScLBdDXIjN_MY/s320/BrotherAliTSRE.JPG" /></a></div>On Thursday night I got the chance to see him in concert for the second time, and I was once again blown away. The man, more than any other rapper I have seen play live, knows how to work a crowd. His fans are knowledgable and faithful, singing and rapping along with songs from both his latest album and his earliest releases.</div><div><br /> </div><div>As usual, "Forest Whitaker" was a highlight. Additionally, though, Ali played some of my all-time favorites - "Room With A View," "Blah Blah Blah," and "Good Lord" spring to mind. It was a baller show with a baller crowd.</div><div><br /> </div><div>The night finished off with an awesome finish - Brother Ali and Immortal Technique came out for a freestyle encore (joined by hilariously large Poison Pen). The two masters killed the beat, Poison Pen killed some time, and Brother Ali killed the night.</div><div><br /> Here are some deeper cuts and goodies for the Brother Ali fan inside us all.<br /> <br /> </div><div><b>Brother Ali - Little Rodney</b> (<a href="http://www.yousendit.com/download/bFFPRGw5OW5ubVUwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/03littlerodney" target="_blank">filesavr</a>)<br /> <br /> <b>The Hood Internet - BNGN MY SHIT (Brother Ali vs. Flying Lotus) </b>(<a href="http://www.yousendit.com/download/bFFPRGw5OW5IcWZ2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/bngnmyshitbrotheralivsflying" target="_blank">filesavr</a>)<br /> <br /> <b>BK-One - Here I Am (f. Phonte, Brother Ali & The Grouch)</b> (<a href="http://www.yousendit.com/download/bFFPRGx6VEgwZ2xFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/hereiamfphontebrotheralit" target="_blank">filesavr</a>)</div>

The Dylan Chronicles

I'm currently in the midst of reading Bob Dylan's Chronicles: Volume One, the widely praised autobiographical ramblings of the great singer-songwriter/rock star/poet/cultural icon. Now, let me start off by divulging that I've never been a huge Bob Dylan guy. It always seemed to me that Dylan's songs are primarily about the lyrics rather than the music, which frequently tumbles on repetitively for minutes on end without any attempt at musical contrast (see: "Hurricane"). The popularity of some of his songs baffles me. For example, I've never understood why "Like a Rolling Stone" was so groundbreaking. Maybe the lyrics are brilliant, but the vocal melody grates on me to the point that I really don't care.

Now that I've probably offended any Dylan lover reading this, let me say that I do enjoy his earlier music—“Don’t Think Twice It's Alright" is one of my favorites—and some of his "later” music—Nashville Skyline is one of my favorite albums to listen to front-to-back—and heck, I even like some of the less popular songs off of his landmark albums—“I Want You" off of Blonde on Blonde is charming, and the dark "Ballad of a Thin Man" off of Highway 61 Revisited gives me chills—but I've just never subscribed to the "all hail Dylan", "voice of a generation" crap. The Beatles (and the Stones, and the Beach Boys, and many others) made better music, plain and simple.

Nonetheless, I was hopeful about Chronicles. After all, here were Dylan's words without any music to get in the way. But, so far, I've been disappointed for a number of reasons. The book rambles, occasionally touching on interesting scenes or thoughts, but just as often jumping from unremarkable detail to unremarkable detail. Some of the sentences, while sounding poetic, just don't seem to actually mean anything. And, most of all, the book comes across as arrogant and dishonest. It paints the image that Dylan wants to paint, the image of a man thrust into the role of cultural icon who really just wants to retreat from the fame. But then he goes on to paint his achievements in the most grandiose terms: "The big bugs in the press kept promoting me as the mouthpiece, spokesman, or even conscience of a generation. That was funny. All I'd ever done was sing songs that were dead straight and expressed powerful new realities." So, Bob, how did you expect to express "powerful new realities" without taking on some sort of iconic mantle?

Anyways, I still need to finish the book. Maybe it will win me over yet. But until then, I’d recommend that you devote your time to listening to Dylan rather than to reading Dylan. Enjoy

Bob Dylan – Girl from the North Country (w/Johnny Cash) (YSI) (dropbox)
Bob Dylan – Ballad of a Thin Man (YSI) (dropbox)
Bob Dylan – I Want You (YSI) (dropbox)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC8OnyoUjBPvkKzvxwXbQbL4BQ5lYm7gjP7MbTf2piKo3-VkFL6LVl4P-2cAupG5jyY7FmSmzZ0DzSaUISLvsC33Ru0-0GHmOxgWDNvJM3hAAGvhOBrrVjMOr1eu_NLMxGFplVHjigju4/s1600/bobdylansmileybuzz.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5460584383304207522" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC8OnyoUjBPvkKzvxwXbQbL4BQ5lYm7gjP7MbTf2piKo3-VkFL6LVl4P-2cAupG5jyY7FmSmzZ0DzSaUISLvsC33Ru0-0GHmOxgWDNvJM3hAAGvhOBrrVjMOr1eu_NLMxGFplVHjigju4/s320/bobdylansmileybuzz.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 252px; height: 209px;" /></a><span style="font-size:85%;">I'm currently in the midst of reading Bob Dylan's <span style="font-style: italic;">Chronicles: Volume One</span>, the widely praised autobiographical ramblings of the great singer-songwriter/rock star/poet/cultural icon. Now, let me start off by divulging that I've never been a huge Bob Dylan guy. It always seemed to me that Dylan's songs are primarily about the lyrics rather than the music, which frequently tumbles on repetitively for minutes on end without any attempt at musical contrast (see: "Hurricane"). The popularity of some of his songs baffles me. For example, I've never understood why "Like a Rolling Stone" was so groundbreaking. Maybe the lyrics are brilliant, but the vocal melody grates on me to the point that I really don't care.<br /><br />Now that I've probably offended any Dylan lover reading this, let me say that I do enjoy his earlier music—“Don’t Think Twice It's Alright" is one of my favorites—and some of his "later” music—<span style="font-style: italic;">Nashville Skyline</span> is one of my favorite albums to listen to front-to-back—and heck, I even like some of the less popular songs off of his landmark albums—“I Want You" off of <span style="font-style: italic;">Blonde on Blonde</span> is charming, and the dark "Ballad of a Thin Man" off of <span style="font-style: italic;">Highway 61 Revisited</span> gives me chills—but I've just never subscribed to the "all hail Dylan", "voice of a generation" crap. The Beatles (and the Stones, and the Beach Boys, and many others) made better music, plain and simple.<br /><br />Nonetheless, I was hopeful about <span style="font-style: italic;">Chronicles</span>. After all, here were Dylan's words without any music to get in the way. But, so far, I've been disappointed for a number of reasons. The book rambles, occasionally touching on interesting scenes or thoughts, but just as often jumping from unremarkable detail to unremarkable detail. Some of the sentences, while sounding poetic, just don't seem to actually mean anything. And, most of all, the book comes across as arrogant and dishonest. It paints the image that Dylan wants to paint, the image of a man thrust into the role of cultural icon who really just wants to retreat from the fame. But then he goes on to paint his achievements in the most grandiose terms: "The big bugs in the press kept promoting me as the mouthpiece, spokesman, or even conscience of a generation. That was funny. All I'd ever done was sing songs that were dead straight and expressed powerful new realities." So, Bob, how did you expect to express "powerful new realities" without taking on some sort of iconic mantle?<br /><br />Anyways, I still need to finish the book. Maybe it will win me over yet. But until then, I’d recommend that you devote your time to listening to Dylan rather than to reading Dylan. Enjoy<br /><br /><span style="font-weight: bold;">Bob Dylan – Girl from the North Country (w/Johnny Cash)</span> (<a href="http://www.yousendit.com/download/bFFNblFKTlExUUN4dnc9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/01%20Girl%20from%20the%20North%20Country%20%28w_Johnny%20Cash%29.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Bob Dylan – Ballad of a Thin Man</span> (<a href="http://www.yousendit.com/download/bFFNblFKTlF0d0UwTVE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/05%20Ballad%20of%20a%20Thin%20Man.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Bob Dylan – I Want You </span>(<a href="https://www.yousendit.com/download/bFFNblFKTlE3bUEwTVE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/05%20I%20Want%20You.mp3" target="_blank">dropbox</a>)</span>

Reminiscing: The Dandy Warhols

I don't mean to sound crotchety, but I fondly remember a time before the blogosphere when one was bombarded by a lot less music on a daily basis. My horizons were without question less expansive, but there really was some great music to be found by a middle school kid with nothing but the radio and record store. At first there was the Smashing Pumpkins and the Stone Temple Pilots, but I must say that the Dandy Warhols were my favorite band for a very long time. I still have a very soft spot in my heart for Thirteen Tales from Urban Bohemia and Welcome to the Monkey House. They are the perfect off-beat rock albums that manage to be interesting, never repetitive and always catchy.

The Dandy Warhols - Bohemian Like You (YSI) (zshare)

The Dandy Warhols - Wonderful You (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAHnraF_LYn5mC1KwJDvroLzrvQkr03MJFH39Wn-UVvPVAYeUkWc_N8c1hoJEtV1fP2A9BgiuTy8an3vfkkp6C1VzDQGnCL7lYzVK9FVIHIqLmwNP2K3-tYHhYMxNDOfvnzFXfamISG8wD/s1600/TSRE+Dandy.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5459818371031259714" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAHnraF_LYn5mC1KwJDvroLzrvQkr03MJFH39Wn-UVvPVAYeUkWc_N8c1hoJEtV1fP2A9BgiuTy8an3vfkkp6C1VzDQGnCL7lYzVK9FVIHIqLmwNP2K3-tYHhYMxNDOfvnzFXfamISG8wD/s320/TSRE+Dandy.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 225px; height: 320px;" /></a>I don't mean to sound crotchety, but I fondly remember a time before the blogosphere when one was bombarded by a lot less music on a daily basis. My horizons were without question less expansive, but there really was some great music to be found by a middle school kid with nothing but the radio and record store. At first there was the Smashing Pumpkins and the Stone Temple Pilots, but I must say that the Dandy Warhols were my favorite band for a very long time. I still have a very soft spot in my heart for <span style="font-style: italic;">Thirteen Tales from Urban Bohemia</span> and <span style="font-style: italic;">Welcome to the Monkey House</span>. They are the perfect off-beat rock albums that manage to be interesting, never repetitive and always catchy.<br /><br /><span style="font-weight: bold;">The Dandy Warhols - Bohemian Like You</span> (<a href="http://www.yousendit.com/download/bFFNSU5FdGpkMnRFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/749437152c68c3ee/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">The Dandy Warhols - Wonderful You</span> (<a href="http://www.yousendit.com/download/bFFNSU5Pdzg4aVB2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74943764f2086261/" target="_blank">zshare</a>)

Tune Yards 4/10/10 @ The Middle East Downstairs

I would go see Tune Yards anytime. While I wish - and Ben would agree - that Merrill Garbus would freestyle and stretch out her songs even more live, she really used every opportunity to show off her vocal chops. It continues to blow my mind how two people (she has a bassist) can create such dense, yet at the same time simple, rhythms. She is soulful, yet gangsta at the same time and her voice is unstoppable. I am having difficulty putting into words my adoration.

Tune Yards - News (YSI) (zshare)

Tune Yards - Lions (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNczEiMe2Ops_YY9SeLQtirlOxFVHzj6apG2tQgidiNnOzEA9-yWjznlZZ3D0Do1lsqgFY0CIxH_5Vaym941sF4qUEbx7DNKaCrRNwS0fBYQudDMxQJE0I-EfGI2aeAGip9h5vWHEw87Q/s1600/TSRE+Tune+Yards+2.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5459808992004196610" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNczEiMe2Ops_YY9SeLQtirlOxFVHzj6apG2tQgidiNnOzEA9-yWjznlZZ3D0Do1lsqgFY0CIxH_5Vaym941sF4qUEbx7DNKaCrRNwS0fBYQudDMxQJE0I-EfGI2aeAGip9h5vWHEw87Q/s320/TSRE+Tune+Yards+2.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 213px;" /></a>I would go see Tune Yards anytime. While I wish - and Ben would agree - that Merrill Garbus would freestyle and stretch out her songs even more live, she really used every opportunity to show off her vocal chops. It continues to blow my mind how two people (she has a bassist) can create such dense, yet at the same time simple, rhythms. She is soulful, yet gangsta at the same time and her voice is unstoppable. I am having difficulty putting into words my adoration.<br /><br /><span style="font-weight: bold;">Tune Yards - News</span> (<a href="http://www.yousendit.com/download/bFFNSU5NR3NOMUJFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/749431553fccbb61/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Tune Yards - Lions</span> (<a href="http://www.yousendit.com/download/bFFNSU5ITWNCSm8wTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/749432364b8ecab0/" target="_blank">zshare</a>)

Re-Mixorz from Gigamesh and Nick Catchdubs

In continuing to fill the remix-junkie role here on TSRE, I’ve been pumping a couple of really dope electro remixes the past couple days, from Gigamesh and Nick Catchdubs. These guys are two of my favorite remix artists - Catchdubs has been on my radar for a long time now (see my post from a while back about his tunes) and Gigamesh really got my attention a while back with his remix of Animal Collective’s "My Girls". Always nice to hear that some of these remixers aren’t just one-hit wonders.

Catchdub teams up with Kidz in the Hall, who you might know either from their 2006 mixtape School Was My Hustle or from of their later collaborations with dudes like Colin Munroe and Just Blaze. They definitely have that Chicago rap feel, but Nick Catchdubs flips it around with a skittering beat and some pseudo-dub bumps. It’s not for everyone, but if you like house rap, you’ll probably dig this tune.

The second track of the day is Gigamesh’s remix of CLASSIXX’s “I’ll Get You” and is a complete banger. This tune sounds like it was made for arenas and clubs, designed to bring the house down. It’s a lush, synth-heavy mix, and man does it rock. I really dig this tune for some reason – perfect for your next impromptu Thursday night dance party. Cough cough tonight make it happen.

Kidz In The Hall – Flickin’ (Nick Catchdubs x Proper Villains Remix) (YSI) (drop.io)

CLASSIXX – I’ll Get You (Gigamesh Remix) (YSI) (drop.io)

In continuing to fill the remix-junkie role here on TSRE, I’ve been pumping a couple of really dope electro remixes the past couple days, from Gigamesh and Nick Catchdubs. These guys are two of my favorite remix artists - Catchdubs has been on my radar for a long time now (see <a href="http://www.thestureidexperiment.com/2009/06/nick-catchdubs-primer-man-behind-knobs.html" target="_blank">my post</a> from a while back about his tunes) and Gigamesh really got my attention a while back with his <a href="http://www.thestureidexperiment.com/2009/04/remixes-by-letter.html" target="_blank">remix</a> of Animal Collective’s "My Girls". Always nice to hear that some of these remixers aren’t just one-hit wonders.<br /> <br /> Catchdub teams up with Kidz in the Hall, who you might know either from their 2006 mixtape <i>School Was My Hustle</i> or from of their later collaborations with dudes like Colin Munroe and Just Blaze. They definitely have that Chicago rap feel, but Nick Catchdubs flips it around with a skittering beat and some pseudo-dub bumps. It’s not for everyone, but if you like house rap, you’ll probably dig this tune.<br /> <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoL2NOoCZvkrZ61qLu-IjIblhlxmYPE5Cz_CyaZRp5Jq4BBO9WcwB8b-n3QcPOmzeqs9bg06zyBdM-ZQRTGPzcIrA16ZbQhhQ9G1E7hkRCaFoT4jfVAkME5KHryax3AMEzaznscUjpEmo/s1600/picture-10.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoL2NOoCZvkrZ61qLu-IjIblhlxmYPE5Cz_CyaZRp5Jq4BBO9WcwB8b-n3QcPOmzeqs9bg06zyBdM-ZQRTGPzcIrA16ZbQhhQ9G1E7hkRCaFoT4jfVAkME5KHryax3AMEzaznscUjpEmo/s320/picture-10.png" /></a></div>The second track of the day is Gigamesh’s remix of CLASSIXX’s “I’ll Get You” and is a complete banger. This tune sounds like it was made for arenas and clubs, designed to bring the house down. It’s a lush, synth-heavy mix, and man does it rock. I really dig this tune for some reason – perfect for your next impromptu Thursday night dance party. Cough cough tonight make it happen.<br /> <br /> <b>Kidz In The Hall – Flickin’ (Nick Catchdubs x Proper Villains Remix)</b> (<a href="http://www.yousendit.com/download/bFFNN3RWT013NUpjR0E9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/hidden/a9ep5mspyadbxg/asset/ZmxpY2tpbi1uaWNrLWNhdGNoZHVicy14LXByb3Blci12aS1tcDM%253D" target="_blank">drop.io</a>)<br /> <br /> <b>CLASSIXX – I’ll Get You (Gigamesh Remix) </b>(<a href="http://www.yousendit.com/download/bFFNN3RSZ1BZY1EwTVE9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/hidden/hboyykplu7zb3r/asset/aS1sbC1nZXQteW91LWdpZ2FtZXNoLXJlbWl4LW1wMw%253D%253D" target="_blank">drop.io</a>)

SXSW Ridiculousness, Part 6: Rye Rye

Still playing catch-up from SXSW, editing photos and processing the music that I consumed during that week. One artist that I was really impressed with was Baltimore hip hopstress Rye Rye. She's a young kid - 19, last I checked - but she has some pretty major street cred in the form of co-signs from M.I.A., Diplo, Blaqstarr, and Crookers. Word on the street is that Rye Rye has been playing Diplo's block parties since she was 16 years old. Baller.

Her live show was high energy and a total riot. You can tell she loves performing, and her songs pack a punch that make people love listening to them. Her show at SXSW was a complete party - check the pictures I shot and posted over at Melophobe.

Rye Rye's debut LP drops this summer! Get it while it's hot hot hot.

Rye Rye - Shake It To The Ground (YSI)


Crookers - Hip Hop Changed (f. Rye Rye) (YSI)


Rye Rye & M.I.A. - Bang (YSI)

Still playing catch-up from SXSW, editing photos and processing the music that I consumed during that week. One artist that I was really impressed with was Baltimore hip hopstress Rye Rye. She's a young kid - 19, last I checked - but she has some pretty major street cred in the form of co-signs from M.I.A., Diplo, Blaqstarr, and Crookers. Word on the street is that Rye Rye has been playing Diplo's block parties since she was 16 years old. Baller.<br /> <div class="MsoNormal"><br /> </div><div class="MsoNormal">Her live show was high energy and a total riot. You can tell she loves performing, and her songs pack a punch that make people love listening to them. Her show at SXSW was a complete party - check the pictures I shot and posted over at Melophobe.</div><br /> <div style="width: 426px;"><object data="http://www.melophobe.com/flash/MelophobeAutoviewerExtended.swf?mode=embed&showTitle=melophobe | Rye Rye - Palm Door (SXSW 2010; Mar 19)&xmlURL=http://www.melophobe.com/images/100319ryerye/gallerydata.xml&showURL=http://www.melophobe.com/concert-reviews/rye-rye-palm-door-sxsw-2010-mar-19/" height="320" type="application/x-shockwave-flash" width="426"><param name='movie' value='http://www.melophobe.com/flash/MelophobeAutoviewerExtended.swf?mode=embed&showTitle=melophobe | Rye Rye - Palm Door (SXSW 2010; Mar 19)&xmlURL=http://www.melophobe.com/images/100319ryerye/gallerydata.xml&showURL=http://www.melophobe.com/concert-reviews/rye-rye-palm-door-sxsw-2010-mar-19/'/></object><br /> <br /> Rye Rye's debut LP drops this summer! Get it while it's hot hot hot.<br /> <br /> <b>Rye Rye - Shake It To The Ground (<a href="http://www.yousendit.com/download/bFFOVWRqVEhqY3BjR0E9PQ" target="_blank">YSI</a>)</b><br /> <b><br /> </b><br /> <b>Crookers - Hip Hop Changed (f. Rye Rye) (<a href="http://www.yousendit.com/download/bFFOVWRnYTJubVZjR0E9PQ" target="_blank">YSI</a>)</b><br /> <b><br /> </b><br /> <b>Rye Rye & M.I.A. - Bang (<a href="http://www.yousendit.com/download/bFFOVWRqVEhIcWZ2Wmc9PQ" target="_blank">YSI</a>)</b><br /> <div style="font-family: arial; font-size: 12px; margin-top: 9px; padding-left: 40px; text-indent: -20px; width: 90%;"><a href="http://www.melophobe.com/concert-reviews/rye-rye-palm-door-sxsw-2010-mar-19/" style="color: #5f655e; text-decoration: none;"></a></div></div>

If You Like Keepaway You Will Avoid Hot Dog Leg Syndrome

There is a dangerous disease sweeping the nation - Hot Dog Legz and it is serious. To avoid this horrible condition you have to get up and dance. Sometimes this is not easy to do. Good News! Keepaway can help you achieve this goal. Incredibly amped up and really liking Animal Collective, Keepaway know how to construct bouncing rhythms and addictive choruses. How better to combat hot dog legz than with music that literally sounds like jumping up and down. Who doesn't want to be in two places at once?

Keepaway - Yellow Wings (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9IU216mXrfA_kZlYQduIlaDf5XQJGfRbikLMVPcOW-zCQGw8CQVuznS9MCcNUk6VrByLxO-nj7FrWhyphenhyphenB0n5dd8OrYvd0tr4yCTjYpISFdwV3zJqZYPfFUww98M8KDMZS1Hog_qfwo77mn/s1600/TSRE+Hot+Dog+Legs.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457960737976940866" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9IU216mXrfA_kZlYQduIlaDf5XQJGfRbikLMVPcOW-zCQGw8CQVuznS9MCcNUk6VrByLxO-nj7FrWhyphenhyphenB0n5dd8OrYvd0tr4yCTjYpISFdwV3zJqZYPfFUww98M8KDMZS1Hog_qfwo77mn/s320/TSRE+Hot+Dog+Legs.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 214px;" /></a>There is a dangerous disease sweeping the nation - Hot Dog Legz and it is serious. To avoid this horrible condition you have to get up and dance. Sometimes this is not easy to do. Good News! Keepaway can help you achieve this goal. Incredibly amped up and really liking Animal Collective, Keepaway know how to construct bouncing rhythms and addictive choruses. How better to combat hot dog legz than with music that literally sounds like jumping up and down. Who doesn't want to be in two places at once?<br /><br /><span style="font-weight: bold;">Keepaway - Yellow Wings</span> (<a href="http://www.yousendit.com/download/bFFOOU1RQ3RqY3J2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74762342a0bdf8b4/" target="_blank">zshare</a>)

Mr. Lo-fi Meet Mr. Remix

I have been a bit preoccupied recently, leading to some less than inspired posts. I apologize and hopefully I'll get my act together in the near future. But for now here are a few remixes that take a couple lo-fi gems and put them on electro steroids. These remixes are fun and are a lot meatier than the originals. Oh, and that rhythmic percussion from Tanlines is siiiccckkkk.

Neon Indian - Psychic Charms (Brahms Remix) (YSI) (zshare)

Tanlines - Real Life (Memory Tapes Remix) (YSI) (zshare)

Tune Yards tonight at the Middle East --> Get there, you don't want to miss her live show.

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZUxqfihQoW1zEKw5bS_QPFME2g1K4UuQRQvPquHJWk4B-o_Lf1x-EGyUqQUen1h_SpyRrO4Js8ZjmPh8njtjJw-55wbmWB7WdZRfoU4GpUPsaDhFqZC89evMSHLmPIFLqoEY97K_1H0LC/s1600/TSRE+Baby+Candles.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457954721479746706" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZUxqfihQoW1zEKw5bS_QPFME2g1K4UuQRQvPquHJWk4B-o_Lf1x-EGyUqQUen1h_SpyRrO4Js8ZjmPh8njtjJw-55wbmWB7WdZRfoU4GpUPsaDhFqZC89evMSHLmPIFLqoEY97K_1H0LC/s320/TSRE+Baby+Candles.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 240px; height: 320px;" /></a>I have been a bit preoccupied recently, leading to some less than inspired posts. I apologize and hopefully I'll get my act together in the near future. But for now here are a few remixes that take a couple lo-fi gems and put them on electro steroids. These remixes are fun and are a lot meatier than the originals. Oh, and that rhythmic percussion from Tanlines is siiiccckkkk.<br /><br /><span style="font-weight: bold;">Neon Indian - Psychic Charms (Brahms Remix)</span> (<a href="http://www.yousendit.com/download/bFFOOU1Vdkd6RTlFQlE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74762078fa779cd2/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Tanlines - Real Life (Memory Tapes Remix)</span> (<a href="http://www.yousendit.com/download/bFFOOU1Vdkc1R00wTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74762093556e58b8/" target="_blank">zshare</a>)<br /><br />Tune Yards tonight at the Middle East --> Get there, you don't want to miss her live show.

It's great to live in the city...

I really love the country—rural towns, fields full of cows, forests that stretch as far as you look—sounds great to me. Every day, after what is almost always an aggravating commute on the subway—‘Attention passengers, we apologize for the inconvenience, there is traffic directly in front of us. We should be moving momentarily. Again, we apologize for the inconvenience’—Northern New England seems to call for me most strongly, beckoning me to its peace and open air. And maybe I will end up out there somewhere, someday.

But it is a weekend like this one that forces me to recognize the pleasures of urban life—namely, the oodles of concerts that one can attend each weekend. This weekend, I’ve got tickets to two concerts: tUnE-YarDs w/Xiu Xiu at the Middle East, and the Handel & Haydn Society’s performance of two Beethoven symphonies under the baton of Roger Norrington (who is truly a baller in the world of historically-informed performance). Two very different concerts featuring artists that are both very different and very exciting. And the best part? I’ll attend both for a combined $30.

Not a bad deal.

It’s easy to find music to satisfy any taste without causing your wallet too much pain—you just have to keep your eyes and ears open (and be willing to forgo the Jay-Z concert to see artists that are a tiny bit less mainstream). This weekend, beyond tUne-YarDs and the H&H society, you could also shell out $16.50 to see Ted Leo at the Paradise on Saturday, or drop $20 (provided you’re under 40) to see the BSO play a Harbison world premiere as well as Mahler’s 7th Symphony. I’m sure that in NYC the opportunities would be even more plentiful (if a bit pricier).

There is so much great live music to be had in the city. So go forth, good people, and grab an earful.

tUnE-YarDs - Hatari (YSI) (dropbox)
Beethoven (Norrington) - Symphony No. 7, Mvmt. 2 (YSI) (dropbox)
Stevie Wonder - Livin' for the City (YSI) (dropbox)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibOx9pLRw_W-DuUE9Lan2ZBDqjFsMnW1Xk43oZwVd_G_zgE1_EH8CMQ0H5Hi0hTspn4rj0hlTbVF6jKIaQ1hsxlYQ0YdNviOfcJCEKf6sGIaBfkxdrbV9PR7K-9vYXe_rMA80AeedcpA8/s1600/Boston_Skyline_Night.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5457915470988246850" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibOx9pLRw_W-DuUE9Lan2ZBDqjFsMnW1Xk43oZwVd_G_zgE1_EH8CMQ0H5Hi0hTspn4rj0hlTbVF6jKIaQ1hsxlYQ0YdNviOfcJCEKf6sGIaBfkxdrbV9PR7K-9vYXe_rMA80AeedcpA8/s320/Boston_Skyline_Night.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 265px; height: 199px;" /></a><span style="font-size:85%;">I really love the country—rural towns, fields full of cows, forests that stretch as far as you look—sounds great to me. Every day, after what is almost always an aggravating commute on the subway—‘Attention passengers, we apologize for the inconvenience, there is traffic directly in front of us. We should be moving momentarily. Again, we apologize for the inconvenience’—Northern New England seems to call for me most strongly, beckoning me to its peace and open air. And maybe I will end up out there somewhere, someday.<br /><br />But it is a weekend like this one that forces me to recognize the pleasures of urban life—namely, the oodles of concerts that one can attend each weekend. This weekend, I’ve got tickets to two concerts: tUnE-YarDs w/Xiu Xiu at the Middle East, and the Handel & Haydn Society’s performance of two Beethoven symphonies under the baton of Roger Norrington (who is truly a baller in the world of historically-informed performance). Two very different concerts featuring artists that are both very different and very exciting. And the best part? I’ll attend both for a combined $30.<br /><br />Not a bad deal.<br /><br />It’s easy to find music to satisfy any taste without causing your wallet too much pain—you just have to keep your eyes and ears open (and be willing to forgo the Jay-Z concert to see artists that are a tiny bit less mainstream). This weekend, beyond tUne-YarDs and the H&H society, you could also shell out $16.50 to see Ted Leo at the Paradise on Saturday, or drop $20 (provided you’re under 40) to see the BSO play a Harbison world premiere as well as Mahler’s 7th Symphony. I’m sure that in NYC the opportunities would be even more plentiful (if a bit pricier).<br /><br />There is so much great live music to be had in the city. So go forth, good people, and grab an earful.<br /><br /><span style="font-weight: bold;">tUnE-YarDs - Hatari</span> (<a href="https://www.yousendit.com/download/bFFPcmxVMVhrYUR2Wmc9PQ" target="_blank"">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/04%20Hatari%201.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Beethoven (Norrington) - Symphony No. 7, Mvmt. 2</span> (<a href="https://www.yousendit.com/download/bFFPcmxVMVg5eFZFQlE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/5-04%20Beethoven_%20Symphony%20%237%20in%20A%2C%20Op.%2092%20-%202.%20Allegretto.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Stevie Wonder - Livin' for the City</span> (<a href="https://www.yousendit.com/download/bFFPcmxVMVg5NVZjR0E9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/11%20Living%20For%20The%20City.mp3" target="_blank">dropbox</a>)<br /></span>

Stu Reid Under The Covers: Some Dudes Cover Morning Benders and Lissie Goes Gaga

Well, I've become more or less obsessed with The Morning Benders as of late - their sophomore album Big Echo has been on heavy repeat around mi casa. After seeing them at SXSW, I'm sold that these guys are the real deal. They have a commitment to the music that is really really cool, and the end product shows how much they pour into it. One of my favorite videos of the year is a feature Pitchfork made featuring a large number of San Fransisco musicians playing "Excuses" http://pitchfork.com/tv/#/episode/2115-the-morning-benders, a recording that is really quite divine.

Recently another video of "Excuses" has been cruising around the information superhighway. It's a video of a guy in what looks to be a barn, playing a number of instruments and singing the song quite well. Luis over at PMA got the hook up with a high quality mp3 of his cover, and I'm excited to share it today. Check out the video and song below.



The Ice Tray - Excuses (The Morning Benders Cover) (YSI)

Another cover that has been all the rage recently is Lissie's cover of Lady Gaga's "Bad Romance." Lissie is an up-and-coming name that you'll hear a lot about in the near future. The cover is nice - it's not my favorite song, but I do really like what Lissie has done with it. Check it out, along with another pretty adorable video. Happy covers!



Lissie - Bad Romance (Lady Gaga Cover) (YSI)

Well, I've become more or less obsessed with The Morning Benders as of late - their sophomore album <i>Big Echo</i> has been on heavy repeat around mi casa. After seeing them at SXSW, I'm sold that these guys are the real deal. They have a commitment to the music that is really really cool, and the end product shows how much they pour into it. One of my favorite videos of the year is a feature Pitchfork made featuring a large number of San Fransisco musicians playing "Excuses" http://pitchfork.com/tv/#/episode/2115-the-morning-benders, a recording that is really quite divine.<br /> <br /> Recently another video of "Excuses" has been cruising around the information superhighway. It's a video of a guy in what looks to be a barn, playing a number of instruments and singing the song quite well. Luis over at PMA got the hook up with a high quality mp3 of his cover, and I'm excited to share it today. Check out the video and song below.<br /> <br /> <object height="385" width="480"><param name="movie" value="http://www.youtube.com/v/OD072SlIIWU&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/OD072SlIIWU&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br /> <br /> <b>The Ice Tray - Excuses (The Morning Benders Cover)</b> (<a href="http://www.yousendit.com/download/bFFOcHBDVnNUME0wTVE9PQ" target="_blank">YSI</a>)<br /> <br /> Another cover that has been all the rage recently is Lissie's cover of Lady Gaga's "Bad Romance." Lissie is an up-and-coming name that you'll hear a lot about in the near future. The cover is nice - it's not my favorite song, but I do really like what Lissie has done with it. Check it out, along with another pretty adorable video. Happy covers!<br /> <br /> <object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/MWe07krS8_E&hl=en_US&fs=1&"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/MWe07krS8_E&hl=en_US&fs=1&" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"></embed></object><br /> <br /> <b>Lissie - Bad Romance (Lady Gaga Cover)</b> (<a href="http://www.yousendit.com/download/bFFOcHBDVnNUME0wTVE9PQ" target="_blank">YSI</a>)

Sleigh Bells, Rusko, and Major Lazer - 4/4/10 @ The Middle East, Boston

I had the privilege of catching Sleigh Bells, Rusko, and Major Lazer playing together at the Middle East in Boston on Sunday night – whoo what a show.  A night after playing the gargantuan Terminal 5 in NYC, Diplo and friends packed the significantly smaller Middle East to the rafters for a great night of big beat dancing.

Sleigh Bells kicked things off with a blistering set – I was super impressed by this pair at SXSW, and they blew my mind again on Sunday night. Lead singer Alexis Krauss is a complete rock star, leaning into the crowd, punching the sky, and screaming into the microphone. She dominates the stage while guitarist Derek Miller absolutely slays. On the surface it’s a strange pairing, matching this guitar-driven pseudo-metal with Diplo and Switch’s electro reggae. Underneath that surface it’s all about hype music and big sounds, and all three groups shared that power.

Rusko, although not my favorite flavor, put together a pretty sweet set of dubstep remixes of familiar songs. A bit telling that the beginnings of each track he played – when he teased the original before slaughtering it with a dubstep thump – were the highlights of his set. Regardless, he set the table nicely for Major Lazer.

Supported by two hyperactive dancers, Diplo dominated the dancefloor as Major Lazer. Wisely splurging on a baller laser light display, the group lit up the ceiling of the Middle East as a sweaty crowd danced below. The energy continued to build throughout the set, climaxing with set closer “Pon Di Floor” and encore “Hold The Line.” It was an epic set, and one that has reignited my love for Guns Don’t Kill People…Lazers Do in a big way.

Here's my new favorite Sleigh Bells tune (besides, you know, all the other ones) plus a couple really dope Major Lazer remixes.

Sleigh Bells – Infinity Guitars (YSI) (drop.io)

Major Lazer – Pon Di Floor (The Deficient Remix) (YSI) (drop.io)

Major Lazer – Keep It Goin’ Louder (So Shifty 1961 SKA Remix) (YSI) (drop.io)

I had the privilege of catching Sleigh Bells, Rusko, and Major Lazer playing together at the Middle East in Boston on Sunday night – whoo what a show.  A night after playing the gargantuan Terminal 5 in NYC, Diplo and friends packed the significantly smaller Middle East to the rafters for a great night of big beat dancing.<br /> <div class="MsoNormal"><br /> </div><div class="MsoNormal"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEDs9vA9u_8iiCQqbEyysyHdQ1ltQXAIFIadXlQcmm05VT8zcXJhw9EfXMpg2K15fyNBsn6c_NLK4Lu-AjLBjRaTt57gSI2mZAo6rI6RTu4_o11s8j_eLx0BXvOp5JYXxpjfI15Zzap98/s1600/lasersTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEDs9vA9u_8iiCQqbEyysyHdQ1ltQXAIFIadXlQcmm05VT8zcXJhw9EfXMpg2K15fyNBsn6c_NLK4Lu-AjLBjRaTt57gSI2mZAo6rI6RTu4_o11s8j_eLx0BXvOp5JYXxpjfI15Zzap98/s320/lasersTSRE.JPG" /></a>Sleigh Bells kicked things off with a blistering set – I was super impressed by this pair at SXSW, and they blew my mind again on Sunday night. Lead singer Alexis Krauss is a complete rock star, leaning into the crowd, punching the sky, and screaming into the microphone. She dominates the stage while guitarist Derek Miller absolutely slays. On the surface it’s a strange pairing, matching this guitar-driven pseudo-metal with Diplo and Switch’s electro reggae. Underneath that surface it’s all about hype music and big sounds, and all three groups shared that power.</div><div class="MsoNormal"><br /> </div><div class="MsoNormal">Rusko, although not my favorite flavor, put together a pretty sweet set of dubstep remixes of familiar songs. A bit telling that the beginnings of each track he played – when he teased the original before slaughtering it with a dubstep thump – were the highlights of his set. Regardless, he set the table nicely for Major Lazer.</div><div class="MsoNormal"><br /> </div><div class="MsoNormal">Supported by two hyperactive dancers, Diplo dominated the dancefloor as Major Lazer. Wisely splurging on a baller laser light display, the group lit up the ceiling of the Middle East as a sweaty crowd danced below. The energy continued to build throughout the set, climaxing with set closer “Pon Di Floor” and encore “Hold The Line.” It was an epic set, and one that has reignited my love for <i style="mso-bidi-font-style: normal;">Guns Don’t Kill People…Lazers Do</i> in a big way.</div><div class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><br /> </b></div><div class="MsoNormal">Here's my new favorite Sleigh Bells tune (besides, you know, all the other ones) plus a couple really dope Major Lazer remixes.</div><div class="MsoNormal"><br /> </div><div class="MsoNormal"><b style="mso-bidi-font-weight: normal;">Sleigh Bells – Infinity Guitars</b> (<a href="http://www.yousendit.com/download/bFFOOGNRYTJ1Yk5jR0E9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/hidden/djprsxilfz0piw/asset/MDQtaW5maW5pdHktZ3VpdGFycy1tcDM%3D" target="_blank">drop.io</a>)</div><div class="MsoNormal"><br /> </div><div class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><span class="Apple-style-span" style="font-weight: normal;"><b>Major Lazer – Pon Di Floor (The Deficient Remix)</b> (<a href="http://www.yousendit.com/download/bFFOOGNUVEhkMnRFQlE9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/hidden/pasgkcg7mo7eou/asset/cG9uLWRpLWZsb29yLXRoZS1kZWZpY2llbnQtcmVtaXgtbXAz" target="_blank">drop.io</a>)</span></b></div><div class="MsoNormal"><b style="mso-bidi-font-weight: normal;"><br /> </b></div><div class="MsoNormal"><b style="mso-bidi-font-weight: normal;">Major Lazer – Keep It Goin’ Louder (So Shifty 1961 SKA Remix)</b> (<a href="http://www.yousendit.com/download/bFFOOGNheFhVbTlFQlE9PQ" target="_blank">YSI</a>) (<a href="http://drop.io/hidden/inh50ar27fi6hc/asset/MDEta2VlcC1pdC1nb2luLWxvdWRlci1zby1zaGlmdHktMS1tcDM%253D" target="_blank">drop.io</a>)</div>

Beach House March 28 @ The Paradise Boston

Last week Claire and I, along with a mob of other enthusiastic fans, had the pleasure of spending the evening with Beach House. Just as a preface, sometimes the crowds in Boston are not that great, but Sunday night the ambiance was perfect. True to form, Victoria Legrand and Alex Scally spent over an hour crafting a swirling, engrossing, and melodic experience. While only occasionally allowing their wave of sound to actually crest and crash, Beach House constructed a groove that never let up. I barely felt the time go by. Standing amongst dreamy tinsley props, Legrand shredded on her keyboard throughout and when the crests came, impressed me with her chesty voice and ability to rock out. I was particularly struck by Scally's live, intricate guitar work that really is so essential to Beach House's sound. Friendly, talented, and fun - the show reinforced my growing obsession with Beach House.

Beach House - Norway (YSI) (zshare)

Beach House - Take Care (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdUrveUIZ8VxllzyJqd5itVy0ZPZWpksr3q36ag0t2tvyydAeeLaLeNnOr0xevNkkspOfvDtlwzgNSTHAvjodgzl9ML2hHGnvZdRPKuo9Odjt2s48VZVYxmQLzoB2hDkY5u9BrNFYBg0fW/s1600/TSRE+Beach+House.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5456457082291795442" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdUrveUIZ8VxllzyJqd5itVy0ZPZWpksr3q36ag0t2tvyydAeeLaLeNnOr0xevNkkspOfvDtlwzgNSTHAvjodgzl9ML2hHGnvZdRPKuo9Odjt2s48VZVYxmQLzoB2hDkY5u9BrNFYBg0fW/s320/TSRE+Beach+House.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 240px;" /></a>Last week Claire and I, along with a mob of other enthusiastic fans, had the pleasure of spending the evening with Beach House. Just as a preface, sometimes the crowds in Boston are not that great, but Sunday night the ambiance was perfect. True to form, Victoria Legrand and Alex Scally spent over an hour crafting a swirling, engrossing, and melodic experience. While only occasionally allowing their wave of sound to actually crest and crash, Beach House constructed a groove that never let up. I barely felt the time go by. Standing amongst dreamy tinsley props, Legrand shredded on her keyboard throughout and when the crests came, impressed me with her chesty voice and ability to rock out. I was particularly struck by Scally's live, intricate guitar work that really is so essential to Beach House's sound. Friendly, talented, and fun - the show reinforced my growing obsession with Beach House.<br /><br /><span style="font-weight: bold;">Beach House - Norway</span> (<a href="http://www.yousendit.com/download/bFFOeFVkQ1JEa1ZjR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/746123879abbb7dd/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Beach House - Take Care</span> (<a href="http://www.yousendit.com/download/bFFOeFVUaytFc0x2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74612423027bd434/" target="_blank">zshare</a>)

More Lists!

Recently Cokemachineglow released their list of the top 100 albums of the 00's (HERE). Usually I'm not a huge fan of reading large lists, but because of CMG's slightly off-kilter music tastes and writing style, I dove right into it. There is some great stuff to be discovered on the list and I leave it up to you to peruse at your leisure, but I will share a few nuggets.

New Buffalo - The Last Beautiful Day - delicate and sunny girl pop, good for reading on a porch.

New Buffalo - While You're Away (YSI) (zshare)

The Avalanches - Since I Left You - seemless and diverse sampling masterwork from a while ago, a hidden progenitor?

The Avalanches - Electricity (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgERjXv-z_yYBLipYuOqllhzdg7TK9t34-gQa0Jx4YJn5q5-5s7rpnoBdIrEVww49hwgmKyCDD_3__3i1ZB2XoC-a82HB8m1M_60TKASMWGiRFuXMs3QuPKdLn3q4vDnG3xicA8CgXBEXK2/s1600/TSRE+Cokemachine.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5455730099481641170" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgERjXv-z_yYBLipYuOqllhzdg7TK9t34-gQa0Jx4YJn5q5-5s7rpnoBdIrEVww49hwgmKyCDD_3__3i1ZB2XoC-a82HB8m1M_60TKASMWGiRFuXMs3QuPKdLn3q4vDnG3xicA8CgXBEXK2/s320/TSRE+Cokemachine.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 240px; height: 320px;" /></a>Recently Cokemachineglow released their list of the top 100 albums of the 00's (<a href="http://www.cokemachineglow.com/feature/5204/top100albums-2000s" target="_blank">HERE</a>). Usually I'm not a huge fan of reading large lists, but because of CMG's slightly off-kilter music tastes and writing style, I dove right into it. There is some great stuff to be discovered on the list and I leave it up to you to peruse at your leisure, but I will share a few nuggets.<br /><br />New Buffalo - <span style="font-style: italic;">The Last Beautiful Day</span> - delicate and sunny girl pop, good for reading on a porch.<br /><br /><span style="font-weight: bold;">New Buffalo - While You're Away</span> (<a href="http://www.yousendit.com/download/bFFPb3BOQ1I5NVZjR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/745367970aba1e76/" target="_blank">zshare</a>)<br /><br />The Avalanches - <span style="font-style: italic;">Since I Left You</span> - seemless and diverse sampling masterwork from a while ago, a hidden progenitor?<br /><br /><span style="font-weight: bold;">The Avalanches - Electricity</span> (<a href="http://www.yousendit.com/download/bFFPb3BOQ1IwVW52Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/7453683625ae7a40/" target="_blank">zshare</a>)

Laura Marling Comes Alive

We've gushed about Laura Marling here at TSRE before and I am about to do it again. In addition to being super cute and super British, Laura Marling also happens to be super talented. Her sophomore album I Speak Because I Can takes all the heart and power of her debut Alas I Cannot Swim and just cranks everything up. Some tracks feel folkier, some tracks feel more heartfelt, the highs higher, and the lows lower. No longer are we simply listening to personal ruminations, but now Laura Marling is able to use her arresting voice to teach and instruct. We are witnessing the ascent of a great young talent.

PS. Claire loves her too.

Laura Marling - Devil's Spoke (YSI) (zshare)

Laura Marling - Alpha Shallows (YSI) (zshare)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh19AkXdWjtUxDc4-gfX-W02VuDCNiRr13VqalNi5M0NhS_iT_rolR_nN8M3qhcrBM_tTwV0G0Nnc3Wsd-Coz-GSHUqwDTqO-PfhqCSEvGKsk3m7m-BOduYFU01XSGaH9la0f9RZ-fCfcYj/s1600/TSRE+Marling.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5455726592945638322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh19AkXdWjtUxDc4-gfX-W02VuDCNiRr13VqalNi5M0NhS_iT_rolR_nN8M3qhcrBM_tTwV0G0Nnc3Wsd-Coz-GSHUqwDTqO-PfhqCSEvGKsk3m7m-BOduYFU01XSGaH9la0f9RZ-fCfcYj/s320/TSRE+Marling.jpg" style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 320px; height: 229px;" /></a>We've gushed about Laura Marling here at TSRE before and I am about to do it again. In addition to being super cute and super British, Laura Marling also happens to be super talented. Her sophomore album <span style="font-style: italic;">I Speak Because I Can</span> takes all the heart and power of her debut <span style="font-style: italic;">Alas I Cannot Swim</span> and just cranks everything up. Some tracks feel folkier, some tracks feel more heartfelt, the highs higher, and the lows lower. No longer are we simply listening to personal ruminations, but now Laura Marling is able to use her arresting voice to teach and instruct. We are witnessing the ascent of a great young talent.<br /><br />PS. Claire loves her too.<br /><br /><span style="font-weight: bold;">Laura Marling - Devil's Spoke</span> (<a href="http://www.yousendit.com/download/bFFPb3BBYTJBNkUwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/745363196aae9d02/" target="_blank">zshare</a>)<br /><br /><span style="font-weight: bold;">Laura Marling - Alpha Shallows</span> (<a href="http://www.yousendit.com/download/bFFPb3BBYTJtMEpjR0E9PQ" target="_blank">YSI</a>) (<a href="http://www.zshare.net/audio/74536355b771af6c/" target="_blank">zshare</a>)

Old Friends

This week, I’d like to give Simon & Garfunkel a little love. You can find more groundbreaking music from the 60s, and you can certainly find edgier music from the 60s. But it’s hard to find more consistently beautiful music.

Paul Simon is a great songwriter, which shouldn’t be news to anyone. This blog has lauded Graceland in the past. But his earlier work with partner-in-crime Art deserves some praise as well. His lyrics can be a little too poetic, but he conjures up some powerful imagery, whether it be the “cars on the New Jersey turnpike” in “America” or the old friends who “sat on their park bench like bookends” in “Old Friends.”

But just as crucial to the music’s beauty is Art Garfunkel’s distinctive, airy voice, which floats softly above Simon’s, hopping from harmony to harmony with impeccable tone and tuning (and remember, this was before auto-tune rendered perfect tuning unimportant). I’m not sure how he does it—maybe it’s all the pot he smokes, but probably not.

A few tracks below for your enjoyment: “Flowers Never Bend with the Rainfall” might be my favorite, as the vocal blend between the two singers is about as good as it ever gets. “April Come She Will” was actually written by Garfunkel, and an appropriate song given the month. And finally, “Kodachrome / Maybellene,” which is my favorite track off of the Concert in the Park album. Its got great energy that builds and builds and finally explodes when they break into the Chuck Berry song. Enjoy.

Simon & Garfunkel – Flowers Never Bend with the Rainfall (YSI) (dropbox)
Simon & Garfunkel – April Come She Will (live) (YSI) (dropbox)
Simon & Garfunkel – Kodachrome / Maybellene (live) (YSI) (dropbox)

<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0DmHkgWkm5Z4tmAc65zOwEbjaFbZOgEgj3OkawtwHtD4tm_KnTaBSL5OWZVe3F_K97VkrzEV7ItFLGpbb5fgzVX6vvuKXUtOKKPO8iIHZHGea0JjJPpb1_EQAbnXSt8zk2phtBOvyPb8/s1600/simon_garfunkel.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5455545459684141282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0DmHkgWkm5Z4tmAc65zOwEbjaFbZOgEgj3OkawtwHtD4tm_KnTaBSL5OWZVe3F_K97VkrzEV7ItFLGpbb5fgzVX6vvuKXUtOKKPO8iIHZHGea0JjJPpb1_EQAbnXSt8zk2phtBOvyPb8/s320/simon_garfunkel.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 270px; height: 270px;" /></a><span style="font-size:85%;">This week, I’d like to give Simon & Garfunkel a little love. You can find more groundbreaking music from the 60s, and you can certainly find edgier music from the 60s. But it’s hard to find more consistently beautiful music.<br /><br />Paul Simon is a great songwriter, which shouldn’t be news to anyone. This blog has lauded Graceland in the past. But his earlier work with partner-in-crime Art deserves some praise as well. His lyrics can be a little too poetic, but he conjures up some powerful imagery, whether it be the “cars on the New Jersey turnpike” in “America” or the old friends who “sat on their park bench like bookends” in “Old Friends.”<br /><br />But just as crucial to the music’s beauty is Art Garfunkel’s distinctive, airy voice, which floats softly above Simon’s, hopping from harmony to harmony with impeccable tone and tuning (and remember, this was before auto-tune rendered perfect tuning unimportant). I’m not sure how he does it—maybe it’s <a href="http://www.ew.com/ew/article/0,,580550,00.html" target="_blank">all the pot he smokes</a>, but probably not.<br /><br />A few tracks below for your enjoyment: “Flowers Never Bend with the Rainfall” might be my favorite, as the vocal blend between the two singers is about as good as it ever gets. “April Come She Will” was actually written by Garfunkel, and an appropriate song given the month. And finally, “Kodachrome / Maybellene,” which is my favorite track off of the <span style="font-style: italic;">Concert in the Park</span> album. Its got great energy that builds and builds and finally explodes when they break into the Chuck Berry song. Enjoy.<br /><br /><span style="font-weight: bold;">Simon & Garfunkel – Flowers Never Bend with the Rainfall</span> (<a href="https://www.yousendit.com/download/bFFPNU1DeFV3NUpjR0E9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/3-08%20Flowers%20Never%20Bend%20With%20The%20Rainfall.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Simon & Garfunkel – April Come She Will</span> <span style="font-weight: bold;">(live)</span> (<a href="http://www.yousendit.com/download/bFFPNU1DeFUyWGRFQlE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/06%20April%20Come%20She%20Will.mp3" target="_blank">dropbox</a>)<br /><span style="font-weight: bold;">Simon & Garfunkel – Kodachrome / Maybellene</span> <span style="font-weight: bold;">(live) </span>(<a href="http://www.yousendit.com/download/bFFPNU1DeFU5RlkwTVE9PQ" target="_blank">YSI</a>) (<a href="http://dl.dropbox.com/u/3915396/13%20Kodachrome_Maybellene.mp3" target="_blank">dropbox</a>)</span>

SXSW Ridiculousness, Part 5: Surfer Blood

Another band that I had heard a ton about prior to SXSW was Surfer Blood. I've been listening to their debut LP, Astro Coast for a month or two now, and I've been really enjoying it. I had heard mixed reviews of their live show, though - a few complaints about lackluster stage presence mixed in with raves about their playing.

After checking the band out a couple times in Austin, I can see where both sides of the discussion are coming from. Surfer Blood is not an experienced band - they look like kids on stage, and I would be surprised if all of the members of the band could legally buy themselves a drink after the show. They lack a little bit of the showmanship that comes along with age and tour-maturity. They don't necessarily grab your attention when they take the floor.

Luckily, their songs are good enough to command some of that attention once they start playing. The tunes from Astro Coast are catchy and bright, and the perfect sort of music to rock out to on a sunny afternoon in the middle of Texas. Seeing these guys play made me really excited for summer - this disc is going to be in high rotation on hot days, I think. There's a reason they're called Surfer Blood - this band was built for the beach.

Surfer Blood - Swim (YSI) (filesavr)

Surfer Blood - Take It Easy (YSI) (filesavr)

<a href="http://www.blogger.com/"></a><span id="goog_2111337884"></span><span id="goog_2111337885"></span>Another band that I had heard a ton about prior to SXSW was Surfer Blood. I've been listening to their debut LP, <i>Astro Coast</i> for a month or two now, and I've been really enjoying it. I had heard mixed reviews of their live show, though - a few complaints about lackluster stage presence mixed in with raves about their playing.<br /> <br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIU8gr1JT_5mJoZrMXCLWwYMzqe2dFpuiG5kULPyhyphenhyphenDw_YZKTHzeN3CO1QV5yxaWlxjQw13zxjrF7ZmTNBrMTb3NiIUDzTqRuzbsdvX1u66840MFwUeOJkTVyzWn0x5PGxsQnlmEFD6O4/s1600/surfer_bloodTSRE.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIU8gr1JT_5mJoZrMXCLWwYMzqe2dFpuiG5kULPyhyphenhyphenDw_YZKTHzeN3CO1QV5yxaWlxjQw13zxjrF7ZmTNBrMTb3NiIUDzTqRuzbsdvX1u66840MFwUeOJkTVyzWn0x5PGxsQnlmEFD6O4/s320/surfer_bloodTSRE.JPG" /></a></div>After checking the band out a couple times in Austin, I can see where both sides of the discussion are coming from. Surfer Blood is not an experienced band - they look like kids on stage, and I would be surprised if all of the members of the band could legally buy themselves a drink after the show. They lack a little bit of the showmanship that comes along with age and tour-maturity. They don't necessarily grab your attention when they take the floor.<br /> <br /> Luckily, their songs are good enough to command some of that attention once they start playing. The tunes from <i>Astro Coast</i> are catchy and bright, and the perfect sort of music to rock out to on a sunny afternoon in the middle of Texas. Seeing these guys play made me really excited for summer - this disc is going to be in high rotation on hot days, I think. There's a reason they're called Surfer Blood - this band was built for the beach.<br /> <br /> <b>Surfer Blood - Swim</b> (<a href="http://www.yousendit.com/download/bFFNclVKYUllcEx2Wmc9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/02swim" target="_blank">filesavr</a>)<br /> <br /> <b>Surfer Blood - Take It Easy </b>(<a href="http://www.yousendit.com/download/bFFNclVKYUlvQUkwTVE9PQ" target="_blank">YSI</a>) (<a href="http://www.filesavr.com/03takeiteasy" target="_blank">filesavr</a>)