February 28, 2010

Massive Mash-Up: Drizzy Drake Draws Tears

There might be a day when I don’t want to listen to this mash-up of Drake and Massive Attack on repeat over and over and over. That day is not today.

I have become obsessed with this song in the past 24 hours, spinning it constantly. I can’t stop. There’s something magic about the way the verse modulations match up perfectly with the shifts in Massive Attack’s “Teardrop” that just make it unstoppable. Much like the Mobb Deep/Sigur Ros combination in Emancipator’s “Shook One,” this track has an awesome and unpredictable synergy.

Docta Dawe also wisely only uses the best two verses, in my opinion, from Drake’s star-studded “Forever” – Drizzy’s and Eminem’s. He could have easily looped the “Teardrop” background and had the song sprawl for six minutes like the original. Instead, it’s a more condensed punch.

I’m tired of talking about this song because I’m wasting precious time that I could be listening to it. Enjoy.

Extra tidbits: The aforementioned “Shook One” remix, in case you’ve been living in a cave and haven’t heard it yet. And “Little Bit,” the Lykke Li/Drake collaboration from Drake’s So Far Gone mixtape. Sweet.

Doctor Dawe – House Forever (Drake vs. Massive Attack) (YSI)

Emancipator – Shook One (Mobb Deep vs. Sigur Ros) (YSI) (filesavr)

Drake f. Lykke Li – Little Bit (YSI)

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February 27, 2010

New Symphony of Science!

While I might be stressing over history PhD programs right now, I started my education loving science. I still do and thus get excited every time new Symphony of Science songs get released. While I doubt nothing will ever capture the novelty and sheer epic-ness of Glorious Dawn there two new tracks deserve a listen and feature for the first time some female scientist vocals.

Symphony of Science - The Poetry of Reality (YSI) (zshare)

Symphony of Science - The Unbroken Thread (YSI) (zshare)

Symphony of Science - Glorious Dawn (YSI) (zshare)

Have a great weekend!

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February 26, 2010

Ski Weekend

It's been a grim couple of rainy days in Boston this week, with gale-force winds that have made umbrellas useless. It's been tough to get to work, to get home, to get anywhere, really. This could potentially make for a rather depressing week, however there is occasionally a silver lining to such stormy clouds, and this week is certainly one of those occasions. For this miserable rain is not rain at all a few hours north of here but 20-40" of that fluffy white stuff. And that should make for some killer skiing this weekend.

Sometimes, to get amped for a weekend of skiing, I'll watch a ski movie (or, this week, the Olympics). Whenever I do, I'm invariably struck by the melange of music that is featured. Not all of it's great, but you're usually able to discover at least one or two new bands that you've never heard before and want to hear more of. Take, for example, the hip-hop duo One Self, whose "Be Your Own" is featured as the opening track of Warren Miller's Higher Ground. With interesting beats and one of the smoothest female rhyme-spitters I've ever heard (Yarah Bravo), these guys are worth some further delving. Check out "Be Your Own" and "Bluebird", two tracks from One Self's 2005 debut Children of Possibility, and keep your fingers crossed that this snow doesn't turn to rain up north where it counts. Enjoy the weekend.

One Self - Be Your Own (YSI) (dropbox)
One Self - Bluebird (YSI) (dropbox)

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February 25, 2010

Dan Black Will Have Another Hit

I first heard about Dan Black a while back, I think because of a remix Passion Pit did of his omnipresent song "Symphonies". Since then, he's re-made that song with Kid Cudi, and it has dominated the interwebs. Outside of that track, though, I hadn't heard much.

That changed last week, when I caught Black's show at the Mercury Lounge in NYC. DAMN. I had no idea what to expect, but it was probably along the lines of a one-hit wonder, missing half of his hit (either Kid Cudi or Passion Pit, take your pick). That is, to say the least, not what I got.



The show was a banger, completely baller from start to finish. Black played with a ton of energy, and his songs popped. The crowd was a sweaty, dancey mess. I was sold.

Since then I've been bumping Black's debut album ((UN)) and really digging everything I hear from Dan Black. The old stuff is still sick, including his first big track - the backing that would become "Symphonies" behind the lyrics from Notorious B.I.G.'s "Hypnotize" - but the new stuff is even more exciting. It shows Black becoming his own artist and makes me psyched to hear what comes next. I will definitely be seeing him again.

Dan Black - HYPNTZ (YSI)

Dan Black - Pump My Pumps (YSI)

Dan Black - Symphonies (Passion Pit Remix) (YSI)

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February 24, 2010

Four Tet 2/18/10 @ The Middle East

Like many concerts at the Middle East, this one started pretty late into the evening, with Four Tet only scheduled to take the stage at 11:30 PM. This is pretty much my bedtime these days, but for Four Tet, I'll stay up late. We arrived to watch the end of Nathan Fake's opening set, which was thumping and layered, but a tad juvenile compared to what was to come. Four Tet took the stage around 11:40 and jumped right into constructing a winding version of Angel Echoes, the first track from his sublime There is Love In You. Next, he jumped into She Moves She which before you knew it had everyone in any inescapable groove. Unfortunately, I was only able to hear one more song before having to skedaddle to catch the last subway home. Four Tet's performance was entrancing, but the delicacy and layered nature of his songs make them slow to develop live. There was constant sound, but distinct hills and valleys of energy that made it a little difficult for me to fully get into the music. When the waves came though, they were epic. Now I wish I could see his classmate Burial...

Four Tet - She Moves She (YSI) (filesavr)

Four Tet - Angel Echoes (YSI) (zshare)

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February 23, 2010

Someone Please Fix My Face, Japandroids Have Melted It

Man, have I been obsessed with Japandroids lately. For many months (a half year, even?) I delayed on listening to Japandroids. The whole fuzz rock thing hasn't always been up my alley, and I hadn't ever been convinced to listen to them by anyone.


Wow.

On the one hand, I am seriously disappointed that I haven't been listening to Japandroids for that long. On the other hand, I don't think I would have appreciated them a year ago the way I do now. I can't get enough of their debut LP Post Nothing. I would retroactively place it in my top 10 albums of 2009, an especially large statement given my usual distaste for noise like this. I don't know if it's something in the water, but this album hit me in the right spot at the right time.

Without a doubt, my favorite song off of Post Nothing is "Wet Hair," a song with the killer lyric of "We run the gauntlet/let's get to France/so we can French kiss some French girls." Love it.

Japandroids have also released a new track, called "Art Czars". Amazing that they've managed to record anything new, given that they're on a pretty much never-ending tour. "Art Czars" doesn't have quite the punch of the high points of Post Nothing, but it's still money in the bank. Can't wait to catch these guys live sometime, I bet it's bonkers.

Japandroids - Wet Hair (YSI)

Japandroids - Art Czars (YSI)

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February 22, 2010

Where Have You Guys Been?

Sometimes you just need some happy music to pick you up and the Ruby Suns provide just that. Take some New Zealand and sprinkle in some California and you get the carefree sunny style of the Ruby Suns. Their new album Fight Softly drops in early March and count me excited. Both Dusty Fruit and Cranberry are jaunty tropical jams that are not only upbeat, but most importantly interesting. Diverse percussion, some accordion, and Animal Collective-esque swirl have launched the Ruby Suns into my heavy rotation. Not to mention that these songs will just make you happy (or happier).

The Ruby Suns - Dusty Fruit (YSI) (zshare)

The Ruby Suns - Cranberry (YSI) (zshare)

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February 21, 2010

B.o.B. and Fellow Young Guns Asher Roth, J.Cole, and Charles Hamilton

I recently got my hands on the new B.o.B. mixtape, with DJ Drama – part of the Gangsta Grillz series, if that still means anything. The lead track of the tape makes fun of the concept in traditional Bobby Ray self-effacing style. “You had to go get Drama and DJ Sense? Whaddya want DJs screaming all over your mixtape again?” he says.

In fairness, the DJ Green Lantern tags on B.o.B.’s last mixtape were kind of a drag. But here they’re not too intrusive, which allows B.o.B. to roam a little freer, letting his laid back, humorous style shine. It’s not his best mixtape, but it’s still pretty fly.

Some of the highlight tracks on the tape feature some of the other up-and-comers in the game. In particular, the track with Asher Roth – love him or hate him – is awesome. It’s produced by Kanye and has that old school College Dropout style to it. Asher even adopts a Kanye-ish flow on the track, sounding the Eminem with Ye’s cadence. It’s sweet, even though the track is like 6 minutes long.

“Gladiators,” features J.Cole, and is a bit more of a banger. The beat and tags are a bit confused, not sure whether they’re coming or going. But B.o.B.’s flow is nice and J.Cole (one of the most promising young guns) shows his stuff off nicely.

Charles Hamilton also makes his return, with “Fool For Love.”Bobby Ray shows his singer side and lets Hamilton do most of the rapping – his verse is fast and fun. All in all, the mixtape isn’t something that’s going to play on repeat any time soon, but it’s a nice little taster pack for B.o.B. and makes me look forward to see what he’s going to do on his first real release.

B.o.B. f. Asher Roth – Fuck The Money (YSI)

B.o.B. f. J.Cole – Gladiators (YSI)

B.o.B. f. Charles Hamilton – Fool For Love (YSI)

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February 20, 2010

Apolo Anton Ohno has Adept Sponsors

Despite some difficulties in watching live in the USA (but doable if you know where to look online), the Olympics have been fantastic this year. So many storyline and great personal performances. Especially as a skier, I'm addicted. On a musical note, Apolo Anton Ohno - medalist and Dancing with the Stars contestant - is featured in a pretty sweet Sprint ATT commercial featuring the track Intro by Xx. I think its a great ad visually and Intro just adds the perfect groove. I would not have expected Xx to create a slow-burning pump up song, but they've done it.

Xx - Intro (YSI) (zshare)

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February 19, 2010

Running Back to You

I haven’t been listening to Sam Cooke a whole lot recently, but a few of his songs insist on remaining in my head; one of which is “I’ll Come Running Back to You.” This song features some of Sam Cooke's most poetic (some might say cheesy) lyrics, and is certainly among my favorite Cooke tracks. It's not a happy song, nor is it purely a sad song, but mostly it's a song of resignation. It is not unlike the Dylan/Jeff Buckley song “Mama You Been on my Mind,” in sentiment. In this song, Cooke throw himself out there as "yours, and yours alone," and is thus powerless to affect the outcome of his situation. His lover will either return someday or never return—the story will either be one of persistence rewarded or persistent misery.

The song sticks out to me among Sam's catalog for the style of Sam's singing. It doesn’t feature the excited, brassy enthusiasm of his more upbeat songs ("Twisting the Night Away", for example), nor does it showcase the soft, romantic cooings of his slower ballads ("You Send Me," and "(I Love You) For Sentimental Reasons"). Sure, there are a few of his trademark falsetto flips, but really this song seems to walk a more subtly expressive middle ground. Perhaps it is this subtlety that allows me to listen to it over and over again without getting tired of it. I hope that you can enjoy it similarly:

Sam Cooke – I’ll Come Running Back to You (YSI) (dropbox)
Bob Dylan – Mama, You Been on my Mind (YSI) (dropbox)
Jeff Buckley – Mama, You Been on my Mind (YSI) (dropbox)

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February 18, 2010

Taken With Taken By Trees

I have heard a lot about Taken By Trees in the past 6 months or so, most of it stemming from the cover she did of Animal Collective's "My Girls." While it's great that this Swedish lady got exposure through that, I hope that people realize that she's more than a one trick pony - I dismissed her as another one-and-done cover artist and didn't take the time to check out her other stuff.

My loss.

I finally got around to checking out more from her prior to seeing her perform along with El Perro Del Mar on Tuesday night. Wow. Some of the songs are pretty mediocre, but some of them are straight money. Noah Lennox (of Animal Collective) sings backup on "Anna," a really beautiful tune, and "Greyest Love Of All" has been my jam for like two days straight. I really dig 'em, hope you do too.

Taken By Trees - Anna (f. Noah Lennox of Animal Collective) (YSI) (filesavr)

Taken By Trees - Greyest Love Of All (YSI) (filesavr)

Taken By Trees - My Boys (Animal Collective Cover) (YSI) (filesavr)

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February 17, 2010

Happy Birthday to Our Resident Music Aficionado

What to get the man who already has the best musical taste in the world? A difficult task indeed. Well, a few sentences, some tunes, and a silly picture should be sufficient. Happy Birthday Ben and thanks for being such a great addition to the blog.

Madonna - Hung Up (YSI) (zshare)

Sam Cooke - You Send Me (YSI) (zshare)

The Rolling Stones - Paint it Black (YSI) (zshare)

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February 16, 2010

Daft Punk, 50 Cent, and Marina and the Diamonds Meet Classical Piano

Chilly Gonzales, in addition to having one of the better names I've heard in a while, is a fantastic pianist. He's technically proficient and musically savvy, and he has a pretty impressive track record on the producer side of things (he's worked with Fiest, Peaches, and Jamie Lidell, to name a few).

I caught him last week at Joe's Pub in NYC and was really impressed. Chased down a few cool songs that he's done recently, and I wanted to share them - some awesome piano-based takes on distinctly non-piano tunes like Daft Punk's "Too Long" and 50 Cent's "Many Men." Pretty sick.

Additionally, here's a song he by Marina and the Diamonds that he took a crack at remixing. Gonzales' rework adds in some strings, and let's Marina's incredible and distinctive voice to the heavy lifting. Pretty sweet - I could jam out to this for quite some time. Check out the tongue-in-cheek and pretty awesome video below:



Daft Punk - Too Long (Chilly Gonzales Piano Version) (YSI)

50 Cent - Many Men (Chilly Gonzales Piano Remix) (YSI) (filesavr)

Marina and the Diamonds - Hollywood (Chilly Gonzales Orchestral Version) (YSI)

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February 15, 2010

Is the Past a Grotesque Animal?

So, yesterday was Valentines Day. Hope it went well for everyone and that you didn't end up looking like these guys, or maybe you did and it was awesome. For some reason yesterday made me want to listen to Of Montreal and damn did I forget the awesomeness that is Hissing Fauna are you the Destroyer?. Melodic, arty kraut-rock with Georges Bataille references? count me in sir. And they talk about heartbreak and personal meltdowns, even better for Valentines Day. I wonder what Of Montreal is up to these days.

Of Montreal - The Past is a Grotesque Animal (zshare)

Of Montreal - Heimsdalegate Like a Proethean Curse (YSI) (zshare)

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February 14, 2010

Yeasayer will you be my Valentine?

Yeasayer will you be my valentine? Seriously, I love your new album. Odd Blood is simply awesome. Reigning in some of the languid weirdness (which was great in its own right), Odd Blood is a great listen beginning to end that packs more energy and just as much depth as All Hour Cymbals. The synths, horns, organs are unleashed on my favorite tracks O.N.E., Mondegreen, and Rome that are jaunty as hell. Their pace is unstoppable, along with that of the flawless Ambling Alp. On Rome especially, with those Vaudeville organs, I just imagine a room full of those little organ grinder monkeys jumping around going crazy. Its awesome. The world music influences are still there on tracks like Strange Reunions and Yeasayer even find the time to work in animal sounds to perfect effect. Can they do no wrong? I mean probably, but they manage to be both pop and experimental at the same time. Yeasayer, even if you can't be my valentine this year, its ok, I will be there when you come to the Paradise in Boston in May. I already have tickets.

Yeasayer - Rome (YSI) (zshare)

Yeasayer - Mondegreen (YSI) (zshare)

The Very Best X Yeasayer - Mulomo (YSI) (zshare)

PS. Claire will you actually be my valentine? I hope so.

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February 13, 2010

Classical Kick - Bach's Six Suites for Solo Cello

I recently finished reading a book called The Cello Suites by Eric Siblin, a fascinating mixture of biography of Johann Sebastian Bach, life story of cellist Pablo Casals, and history of the Bach's Six Suites for Solo Cello. I don't generally delve into classical music on this blog (that's more Ben's space once in a while) but I was inspired by the book to revisit my cello playing past.


I grew up playing cello classically, studying under a teacher who (rightfully so) felt that Bach's 6 Cello Suites were the best pieces to play on the instrument. Although I worked on other pieces by other composers, hardly a lesson went by when we didn't play at least a couple movements of one of the suites. They have an interesting story - for over a century they were seen as merely technical exercises rather than standalone pieces. When Pablo Casals found them in a second hand sheet music shop, he saw something in them that others didn't. After over a decade of playing them privately, he started playing them publicly. It was a revelation - he brought an emotion to the six suites that vaulted them from obscurity to stardom. Casals, toward the end of his life, was called a "geriatric superstar."

It's tough for me to listen to the suites and understand how you could miss the emotion of them. They are technically difficult, sure, but they are also imbued with a raw emotion and passion that is hard to escape. Maybe it's a statement that much more depends on the performer than we have traditionally given credit for - even a great score can be overlooked if the subtext isn't brought out in performance.

Here are two of my favorite movements from the Suites played by the two best cellists in history (opinion, bordering on fact), Yo Yo Ma's explosive version of the Prelude to the 6th Suite in D Major and Pablo Casals playing the beautiful Sarabande from the 5th Suite in C Minor. Also, for your perusal, a thoroughly impressive version of the Courante from the 1st Suite in G Major played by Edgar Meyer on the Double Bass. Well played indeed.

Yo Yo Ma - Suite No. 6 in D Major: Prelude (YSI) (filesavr)

Pablo Casals - Suite No. 5 in C minor: Sarabande (YSI) (filesavr)

Edgar Meyer - Suite No. 1 in G Major: Courante (YSI) (filesavr)

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February 12, 2010

Throwback Friday

Not a lot to write about this week. I did enjoy some Strauss at the symphony tonight, but I already wrote about Strauss three weeks ago. Plus, I’m pretty sure Chris is going to hit you up with some classical tomorrow. So this week, instead of Strauss, I turn to the next best thing.

How about some 90s throwbacks up in this heezy?

I did some digging through my iTunes, and came up with a couple of tracks that were bumpin’ on the radio back in the mid 90s. Maybe you enjoyed them at a middle school dance; or maybe you were six and had no idea that these songs even existed because you were still listening to Raffi. Either way, you should given them a listen now, whether for nostalgia’s sake, or because you’ve never heard them before (unlikely).

Enjoy.

Blackstreet – No Diggity (YSI) (dropbox)
Ini Kamoze – Here Comes the Hotstepper (YSI) (dropbox)
DJ Kool – Let Me Clear My Throat (YSI) (dropbox)

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February 11, 2010

Stop What You're Doing and Check Out The New Band: Magic Man


I first heard this album, Real Life Color, a week or two ago when it dropped into my inbox. We get a lot of music sent to us, and I must admit that I don't always get to it. For whatever reason, sometimes songs, videos, and albums slip past me without ever getting a fair chance. I don't love that it happens, but it's the reality of the situation.

Magic Man's debut could have met the same fate, had I not forgotten to bring my iPod to work. Desperate for something to listen to, I turned to the inbox, where I uncovered this gem. Thank God.

This album is fantastic. It's the real deal. You can find a little bit of early Modest Mouse in the vocals, some toned down Postal Service (in a distinctly not Owl City sort of way) in the instrumentation, some hints of Freelance Whales' optimism in the songwriting. It's catchy without being too immediate. It's just a damn enjoyable album. The band is giving it away for free at magicman.bandcamp.com, so you can go get your hands on the album as soon as you finish reading. Do it.

I hope Magic Man catches on - they deserve to reach some more ears. If they don't, though, at least I'll have Real Life Color to hang out with.

Magic Man - South Dakota (YSI) (filesavr)

Magic Man - Polygons (YSI) (filesavr)

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February 10, 2010

Atlas Sound Comes Alive

I got a chance to check out Atlas Sound and Neon Indian last week at NYU's E&L auditorium, which was quite the treat. Neon Indian was fun and dancey, Atlas Sound was a little more transcendent and impressive. You can check out my full review of the show here if you're interested (the pictures below are from that site as well).


I gotta admit, I slept a bit on Atlas Sound last year - I loved "Walkabout," but never really got around to listening to the full album more than a couple times. Since the show, though, Logos has been in heavy rotation around these parts. It's an understated album - not really what you'd expect from the frontman of Deerhunter - but it's really quite beautiful. "Walkabout" still is a standout track, but the rest of the album is pretty damn solid.

It's always cool to go to a show and have an album take on a new place in your ears post-concert. That's exactly what happened with this disc, and I'm psyched about it. Long story short, go see live music.

Atlas Sound - Walkabout (f. Noah Lennox) (YSI) (filesavr)

Atlas Sound - Logos (YSI) (filesavr)

Neon Indian - Terminally Chill (YSI) (filesavr)

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February 9, 2010

2009 Sleeper: The Rural Alberta Advantage

Even with hard edged indie guitars, there's something about Paul Banwatt's Nils Edenloff's voice that makes every track by the Rural Alberta Advantage instantly folksy. Evoking imagery of rural hamlets, plains and agricultural decline, the Rural Alberta Advantage sing about their homes and experiences growing up in Alberta. Songs range from frantic ballads to languid meanderings, but always with enough indie polish to make them evocatively folky, yet poppily enjoyable. Hometowns by RAA is a sleeper album not to be missed from 2009. As reinforced by the title, RAA sing personal songs - about nature, people, emotions and life - that deserve attention. I personally am in love with Hometowns right now.

The Rural Alberta Advantage - Drain the Blood (YSI) (zshare)

The Rural Alberta Advantage - The Deathbridge in Lethbridge (YSI) (zshare)

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February 8, 2010

TSRE Wonders: Exclusive Interview with The Loom

On the cusp of last winter, a song could be heard ringing on a nearly nightly basis at TSRE headquarters, a tune that seemed to capture the essence of bleak but hopeful woods rock. That song? “Song for the Winter Sun” from The Loom. It was an introduction to the six piece band that set us off in pursuit of their debut EP, and eventually led us to the opportunity to interview lead singer John Fanning. Last week I spoke with John about The Loom – how they got here and where they’re headed next. Keep your ears open and your eyes peeled for these guys, they know how to hold a good tune.

So give me an introduction to The Loom – how did you guys form, when did you form, how long have you been around?

Sure. The drummer and I went to college together and we both played in bands in college. But then we moved to New York in 2003 and he and I started playing together around then, and our bass player Dan got involved shortly after that. But we didn’t really become a real band that actually played out and had a full line-up, in this name anyway, until 2006. Since 2006 we’ve had a line-up of sometimes 5 but usually 6 people. It’s fluctuated a bit, but we’ve been playing out fairly regularly since then, and just developing our sound. So 2006 is a good start date, but some of us have been playing together for longer than that.

And one thing that’s unique about you guys is that you are a six piece (and occasionally a five piece) band. Do you feel that having that many people in the band changes your sound? Has that affected the way you write songs?

Yeah, it’s awesome. It’s so nice to have – well, it’s musically awesome and logistically horrible, especially because I’m the one who books all of the shows and does everything like that. So it’s definitely a little complicated, but over the years we’ve learned ways. We have the same practice schedule every week and we have a band Google calendar. We’ve learned ways to get around the logistical stuff for the most part.

Musically, it’s just so nice because we have a drummer, a bass player, and I’m kind of the rhythm guitarist and I play the piano and ukulele on one track. And then we have a female vocalist who also plays piano, and she plays a floor tom live so it’s almost like two percussionists. And we have a horn player, Lis, who plays French horn and trumpet, and Alex plays – he’s kind of like the lead guitar guy, so he plays lead guitar and banjo and that sort of stuff.

It just gives you so much to work with, especially because so many people in the band play more than one instrument. Instead of me always having to be the rhythm guitar guy playing the chords, I can sometimes be more of a lead guitarist than Alex. Because we have that many people, if I stop playing rhythm guitar that element doesn’t have to disappear. It just frees us up. So on some songs I play piano and Sydney (our female vocalist) plays guitar. It just gives you so many different sounds to work with.

And I think that shows through in your music, where you have this rich sonic canvas that you work with.

Thanks, yeah. It’s funny because we’ve been recording pretty much for the last three solid months – we actually just got sent the masters yesterday. We got the masters pretty much three months to the day from when we started recording. Well, we weren’t tracking for that long, but recording and then mixing and that stuff. But we have a lot of layers, and a big part of that process was figuring out which ones not to use, I guess. It’s really nice.

And everyone is super talented. Lis, our horn player, went to Oberlin. Sydney was at the New School for Jazz. So they have more of a classical, more of a trained background, so it’s really cool because we think about things differently.

So I’ll write the song and the lyrics and the basic structure, but then Lis’s super helpful when we’re structuring things.  She has an expertise that I just don’t have. There are a lot of different skills and influences that contribute, which is really nice.

So it’s collective songwriting? You start out with the basic backbone of the song and the rest of the group adds on to that?


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February 7, 2010

Checking In With Passion Pit

It’s been a little while since we’ve talked about Passion Pit, so it’s probably time to check in with those Boston boys. They’ve been busy little worker bees since their debut LP Manners dropped last summer, turning their attention toward some name-building remixes for the likes of Max Tundra, OK Go, and Phoenix. Most recently, they touched up Lady Gaga and Beyonce’s “Telephone” as an official remix. Wouldn’t have predicted that one a year ago! BUT, I don’t really like that remix, so I’m not going to post it here. We have standards, sometimes, sort of. Besides, Crookers already done been there and done done that.

I am, however, going to talk about two tracks that have slid my way from the boys recently. First up, as mentioned in the preceding paragraph, Michael Angelakos and co. put their touches on OK Go’s “This Too Shall Pass.” It’s a very Passion Pit-esque remix – which is a good thing. The remix drips with signature synths and swirls, and pops with handclaps (always a direct line to my heart). Being a longer song, it doesn’t quite pack the punch that some of Passion Pit’s originals cram in, but it’s pretty baller regardless. Would love to hear some real drums here instead of drum machines, but now we’re quibbling.

Even more baller is a live, acoustic version of “Sleepyhead” that the band (more specifically, Michael Angelakos) did for Minneapolis Public Radio. The song, which has been remixed and re-imagined thousands of times, is Passion Pit’s calling card, and it’s great to hear a different approach to a song they’ve probably played a thousand times. Angelakos slows down the melody, eliminates the sample, and strips the tune down to just piano. Remarkably (or perhaps predictably, since the song is so good) “Sleepyhead” stands up in its barest form yet. It’s a new trick for an old dog, and it’s worth a treat.

OK Go – This Too Shall Pass (Passion Pit Remix) (YSI) (filesavr)

Passion Pit – Sleepyhead (Piano Version) (YSI) (filesavr)

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February 6, 2010

Let it Loose Music

So I watched the movie Moon last night and wow is it atmospheric and engrossing. It captivated me for the duration and really got me thinking about isolation. Which then led me to think about how much I have been missing listening to whole albums recently. I have such a long list that I need to get into.

Every so often I just need to take some time alone, put the headphones on and listen to some music. I am beginning this resolution with Cave's Psychic Psummer. Kinda drone-y, kinda prog-y, Cave lets you zone out and just ride his guitar waves. Minimal, yet real deep, you can get lost in this album. Cave is on the local Important Records label, who also have a bunch of other great artists. Check them out here. Lets get into some music.

Cave - Gamm (YSI) (zshare)

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February 5, 2010

Learning to Love Lionel

Months back, I wrote about the resurgence of the LP and record player. This phenomenon seems to get documented once a month or so by reasonably reputable publications, including the likes the New York Times and the Wall Street Journal. I ended my post expressing my own desire to get a record player.

Well, folks, I did it. I received a turntable for Christmas, hooked it up to a cheap receiver and some used speakers, and voila—I can now play records.

And the verdict?

I only wish I had more time to listen to it. I find it liberating in the limitations it imposes. With the record player, I can’t just download a song or album whenever I want it (though obviously I can still do this on my computer). Nay, sir, my listening options are limited by my apartment’s record collection, which at this point stands at about 50 records (muchos gracias to my roommates for their help in quickly amassing this total).

Often you’ll find me listening to Sam Cooke, Otis Redding, the Beatles… my old standby favorites, of which we have a decent collection. But, when I’m not in the mood for these classics, that’s when it gets interesting. Where do I turn? How about that old Eddy Arnold record? Or maybe that Carole King record I haven’t listened to in awhile.

Tonight, the answer was Lionel Richie. I’d never really given Lionel much of a chance before. I remember that, when I was quite young, my babysitter was a big fan and would sing along to “Stuck On You” and “All Night Long,” much to my childish chagrin. But since then, there hasn’t been a ton Lionel in my life. Sure, I’ve jammed out to “All Night Long” a few times—who hasn’t?—but I’ve never given the rest of his catalog much of a chance.

Having listened through Can’t Slow Down (“All Night Long”, “Hello”), I’m happy to report that Lionel might just be worth another listen. Sure, it’s cheesy, but this is the early 80s we’re talking about. Fact is, this is some pretty high-quality cheese. “All Night Long” is a barrel of fun, “Hello” is deliciously over-the-top (just check out the music video), and “Running With the Night,” a song I’d never heard before, really popped out with its understated intensity (seriously, it’s a gem). Needless to say, Can't Slow Down is a record I'll be returning to.

In sum—yes, I am psyched to have a record player. And yes, coming to appreciate Lionel Richie might just be its biggest reward so far.

Lionel Richie – All Night Long (All Night) (YSI) (dropbox)
Lionel Richie – Hello (YSI) (dropbox)
Lionel Richie – Running With the Night (YSI) (dropbox)

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February 4, 2010

Pop Post

Despite the myriad awesome new albums hitting the information superhighway these days - Yeasayer, Beach House, Emancipator, Vampire Weekend - I find myself in a slight music rut. While Paul Simon has been helping, it has been saccharine pop getting me through the day recently. Ke$ha teamed up with white-boy faves 3OH!3 is an electro kick in the pants. Her voice is honestly pretty bad, but damn is Ke$ha catchy and thats always a good thing. Cobra Starship featuring Leighton Meester from Gossip Girl? Sign me up. Almost as good as Kobe Bryant rapping and Tyra Banks singing the chorus (this actually exists by the way). Take a quick break from being a hipster, turn on the radio, and listen to some straight pop. It will do you good.

Ke$ha - Tik Tok (YSI) (zshare)
Ke$ha - Blah Blah feat. 3OH!3 (YSI) (zshare)
Cobra Starship - Good Girls Go Bad feat. Leighton Meester (YSI) (zshare)

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February 3, 2010

Hip Hop Meet Reggae - We Need A Name For This Genre

A track from the Damian Marley and Nasir Jones collaboration has recently been absolutely dominating the internet, turning heads and ears in all sorts of nooks and crannies of the information super highway. The track, “As We Enter,” has an undeniable bump to it, a reggae vibe with a Oh No/Madlib-ish hip hop beat that dares you not to groove along.


The tune reminds me of Mos Def’s solid The Ecstatic from last year, a middle-eastern infused, Oh No aided album that had a great world rap feel to it. “As We Enter” is the continuation of those ideas (not sure who produced the track, but I would not be at all surprised to find out it’s Oh No), challenging hip hop listeners to expand their horizons and cross some borders. I’m absolutely on board. Word is out, in stereo, you heard about.

Also surfacing recently is a cut floor track from The Ecstatic sessions, called “The Tournament.” It’s cool little track, built on a familiar beat (It’s killing me that I can’t quite place where I’ve heard this beat before. Lyrics in the other: “We gonna get that money, no matter what you do, so play it cool,” or something like that. Anyone?) Mos Def’s lazy flow works well, and he adds some distantly crackling fireworks to give an otherwise overly smooth track some cool texture. Mos also plays with that off-chord singing that he experiments a little bit with on The Ecstatic, which gets a little old sometimes. If you’re looking for a cool “We just had a shootout in the dusty desert, let’s relax” sort of tune, this is the one.

Finally, another reggae-tinged hip hop track, from a dude by the name of Blockhead. It’s largely an instrumental track, with a couple vocal riffs thrown in, and it’s pretty damn dope. Like the Mos Def tune, it’s a slow burner – if you’re looking to bang heads, turn your attention elsewhere. For a hip hop nightcap, though, it’s a great smooth finisher.

Damian Marley and Nasir Jones – As We Enter (YSI)

Mos Def – The Tournament (YSI)

Blockhead – It’s Raining Clouds (YSI)

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February 2, 2010

The Beatles Clan

Man - I thought I was over mash-ups. I really did. I stopped grooving to GirlTalk on a regular basis (although I still love Night Ripper and will defend the importance of that album to anyone), I didn't feel any particular need to check out mashes that landed in my inbox, I started skipping mash-ups when browsing on Hype Machine. But then, then came this little Wu Tang vs. The Beatles mixtape, Enter the Magical Mystery Chambers. My interest was piqued.

I checked it out. And damn if it isn't solid as all get out. Like really really solid. Like (dare I say it) Grey Album solid.

The project was put together (I know this because I've skimmed multiple posts on Melophobe and Pigeons and Planes about this) by some 28 year old British music teacher named Tom Caruana. Which, when you think about it, is pretty much the bomb - this dude must be the most awesome teacher in the world. Kudos to you, Mr. Caruano.

Also, Raekwon called the album "ill" and the New York Times wrote about it. Not too shabby.

I can't get enough of it, really. I've been listening to it all day at work, despite the fact that it's really startling to be listening to Old Dirty Bastard dropping F-bombs left and right, and then have your nice coworker ask you a question about Microsoft Excel.

You can grab the whole mixtape at http://teasearecords.net/ or you can cop some of my personal favorites below.

Wu Tang vs. The Beatles - Got Your Money (YSI)

Wu Tang vs. The Beatles - Run (YSI)

Wu Tang vs. The Beatles - Slang Editorial (YSI)

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February 1, 2010

Owen Pallett Spins a Yarn

Rapid Fire:
-Owen Pallett has been the man behind much great music
-He has now emerged as his own artist
-Heartland is a portal to another world
-Full orchestral instrumentation adds much

PS. I first listened to Art Museums because of their name, but s.h.o.p.p.i.n.g. is a pop gem. Hazy, yet upbeat the track is a little early to be a summer hit it can be, but hopefully Art Museums will have some staying power. Lets call it the song of thaw.

Owen Pallett - Lewis Takes Off His Shirt (YSI) (zshare)

Art Museums - s.h.o.p.p.i.n.g. (YSI) (zshare)

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